Posts Tagged ‘short story’

It has been a long time since I produced a horror short for this blog. The following short hit me like a train in November. Obviously, it is a direct result of my trauma from my son being bit in the face by our dog the month before. So, this season, I give to you a glimpse at one of my demons.


The bubbling Christmas music sounded out of place against the rolling chatter and peals of laughter filling the house. The college party throbbed around me. I perched on an uncomfortable plastic chair by the coffee table, surrounded by strangers in ugly sweaters, crowded by a sloppily decorated tree.

I poured another drink down my throat to sedate my nerves.

I glanced around the circle of the gift exchange. The boy across from me balanced the small, wrapped box on his fingertips, like he didn’t know how to hold it. The drunk sorority girl beside him on the battered couch swayed into him.

“It’s just a present,” she said over his shoulder. Her red velvet skirt was too short for winter. She knocked her bare thigh against him, melting snow slicking from her tall, black boots.

He looked down to the box, awkward in his grip, then suddenly right at me. I stifled a gasp. His eyes were startling, some kind of hazel reflecting the Christmas lights hung around the room. I almost flinched, but for an instant, he looked childlike, lost. Something about the connection soothed me, made me forget that I knew no one at this party.

“My family doesn’t do Christmas gifts,” he said to the blonde, offering the green box with shining red bow back to her. “I didn’t bring one for the exchange.”

“But it’s a Christmas party.” Her intoxication elongated her words. She butted her leg against him again, but he did not lean into the touch. She pushed against the gift, pouting. “Everyone gets a present.”

“Don’t worry, Tyler,” the plaid-clad guy in the armchair said from the end of the coffee table. “I always keep a couple spares for the lame-asses who forget their gift.” Popping up from the chair, he vaulted over the coffee table.

Plaid grinned as he retrieved a larger box covered in snowman paper and pushed it across the table. Tyler watched the present slide to a stop before Blondie snatched it up. I looked at the red gift bag dangling from my fingers, glittered paper stabbing up at me.

“Why doesn’t your family do Christmas gifts?” My question startled me, the alcohol loosening my tongue, blurring my thoughts into clumsy speech.

I winced before looking to him, flush burning through my cheeks. What business was it of mine why his family didn’t celebrate Christmas? Maybe he wasn’t Christian. Embarrassment pounded in my veins enough to dilute the alcohol, but he smiled at me, soft and gentle, a glint in his striking eyes.

“I don’t know if it’s a very festive story.” He dropped his eyes, tilted his head, but his resistance felt hollow. He passed the present between his hands, waiting. “Kind of a buzzkill.”

“No, tell us!” Blondie straightened on the cushion, gripping his bicep.

He didn’t look at her. He looked at me. I stopped breathing and hurried my plastic cup to my lips. His mouth quirked.

“Well,” he began. “If you insist.” He planted his present in front of him on the table and eased back on the cushion to address the circle. “When I was a kid, I got bit in the face by a dog. And it was bad, real bad.”

Blondie gasped beside him, pressing her painted fingernails to her mouth.

Tyler turned his face, exposing his cheek. “Part of my cheek was ripped down. I was hospitalized for over a week, had over 120 stitches. It got infected,” he said. He traced a faint line down his cheek and through the break in the stubble along his jaw. Once he pointed it out, the healed skin winked white in the light.

“You can barely tell.” My thoughts spilled out again.

He smiled fast, running his hand over the faint scars. “My parents could afford good doctors. Young skin heals well,” he dismissed. “And my mom made sure I kept out of the sun and used every cream and treatment they recommended.”

“Did it happen on Christmas?” Plaid interrupted, leaning forward on his elbows, clutching his beer.

The circle contracted around Tyler, the festive chaos around us fading into the background.

“No, no.” Tyler waved the question away. “This happened before Christmas. I was pretty healed by Christmas, out of the hospital, stitches out. We were getting back to normal, except my mom.” He paused a moment, wet his lips. “My mom was messed up about it. It was her dog who bit me. Her rescue. And she loved that dog. Sometimes, I worried that she loved him more than me.” A pained smile twisted his face. “But when we got home from the hospital, she put him down herself. Didn’t even take off her shoes, just took him straight out back, and he was gone. Never shed a tear in front of me.”

The entire circle fell silent. All gifts had been abandoned to the table or the floor around us. The party had ceased to exist as we all leaned in for his words.

Tyler ran his palms down his thighs to his knees, exhaling before resuming.

“So Christmas came around. Our family was big into Christmas, made a thing of it. My parents had this big party every year with their siblings and close friends. The main part was this asshole gift exchange. Everyone got a name and bought that person a joke gift. But not like white elephant.” He poked at the box in front of him. “Like well thought out, personal, and often kind of mean.” He chuckled to himself, smiling at the present. “It was only the adults, and we kids were always so jealous. We wanted to buy asshole gifts too, but our parents said we weren’t ready.”

“Asshole gifts?” Blondie asked, cocking her head like a puppy.

“Like, how mean?” Plaid asked.

“It was about being funny,” Tyler said. “But you had to have thick skin. Like, if you hated something, you were getting that for Christmas. If you did something stupid, you were getting that for Christmas. My aunt fell on the ice one year and got a concussion; my dad bought her ice skates and a helmet.”

The table giggled uncomfortably, unsure where the story was going, not knowing if it was inappropriate to laugh. A smile broke my face, but I took a drink to disguise it, feeling the liquor hum through me.

“So, the Christmas after the bite,” Tyler resumed, “my uncle decided to include me in the exchange. He got me this, like, Phantom of the Opera type mask that covered all my scars, and he painted it to look like a werewolf. Honestly, it was kind of badass.” He smirked, shrugged.

Blondie placed her hand on his forearm, but he didn’t meet her wide, blinking eyes.

“So, your mom was pissed about the mask?” Plaid eased to the edge of the armchair, legs bouncing.

Tyler exhaled in a whistle. “She was so upset.” His tone lowered with his eyes, back to the gift in front of him. “I wanted to be involved so bad. I was the only kid. Even if the mask hurt my feelings, I felt special to get it. I tried to tell her it was fine. I told her it was funny and I loved the mask. But she was livid.” He took a deep breath and let it out slow. “Then my dad made it worse. He told her to calm down.”

We took a collective gasp.

“Oh no,” Blondie said.

He looked directly at me again, and that boyish demeanor surfaced. A boy healing back together after the gnashing teeth of a dog. A child listening to his parents fight. Then it receded behind how handsome he was. My stomach flipped.

“So, what happened?” Plaid encouraged the words with his hands.

“She did not calm down.” Tyler grinned sourly at the present. “She left.” He shrugged, shifting on the cushion. “She messaged that she was taking an uber. But—”

His voiced trailed off, and he found me again. As his eyes watered and glittered, it felt like he could see through me. When his eyes caught mine like this, it felt like he was talking only to me. The intimacy of his sharing. Or it was the rum in my egg nog.

He kept staring into me when he continued. “We never saw her again. She never came home, never called, never got any of her things. Just gone.”

My heart sunk with each word until it burrowed in my belly.

“Wait, what?” Plaid shot to his feet, mouth agape.

“Oh my god.” Blondie grabbed her face.

“I’m so sorry,” I said without thinking.

He kept his eyes on me, calm and clear now. “After that mask, we never exchanged another gift.”

Tears pricked the back of my eyes. The urge to hold him overwhelmed me. My arms insisted I clear the table between us, sweep Blondie from the cushion, and comfort this wounded boy. Yet I just gaped at him with the others.

“Holy shit, bro!” Plaid shouted, swiping fast at his cheek. “What a downer. Now, open your damn present.”

***

The cold walk across campus cleared the echo of the party from my ears, but my brain still thrummed from the cups I had nervously drank after the story. And my proximity to Tyler. Looping my arm through his, he held me close to guide me over the icy sidewalks.

His story had dispersed the circle. Blondie took the hint and stopped slapping her thigh against him, turning her attention to Plaid instead. We rushed through opening the awful gifts unceremoniously.

Our gifts now sat purposefully forgotten on the coffee table at the party. I received a set of straws shaped like veiny penises. He never opened his. The crisply wrapped box remained where he placed it during his story. The story that circulated through me faster than the rum.

I tried not to stare at the side of his face, searching for the scars in the dim light, as he brought us to his room. He kept the lights low, half-hiding from me, except for those shining eyes.

Closing the door behind him, he gathered my face in his hands. He ran his thumbs over my unmarred cheeks, banishing the chill from the night. His eyes, green or gold or maybe blue, caught the light from the window. He kissed me, slow, deep, until my knees wobbled.

“I didn’t finish my story,” he said, low and soft against my lips. “At the party.”

I leaned back to take in his face. Something behind him, something in the shadow by the door shifted. Or I thought it did.

“What do you mean?” I murmured, staring over his shoulder.

He guided my face back to his, drew me closer. “I lied before, when I said I never saw my mom again.”

Anger flared in me, betrayal in how much I had trusted his words and how they felt meant for me, and I jerked back again. The shadow behind him moved, took shape. I closed my eyes, blinked hard, tried to force my vision into sobriety and focus. Taking a step back, I bumped into his bed.

“No, no,” he soothed. Stroking his fingers down my face, he pulled me into him. “It was the first Christmas after. It’s how I knew she was gone, how I knew to stop asking questions.”

This beautiful stranger embraced me, his hands foreign on my back. I saw it behind him. The figure hobbled from the darkness, broken and jerking. Eyes like his found the light and gleamed at me from a mangled face. The flesh of the cheek had been ripped, torn away to expose a line of white teeth. Like it had been attacked by a dog.

“She comes back every year,” he breathed into my ear. Then, still holding me close, he turned to greet her. “Hi, Mom.”

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Losing my hair last year was traumatic. Even with the medication coursing through me and hair slooooooooowly returning, it is still every day. Waiting for me in the mirror.

I write horror because that is what comes out of my brain. Nightmares and worst case scenarios. To no surprise, I processed this life event by writing horror.

“Hairs” is a deeply personal story for me. I poured my pain into the premise and the beginning then let the ugly thing sprout legs and sprint into the horrific. I cried as I wrote it and when I read it. Yet, by the end, I do feel better, more settled.

Find “Hairs” on 96th of October, and let me know what you think of this slice of my hell.

There is more hair in the sink. There is always more hair in the sink. And in the shower. And in the drain. And in my hands. And everywhere. Tumbleweeds of hair across the tile. Webs of hair embedded in the carpet.

And I feel like I lose a piece of myself in every strand.

http://96thofoctober.com/articles/hairs/

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Reading in a dimly lit room because it’s spooky… or because I’m lazy. Reading “Awake”, a story inspired by my own hip surgery, which was thankfully much less traumatic of an experience.

Find the anthology on Amazon.

Christina Bergling

https://linktr.ee/chrstnabergling

One of the hazards of being associated with me is that my subconscious might file away details of your life that later resurface in my writing (#sorrynotsorry!). Like in this story, “The Dark Sign”.

If you want to wrangle this monster anthology (that includes monster stories like mine!), head to Amazon.

Christina Bergling

https://linktr.ee/chrstnabergling

Have you ever just wanted to kill your spouse/parnter/significant other? Can you never do anything right? Do they just nag and nag at you? What if you just snapped one day? In “Look What You Made Me Do”, he does. Let me tell you the story.

Find the book on Amazon.

Christina Bergling

https://linktr.ee/chrstnabergling

This reading was fun. I think Mr. Bubbles might speak to me sometimes 🐍🐍🐍

“Adam, Eve, and Mr. Bubbles” and all the evil animals can be found in Demonic Wildlife on Amazon.

Christina Bergling

https://linktr.ee/chrstnabergling

How do you feel about holiday horror? Does horror belong in this festive season? In this mini vlog, I talk about my three Christmas horror short stories.

“The Last Christmas Dinner” in Collected Christmas Horror Shorts: https://www.amazon.com/Collected-Christmas…/dp/1540677222/

“Duende” In Collected Christmas Horror Shorts II: https://www.amazon.com/Collected-Christmas…/dp/B07GJS79RL/

“Santa’s Workshop” in Haunted Holidays: https://www.amazon.com/gp/product/0244110131/

Christina Bergling

https://linktr.ee/chrstnabergling

When it comes to the state of the world at large and current events, I am with the majority in being ready and excited to say goodbye (and fuck off) to 2017. What a rollercoaster mess of a year.

However, if I refine my focus down to something a little more narcissistic, the assessment of the year brightens. For my writing, 2017 was a pretty damn successful year.

Last January, things would have never appeared so optimistic for my authoring career. I began the year released (with my two novellas, Savages and The Waning) by my first publisher. I went from having two books published and available to being featured in an anthology or two. From there, it felt like starting over.

However, starting over did not take long. Within the same month, my novel The Rest Will Come was accepted by Limitless Publishing. This rejuvenated my confidence and allowed me to focus on something positive and productive. It was ultimately released in August.

Not far behind that, I had a short story, “Hatch,” included in Collected Easter Horror Shorts in April.

Then, in October, things exploded. My poor rejected Christmas horror short “Santa’s Workshop” was accepted by Horrified Press into a future holiday anthology. My short story “Black Widow” was published in Collected Halloween Horror Shorts.

And my short story “Adam, Eve, and Mr. Bubbles” was published in the anthology Demonic Wildlife.

In November, my previously rejected short story “After the Screaming Stopped” was accepted in the upcoming Graveyard Girlz anthology by HellBound Books Publishing.

In December, I had three horror drabbles accepted into the upcoming 100 Word Horrors anthology.

Also, and perhaps the most exciting, HellBound Books Publishing released the second edition of my second novella, The Waning. This release was especially thrilling because it got one of my released books back on the market and because my friend Phil designed the badass cover art. Holding this edition was particularly special.

Then, to top it off, HellBound Books Publishing just offered to publish the second edition of my first novella, Savages. With this last contract, all of my finished and submitted works officially have homes. I no longer have released, rejected, or orphaned works. Every piece submitted is published or has a contract to be published. This is a HUGE accomplishment. This is what 2017 was for my writing.

2018 will already see the re-release of Savages and the publication of Graveyard Girlz100 Word Horrors, and possibly the holiday anthology from Horrified Press. Additionally, I am planning on submitting to three different anthologies before summer and am working on a collaborative novel with Kevin Kennedy. I also hope to start on my second solo novel, though I have not yet settled on a concept.

In short, I intend to be busy. 2017 was kind to me, at least as an author. I intend to build on that momentum.

Christina Bergling

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Every writer has common themes around which their brains and hence stories fixate. If you read any author long enough, you will see the same turns of phrase, images, scenarios. You can even chronologically identify a work based on the author’s fixations at the time, like stratifications in an excavation.

I am no exception. I catch my own duplications, my own redundancies, my own favorites. If I take myself out of the writing and look at it objectively, I can identify my own tendencies. A reoccurring theme that has been emerging in my own writing is bad things happening to children. Even in the horror genre, this is an odd path to which to commit. Especially repeatedly.

My first book has a baby in the apocalypse. I wrote a Christmas horror short about a pedophilic Santa Claus. I recently drafted a piece about a monster after a newborn.

As a mother of young children, people ask why I would write about such a topic? Hell, I ask myself. Often.

For me, writing horror is an outlet, as in venting things OUT. I write about the darkness already in my brain to get it out and off of my mind. I document my fears, my worst imaginings. I draft the ultimate worst case scenarios out of anything I could worry about. And as a mother of young children, what keeps me up nights is the idea of anything bad happening to my children.

Some times, many times, my own work disturbs me. The Santa Claus story was especially unnerving at parts, just like writing The Waning (which fortunately had no children involved). Yet while the fact that these ideas are in my head and the act of extracting them is alarming at times, I almost always feel better to have them out on the page.

My most recent story experience, writing about the monster after the newborn, was extremely cathartic for me. I have had that idea floating around my head, haunting my subconscious since my daughter (now 6 years old) was a newborn. It continually resurfaced and nagged me, especially when my son was then a newborn. But now it is out of me. Though the story is not finalized, submitted, or accepted anywhere (yet), it is still a relief to have it on the page.

Another new theme has emerged in my style since submitting to so many horror anthologies. Historically, I always prefer to ground myself in “real” horror, in that it is not supernatural or creature horror. I like to use the real (currently understood) world as my stage and showcase the horrors that already exist there. People are the monsters.

Yet, with these recent shorts, I feel myself veering hard into creature horror. Supernatural monsters and all the things I usually try to avoid. And, even more surprising, I think it is working really well. My childhood of Goosebumps and Stephen King books is permeating my themes. My history is showing.

Maybe I was just limiting myself all along but confining myself to the real. I do not shy away from brutal, disturbing themes and premises. Why should I avoid supernatural or creatures? Especially when it is working.

This might be a change, an evolution in my writing. I will have to see what comes out of me next, where the next project takes me.

 

Christina Bergling

christinabergling.com
facebook.com/chrstnabergling
@ChrstnaBergling
chrstnaberglingfierypen.wordpress.com
goodreads.com/author/show/11032481.Christina_Bergling
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instagram.com/fierypen/
amazon.com/author/christinabergling

halloweenghosts

As the sun retreated from the sky and the last rays of light died in the air, Marla’s small body began to materialize on top of the cracked asphalt. Her hips appeared first, the round bulbs of her pelvis spiraling out of obscurity as spinal vertebrae sprouted to climb up to her shoulders and bare skull. The tiny skeleton curled on the street in the fetal position, with her eye socket rooted to ground.

The skeletal fingertips twitched and jerked against the rough blacktop as the skull softly swayed side to side. As the bones began to animate, muscle and flesh blossomed along their edges like moss, overtaking the form as veins and arteries snaked up through the tissue. Hair budded from the fresh scalp until the wily mass of strands draped over Marla’s little shoulders.

Within seconds of dusk, the entire child body returned to the street, complete with the torn clothes. She lifted her head slowly from the pavement, her ejected eye clinging to the ground before popping up to dangle along her shredded cheek. Her right hand flopped half detached as it dropped from her bloody forearm. She stood on crooked legs with flaps of flesh shaved down and hanging over her knees.

Marla stood straight in her broken body, eye wagging with each movement, under the growing moonlight. The headlights of a large truck blazed up over her. She turned the eye still in her head to the vehicle before it drove through her in a swirling puff of steam. The edges of her form wavered before snapping back into shape.

ghostinheadlights

Marla turned unaffected by the truck driving through her, or the staggered series of cars that followed. She moved instinctively to the southwest corner just as she did every year. She stepped onto the curb, with one shoe on and one bare, scraped foot, as the contorted figure of her mother shambled toward her through the streetlight.

Abigail’s head cocked at an extreme angle, and her spine warped in sympathy. Blood had poured from her gaping headwound, drenching her face and clothes in a waterfall of red. Her feet splayed out in divergent directions, causing her to hobble even slower than the twisted corpse of her daughter.

“Hello, my beautiful girl,” Abigail whispered in a rasp as she wrapped her arms around her shattered child. “Welcome to our night.”

“I missed you, Mommy,” Marla said as she cuddled into her mother’s blood-soaked sweater.

“I missed you, beautiful.”

Abigail took Marla’s destroyed face in her hands, allowing the suspended eyeball to roll along her palm. Marla smiled sweetly with the facial muscles she had left.

“Don’t look at me like that, Mommy.”

“I’m sorry, baby. If I had known you hadn’t buckled your seatbelt, I would have never left the parking lot.”

“You don’t have to say that every year, Mommy.”

“You just had to get a new costume that night.”

“The one I had looked stupid.”

“No, it didn’t, but I wanted you to have a good Halloween.”

“It’s OK, Mommy. We can have another good Halloween tonight.”

“What should we do tonight?”

“I want to go see Daddy and Jakey.”

“No, baby. We don’t go see them.”

“Why not?”

“The same as every year. We don’t know how long it has been. It would make me sad to go and see Jake all grown up or your daddy as a grandpa.”

“It hasn’t been that long. Jakey will still be little. Just like when we left.”

“We don’t know that, Marla. We don’t go see them. Now, come now. Let’s do something fun.”

“Can we borrow bodies?” Marla perked up, and the tear in her cheek deepened as she grinned.

“Oh, that sounds like fun. What do you want to do with them?”

“I want to go trick-or-treating! But, this year, I want to be the momma and you be the kid.”

“Are you sure? It’s way more fun to be the kid.”

“No. It’s better to be the grown up.”

“That’s what all kids think. Until they become grown ups. But I suppose you never have to worry about that.”

“I still want to be the momma.”

“OK, baby, you can be the momma. You can even pick the bodies.”

“Yay!”

Marla leaped in excitement then took her mother’s hand in her attached arm, her other hand waggling loosely on threads of traumatized flesh. The two mangled forms moved unseen through the darkness as scurrying trick-or-treaters began to flood the streets.

ghostsonroad

Marla let her eye move over each group of figures in the night. The child body would have to be young to still have an adult escort. She watched a parade of tiny princesses march down the sidewalk, mothers snapping pictures with their phones like paparazzi. She looked over a group of unchaperoned tweens running by giggling under their masks.

Finally, she caught sight of a young boy marching down the street. He smiled euphorically under his pirate’s eyepatch, swinging a hefty bucket of candy at his side. Behind him, his mother weaved absentmindedly as her eyes fixated down on the glowing screen of her phone. She gripped a large travel coffee mug tightly with the other hand, taking compulsive sips every couple steps.

“Them,” Marla said, pointing confidently, knowing the living could not see her.

“The pirate and his mom?”

Marla nodded enthusiastically, her hanging eye bouncing up and down.

“Well, I’ve never been a pirate before,” Abigail laughed. “OK, darling, you know what to do.”

Marla stepped in the path of the distracted mother and placed her palms together out in front of her. As the woman turned Marla’s fingertips into mist, Marla swung her arms, as if swimming in the water, and dove right into the mother’s chest. Somewhere behind her, Abigail did the same to the young pirate.

“This feels weird, Mommy…I mean, son,” Marla said moving her arms in the strange new skin.

The living flesh felt awkward, heavy, confining. Marla and Abigail took a moment to shift and fidget, finding their bearings locked back under the bars of the bones. Marla took an awkward step forward and nearly toppled over. She realigned herself over her feet and brought the hefty cup to her lips. The acidic taste of the liquid bit her tongue, and she immediately spat it out.

“Eeww! What is this?” Marla held the cup out to her mother in the pirate costume.

Abigail reached the young boys hand’s forward and took a sip.

“Oh,” Abigail said, knowingly. “That is not coffee at all. That’s wine.”

“Wine? Why would she have wine in a coffee mug?”

“Because being the kid is more fun, dear,” Abigail laughed.

The two moved forward in staggering steps until walking became more familiar. With each passing house, they moved more naturally until they strode like all the other living people. They approached the next house with the porch light on and hesitated at the base of the driveway.

“What is it?” Marla asked, awkwardly juggling the coffee mug and oversized smartphone.

“I haven’t trick-or-treated in decades. Even in decades when I was alive. I’m nervous, I think.”

“That’s silly, Mommy. Son. Just go up there; ring the bell; and say, ‘Trick or treat!’”

“OK, I’m going.”

“What do I do?”

“While I trick-or-treat?”

“Yeah.”

“Nothing.”

“Nothing?”

“Yes. You follow me and stand here waiting for me. That’s it. Just don’t drink that cup. You’re having enough trouble walking in that body already.”

“Maybe the kid does have all the fun.”

“Told you.”

Marla watched her mother toddle up the concrete in the little pirate body and stood drumming her fingers on the cup she was not supposed to drink. When Abigail disappeared around the edge of the house, Marla took a deep sip on defiant principle then winced as it burned down her throat and pooled heat in her stomach.

Marla would never grow up to understand adults.

She turned the cup over and dumped the wine in the street. The red liquid looked just like all the blood that had poured out from her head when she went careening through the windshield so many Halloweens ago.

“That was weird,” Abigail laughed as she skipped back with a heavier bucket.

They moved house to house, repeating the same pattern around dark, curved blocks. With each stop, Marla grew more anxious. She tapped the mother’s toe on the hard ground. She crossed her arms and wished she knew how to operate the phone she shoved into her back pocket. Other children began to grow scarce on the street.

“I think that’s enough now, Mommy,” Marla said. “I mean, son.”

“Oh, come on. I can get this kid even more candy. Look at all the porch lights on that street.”

“No, I don’t want to anymore.”

“Not having any fun, beautiful?”

“Next year, I want to be the kid again.”

“I thought you might say that.”

Abigail smiled and took Marla’s hand, strange in the reversal of the angle.

“Well, let’s go put them back where we got them, and we’ll have a little time before our night is over,” Abigail said.

They walked the borrowed bodies back along their meandering trail to the driveway where they started. Marla drew her energy toward her center then thrust it upward. As she appeared wispy and disfigured again beside the mother, she felt herself expand into the freedom outside of the flesh. She watched the mother return to the surface disoriented, looking confused at the empty coffee mug in her hand.

Taking her mother’s ghostly hand once more, Marla followed her through the quieting streets. Jack o’lanterns flickered with dying candles on the porches. Music thumped out from lingering Halloween parties. The light air would have been crisp and the leaves would have crunched under their footsteps if they could feel either.

Abigail led Marla back to her spot in the middle of the intersection. She did not think of the way she could hear the front end of her car collapse or the way she saw the body of her child go flying past her head and through the windshield. She never saw Marla’s actual body on the street; she never left the driver seat.

“Are you ready to sleep, darling?” Abigail said.

“Yes, Mommy. It was a good Halloween.”

ghostinstreetlight

Marla crouched down on the pavement and lined herself up just as she had materialized, still clinging to her mother’s hand like an afterthought.

“Yes, it was, but next year, you can be the kid again.”

“Sounds good, Mommy. Goodnight.”

“Goodnight, beautiful. I’ll see you next year.”

Abigail bent down and pressed her lips to her daughter’s cracked forehead, even as the cars continued to drive through and over them. Before Marla turned to plant her eye socket back on the pavement, she watched her mother hobble away into the night, back to her place. With each step, a layer disintegrated from Abigail’s form, as if she was melting into wisps in the air. Marla faded too. She felt herself shedding coherency until she dropped her head, and they both blew away before the sun pierced the sky.

 

Christina Bergling

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