Archive for September, 2020

To put it frankly and in my signature vernacular: things are fucked.

Around this mark in the calendar each year I tend to fall into a depression sink hole, even in this best of years, and this is far from the best of years. I don’t know if it is the transition from hated summer into welcomed fall or some repressed trauma milestone, yet it arrives as regularly as the seasons themselves. The bald patches where my hair has abandoned my head for the first time since I was 17 testifies to what is being internalized below my scalp. I definitely find myself in brief moments rapt in the siren song that 2020 is the end of the world.

However, I do (logically) know better. Despite how good the memes are, there is nothing supernatural or maybe ultimately even that exceptional about the year 2020. This is not the world’s first novel virus or pandemic. Climate change didn’t start in 2020. Governments aren’t suddenly corrupt. Racial injustice didn’t begin when cellphones captured it and social media made it go viral. The well of human atrocities is deep and chronologically expansive. And I doubt when humans decide to start saying “2021”, the world and all its events (or the consequences for our own stupidity and selfishness) will decide to yield.

Though, illusory correlation or not, it does feel like 2020 is a convergence of many of these things, a culmination of numerous building unsavory aspects of our reality. And personally, the macro level has been paired with upheaval and chaos at the micro level. The last time my faith in the world and humanity was uprooted, it was in global ideas. Yet I could still take solace in my personal life, the little things I could touch. This time, no perspective or granularity of experience seems safe.

Things could always be worse and may still yet be… but they just were better too. However, this post is not intended to be about the current state of the world (could be a novel that I may write one day) or my life. Rather, this post is supposed to be about decidedly the opposite, about giving myself permission to turn away from those fixations briefly… for my month: October.

Anyone who knows me or follows me is aware that beyond being a horror author, I am an authentic horror genre and Halloween enthusiast. To suit my extreme/fixative personality, I go all in for holiday and surrounding month of October. (Let’s be real: the entire season, if not year round.)

It may seem flippant (and it definitely is) in times like these to indulge in books and movies and a holiday. However, these social media accounts are dedicated to my horror writing and the simple love of the genre. And I, for one, need the distraction. I need the simplicity. I haven’t stopped caring or worrying about all the more significant or more catastrophic elements around me, but I need to balance that with some irreverent fun. Otherwise, why bother?

While it may seem odd to watch zombie apocalypse movies during a global pandemic or while it may seem stupid to be excited over pumpkin spice and orange decorations while the western part of the country is on fire, my constant devout attention will not solve any of those problems. It will, however, cripple my mental health and cause my hair to fall out by the handful. It was always silly to wear a Halloween shirt every day and watch a horror movie for bingo every night. This year, it just seems ridiculous. Yet I am electing to give myself a little grace to be odd and stupid and find some damn joy somewhere, where I have always found it since childhood.

In my struggle to cope with all the things, I am attempting to come back to my own mantra, the mantra that was born out of the last time I dealt with these feelings. Life is largely shit and can end at any moment, so I need to suck any ounce of joy I can from any given moment. I need to pair this with the sentiment of controlling only what I can control. I may be able to take actions to help these macro problems, but I cannot control them. Some days, I may need to resign to work and worry at the micro level.

It is a luxury to be flippant and to capitalize on enjoyment when possible, so I am going to attempt to luxuriate a little bit. In short, it really is a shit show all around us. I am aware and have not forgotten. But for this month, it is still going to be horror movies and Hallowear and all the spooky traditions!

If nothing else, the pandemic has slowed me down, forced me to be “in” much more than I am accustomed. Historically, in October, I went all the places and did all the things and skidded into November a shell of a person. That is not an option this year.

This year will be about quality versus quantity. I will only be able to do a small subset of my normal activities and celebrations, but I intend to do them fully. Telluride Horror Show will be virtual; no haunted houses; no trick-or-treating; tiny cohort Halloween party. I intend to adapt to experience or create them in new ways. Rather than contorting and trying to shove normalcy into an abnormal situation, I am going to find a new realizations for these circumstances.

But whatever I do, I will be going all in.

Christina Bergling

https://linktr.ee/chrstnabergling

Some writers invent entire new worlds full of characters birthed entirely from their brains. I am not those writers. Instead, I like to take something real, most often from my own experience, and disfigure it with my imagination into fiction. Perhaps it means I lack the depth of other worlds inside of me, but I do usually prefer to pervert experience (even hearsay) into story.

Generally, reality is the inspiration, the launching point. Then the story blossoms or festers from there into its own unique manifestation.

And then there’s my book The Rest Will Come.

Of all my fiction works, The Rest Will Come is the most “inspired by” true events, the most infused with real people, places, and events. The core characters and opening events were ripped from the life around me, my recounting of myself, people I know, and things that happened around me (less than to me). Then as the narrative unfolded, I twisted these things into how I thought they could play out in a more fictitious, horror-comedy world.

If you endured all these horrible online dating experiences, how did you not snap and kill them all?

The challenge to using real life basis for both characters and plot events is making sure the audience is in on the full story. If they were not there for the precipitating events, they may not know all the contributing factors or influences. If they do not know the character inspirations in real life, if they do not pick up on the inside references, the characters may fail to be entirely developed. Since they were full and real in my life and then my head, it would have been easy to overlook the fact that I did not make them so on the page.

However, once the characters and the story were fleshed out enough beyond what resided in the echoes in my own head, it was fun to play with hidden references, inside nods, and Easter eggs.

Initially, I documented the “based on real” bits exactly as I remember/perceived. Then during edits, the inspirations and I decided to not really change them. Truth is stranger than fiction most times, and I just could not conjure better circumstances.

Then when I crossed over into horror and the blood began to fly, I changed from fully documenting things to little winks. Every person who contributed a dating horror story to the narrative got a namesake and a retributive murder somewhere within the pages. Places or turns of phrase would be recognizable to the right reader.

Ultimately, my goal was for people who never met me or knew my real life inspirations to fully experience the story, characters, and world within the book. For those who did know me or us, I wanted them to enjoy collecting all the little Easter eggs and laughing along their fictional journey.

Was I successful? Did I manufacture the right balance between my reality and your fiction? You’ll have to read The Rest Will Come and judge my efforts for yourself.

Now, since diving so fully into the “inspired by true” premise for The Rest Will Come, I have swung the other direction for my current work in progress. True to my nature, I only operate in alternating extremes. So, I am trying my hand (literally) at imaging an entire world and creating characters with no external reference. The change contorts my brain but hopefully in a good way. The end result and its reception will tell.

Christina Bergling

https://linktr.ee/chrstnabergling