Archive for the ‘horror movies’ Category

Telluride Horror Show, back in person! If I can accurately stalk my own social media posts or count my own souvenir badges correctly, this was our fifth Telluride Horror Show attendance (inclusive of last year’s virtual rendition). I was thrilled to back in Telluride this year.

For the past two years and pandemic, the festival itself managed to go on largely unchanged. There were masks indoors and wristbands to verify vaccination or negative test status. Some events were held outside. Otherwise, all the things happened.

However, this won’t be my typical Horror Show write up because this was not my typical Horror Show experience. Not due to the fest–the fest itself was as normal as it possibly could be. The call was coming from inside the house. The trip to Telluride afforded me the time to finally take a breath, and when I did, many things surfaced in my mind. Horror has always been a coping mechanism for me, so I supposed it was an apt time for some processing.

In all cases, it was much needed.

Bridal Veil Falls

Sure, three days of horror movies and events is enough to fill a weekend. However, considering we have to drive across the state to get to Telluride, we decided to cram more into the trip. Plus there is always that masochistic outdoor streak.

My father has been scolding me yearly for being in Telluride and not doing the Bridal Veil Falls hike, so this year, we finally got it together and did the thing.

The weather was amazing. My Viking heart was singing through the frigid snow contrasted with the blazing fall colors on the trees. I was euphoric and zen, in my total happy hiking place. We took the long walk through town to the trailhead to truly absorb it.

When we got to the trailhead, there was even more snow on the mountain and we were the first on the trail, so there was no trail. We had to trailblaze through the untouched powder the entire way up. It was an adventure. And a slog. Lots of slipping and sliding. For just over a mile, it was a journey.

Totally worth it. Gorgeous frozen falls times three. It was the perfect way to kick off the weekend and get the blood pumping before sitting in theaters for three days.

Author Stalking

One of the highlights of Telluride Horror Show for me this year was all the author events. Telluride always hosts an enviable set of author activities. I have seen Paul Tremblay and Jeremy Robert Johnson in previous years. Yet this year included Stephen Graham Jones.

I was introduced to Jones’s work this year when a beta reader suggested The Only Good Indians as a comparable title to my WIP novel. I read it and fell in love with that book and Jones’s style in general. I immediately devoured My Heart is a Chainsaw and Mongrels. I was hooked and so excited to see him in person.

Jones and Tremblay both read (and Johnson riffed) at the Creepy Campfire Tales. Then, prior to a book signing, the three held a Horror Summit to discuss writing and horror genre topics.

This all hit at a strange time for me. I find myself a bit lost in my writing career, and I’m not entirely sure why. I just released my fifth book (Followers) with Crystal Lake Publishing. I have wanted to work with Crystal Lake for a long time, and releasing a book is always a success, so I should feel happy and accomplished. I already have another novel drafted and ready to submit. Though it has garnered a bunch of agent rejections, I still love it.

So, why am I questioning my writing career? Why is my resolve weakening now? Listening to these professional authors speak somehow left me feeling even more conflicted, made the real dream seem even farther away. I left the events full of admiration… and increased self-doubt, which is uncharacteristic for me.

The Movies

The Telluride Horror show is really all about THE MOVIES! So what did I see?

Admittedly, I saw less this year than I usually do. My social stamina was not where it used to be, so I did not have the drive to attend every round of every day. We also had a baby in our party, so I took several child care shifts. Then I devoted a good portion of my time to the other events (authors and trivia). Plenty of horror movies still happened.

The viewing experience was somewhat off for me this year too. At first, being in a full theater was bizarre. It had been two years since I was in a packed theater. The first time I was seated directly next to a stranger, I found myself curling toward my husband, as if I was going to crawl into his lap like a cat. But I got over that quickly and reacclimated to being social.

More than that, my triggers were misaligned. Movies that were hyped up to upset me passed over my mind smoothly, while others that seemed inane stirred unexpected responses. Ghosts were moving beneath the surface of my mind that I could not identify. The horror called to them.

The Sadness

HOLY SHIT this movie. The Sadness gets every trigger warning. Graphic, gory, disturbing, fucked… but brilliant.

The movie is unsettling enough with its COVID parallels. The news reports sound all too familiar. Then it takes a swan dive off into horrific. Yet it is not splatter or shock gore. While traumatizing, it is all calculated. The despicable things depicted contribute to the story, drive the plot points.

The movie is about showing what terrible things are right below our surface, right under our thin veil of control or civilization. The Sadness renders a sublimely sickening vision of what is behind that veil. Yet it maintains lines where the camera pulls away and leaves even worse things for the imagination of the audience. That control made what is deliberate on screen all the more effective.

While a challenging and one-time watch, The Sadness is my favorite from the fest and a movie I needed to see.

Sinister Stories Shorts

The “Sinister Stories” shorts block included some creepy and interesting offerings.

Koreatown Ghost Story was my favorite short of the fest. Extremely succinct and unnerving, it offers just enough to draw you in and deliver the right impact. I loved it.

Face Not Recognized. Try Again has an interesting concept that left me with numerous questions. You’re Family Now delivered a creepy interpretation of grief.

Let the Wrong One In

Horror comedy is always a solid bet for our group. We love it, and even when it goes wrong, it is usually ridiculous enough to keep us entertained. Let the Wrong One In brings Irish vampires. One junkie brother shows up bitten instead of strung out, and things unravel from there. The movie is funny and entertaining as long as the brothers fumble in their own house. Once the story left that structure, it sort of lost cohesion.

Antlers

The big budget, mainstream closing night movie. I have very mixed feelings on Antlers. On the surface, it is a formulaic, highly produced, entertaining horror movie with a very good monster.

Yet the formula is also a bit tired. As the story borrowed the wendigo from Native culture, it felt like another instance of white characters telling a not white story. It could have been more interesting with a couple steps out of the typical box.

The ending is also pretty weak.

When the Screaming Starts

More horror comedy. When the Screaming Starts is a pseudo mockumentary about an aspiring serial killer starting a cult. The story has a lot of potential, yet much of the comedy does not land as strong as it should.

Broadcast Signal Intrusion

To be honest, I slept through part of this movie, so I’m not sure how inclusive my opinion can be. I was well schooled on the inspirations for the movie, which definitely made it more interesting. I found the first half very intriguing, a solid mystery. Then the movie lost steam. When I woke up for the ending, I was left confused and wanting (more so than from being unconscious).

Black Friday

I was potentially the most excited about Black Friday. Holiday horror comedy with Bruce Campbell? Yes please! I was expecting something in the vein of perhaps Krampus. I’m not sure what the fuck I got. I don’t know that the movie knew what it was.

I think I was expecting the commercial commentary to be foundational, a la Dawn of the Dead. Instead, it was more sprinkled like salt as random references. Then the threat shifts from zombie-like shoppers to some sort of amalgamation monster, and that transition is poorly portrayed. All the characters are extremely cliché, but it is not pushed far enough to be caricature. Ultimately, just so disappointing.

“Folked Up Horror” Shorts

Folk horror is not my preferred genre. I definitely have selections I enjoy, but I am in no way an expert. The shorts in the “Folked Up Horror” block were bizarre. The musical taxidermist in Stuffed is fantastic and more entertaining than I usually find musicals. Then The Wet Nurse personally traumatized me with breastfeeding flashbacks and horrifying potential. The others fell relatively flat or outright confusing.

Trivia

We always attend Fright or Wrong trivia and muddle our way through. By some miracle of betting on the right question last (in person) year, we won. We managed to pull it off again this year. This time, the feat was accomplished by the combination of having two experts in 80s horror combined with two strangers joining us more fluent in filmmakers and modern horror.

Win or lose, it is always a fun time. And ridiculously hard questions.

In the End

Despite whatever cycles or processing I had percolating under my surface, the breath this trip afforded me to acknowledge them was so needed. Vacations or breaks of any kind have been scarce since the pandemic, and I am glad that we used it for Telluride Horror Show. The fest managed to preserve itself and return post lockdown with the same level of horror, community, and events.

Can’t wait until next year!

Christina Bergling

https://linktr.ee/chrstnabergling

My book Followers is a horror novel, but it is also about the horror genre itself. I have loved horror most of my life and have constantly been asked, “WHY HORROR?… HOW CAN YOU LOVE HORROR?” (insert my eye roll in black eyeliner). That question grew legs for me and became, could you love the horror genre if horror was real in your life? I explore that in the pages of Followers.

To do that, I needed a horror lover. Enter Sidney (familiar namesake, anyone?)

Of course! She was my first final girl. My Sidney uses horror as therapy, as medication, as distraction from the pain and disappointments in her real life (as much as she uses the online followers she is collecting). But to go on her horror journey, real and in the genre, I wallowed in my own love of horror. From name dropping on characters like Sidney, Wes, Pamela, Tony, Seth, and more to attending a horror film festival, Followers is about loving the horror genre.

Allow me to provide some excerpts of the nods to horror within Followers.

She tabbed away from her browser and into her active document. The bloodbath in her movie began to overshadow the chocolate-flavored recreation she had posted all over social media. She skimmed the last paragraph in the document, running her finger through the air over the words and mouthing the sentences silently as she read.

Even considering new classics like Final Destination and Saw, to crown the best bathroom scene in horror, we have to circle back to the beginning. Psycho is where it started, where the slasher genre itself started, and where this article has to end as well, she typed.

@Romero4eva: #FinalDestination is based on a woman changing planes based on her mom’s intuition! #truestory #FDlivetweet #horrorisreal
“Holy shit,” she mumbled between popcorn bites. “Did you know Final Destination was actually loosely inspired by real events?”
“I had heard that,” Wes replied, typing. “But did you know it was originally supposed to be an X-Files episode?”
“No! How do I not know all this?”
“This is why we live tweet, Sidney.”

@ChuckysBabysitter: The Bus! Gets me every time! #finaldestination #FDlivetweet #finalgirlscreams
@HorrorL0ser: BOOM! #youcantcheatdeath #finaldestination #FDlivetweet
Allison: That scene is so infamous. I remember my jaw dropped when I saw it in the theater.

“When was the first time you saw this movie?” Adam said as they sat.
The thick seats folded down and creaked under their weight. Dim lights peeked out from the thick curtains lining the wall. The wide, gray screen loomed anticipant in front of them.
The actors ran madly up and down the aisles, shrieking as their steps ground popcorn into the flattened carpet. They paused to mock and interact with the patrons. Magenta swung her wide hips as her frizzy hair bounced on her shoulders, dragging her feather duster over any face within reach. Riffraff loomed in a corner, leaning out menacingly as new people entered the theater.
“Sleepover in junior high,” Sidney answered between bites of popcorn.
“Ha! What were your first impressions?”
“I was confused but very intrigued. You?”
“My mom showed it to me, of all people.” Adam smirked.
“How old were you?”
“Early high school, I guess.”
“That seems weird,” Sidney giggled.
“It was. But my mom was weird. The best kind of weird—a horror lover. I have some strange stories. I’m surprised you never live tweeted this one.”
“Everyone live tweets Rocky Horror.”

“Hey, man,” Adam said as they approached Wes. “Look, I didn’t attack Sidney last night.”
Wes spun towards him, arms still pinned around his chest.
“Is that an actual line from Scream?” Wes replied. “It sounds very Billy Loomis.”

As the familiar festive plot unfolded, she reminded herself to swipe over the trackpad and tweet. If she did not post, was she even really watching?
@FinalGirlScreams: #SilentNightDeadlyNight was ahead of its time with killer psychology. Even if it portrays #PTSD horribly. #12SlaysofChristmas #horror #finalgirlscreams
@L1v1ngDead1te: Wouldn’t be the holidays without #12SlaysofChristmas with @FinalGirlScreams!
@Romero4eva: @FinalGirlScreams I watch this one every year. For the antlers!
@ZombieonElmSt: @FinalGirlScreams great choice! Xmas classic #christmashorror #12SlaysofChristmas

The first taste is free… if you want more, you’ll have to read Followers for yourself. You can find it now on Amazon! See how many more horror nods you can find.

Christina Bergling

https://linktr.ee/chrstnabergling

I wanted to be in Telluride this weekend. I wanted to be up in the mountains surrounded by aspens ignited in golden leaves, walking through the crisp air to shiver in queue after queue for horror movie screenings at my fourth straight year at the Telluride Horror Show.

Yet, as with just about everything in recent days, the Telluride Horror Show went virtual this year. And, as with just about everything in recent days, it was better than nothing, but it was just not what I wanted. There is only so much that you can emulate online, especially when everything is now forced online into a distanced echo of what it used to be.

We do what we can under the current constraints. Telluride Horror Show definitely made every effort to virtualize the festival experience and offerings, so rather than spend another blog post analyzing my pandemic fatigue and depression, I will strive to stay on topic.

For the Shelter-in-Place Edition, the Telluride Horror Show endeavored to provide the variety of their programming and the sense of community in the usual experience online. Beyond feature films, the offerings included recorded campfire tales, director and/or cast commentaries, horror trivia, a virtual lounge, and other events I didn’t even get to sample.

However, it was all that: online. All that flat, glowing screen of the television or the smartphone. It was all socially distant. With all of life filtered through these damned screens lately, it felt so reductive. For me, rather than bringing me closer to the experience, it called attention to everything I was missing and could not currently have.

But that is just how my brain works in this pandemic.

We did the best we could, as we have been for months, with the situation. We gathered our cohort together to put on our own miniature horror fest. At times, it included children milling around in other rooms or yelling at uncooperative dogs. We employed a couple different venues for variety.

To be entirely honest, our viewing started out quite rough. The first few features we attempted were disappointing and seemed to amplify the bitterness of not being in Telluride itself. We really struggled with the film descriptions. We were misled multiple times over the weekend and found that, ultimately, we were missing the festival chatter, the reviews we would hear in lines between movies and at the bar from other movie-goers.

However, I do not enjoy writing bad reviews. As an indie artist, I do not like to rip apart something I know people put themselves into or truly loved. So, this festival recap is not going to be about how a virtual festival flirted with zoom burnout or which movies did not suit my particular palate. Rather, I am going to focus on everything the Shelter-in-Place Edition of the Telluride Horror Show did right.

Perks of watching from home:

  • Comfort: While the Sheridan and the Nugget theaters may be beautiful and storied (if not haunted) venues, they are not the most ergonomic after compound hours. Sheltering at home, it could be the couch or the floor or the bathtub or the backyard or all of the above! While I missed the long walks between screenings, some in our party who were relieved to be skipping them. And there was no shivering outside in line and zero waiting.
  • Convenience: In Telluride, we often encountered the dilemma of two conflicting screenings. However, at home, we were the film programmers. We watched the on demand movies, shorts, and events when we wanted and in the order we wanted. Had to pee? Pause! Needed a snack? Pause! Wanted to start early or run late? We could do whatever we wanted.
  • Concessions: While a normal Telluride includes sandwiches shoved in a bag, popcorn, candy, and booze, the home part of sheltering opened the door to much more elaborate snacks and meals. We could eat and drink whatever we wanted. Hell, we could have it delivered. The bar and the kitchen were inside our theater.
  • Conversation: A festival may be more of a communal viewing than a typical movie, with laughter and banter encouraged. However, it would still be disrespectful for a group of assholes (us) to chatter through an entire film. Yet, when that group of assholes is the entire audience, we could do what we wanted. Especially when we were not entirely enjoying the movie, rowdy joking was exactly what we needed to elevate the experience.
  • Cost: Holy cost effective! The Shelter-in-Place Edition included SO MUCH content for the price. And with the convenience of the format, we were able to consume so much more of it in the timeframe. Much more horror for each dollar spent.

Our viewing may have started rocky, and we may have missed a scheduled screening due to not fully understanding how those were working. Yet, we still found plenty of horror to enjoy in this year’s programming. I have never been able to watch so many shorts at a fest before!

My favorite films (in no particular order):

  • The Columnist: A horror comedy that reminded me of two of my books (clearly, the themes speak to me) where trolls on the internet push one writer too far
  • Bloodthirsty: A refreshing rendition of a neglected subgenre that finds a vegan singer struggling against all kinds of hunger as she works on her new album
  • Dark Stories: A clever anthology of spooky stories a mother tells a possessed doll to keep it distracted
  • Butchers: A rare exception to my distaste of the hillbilly subgenre with teenagers breaking down in the middle of nowhere and encountering a family of sadistic butchers
  • Possessor (honorable mention): A sci-fi mingling including an assassin who possesses others to execute her jobs until she finds herself trapped in the last host

My favorite shorts (in a very particular order):

  1. Keith: A little girl meets the monster under her bed
  2. We All Scream: A little boy is tempted by a clown in an ice cream truck
  3. Oh Deer!: A father teaches his son what to do when they hit a deer with their car
  4. Carmentis: A injured miner struggles to survive on a harsh planet
  5. There’s a Ghost in the House: A couple bickers over the appearance of an apparition in their living room
  6. Face Your Fears: A woman faces a challenge to concur her fear of the dark

In Review

This is going to sound fucking ridiculous and corny, but the truth is the truth.

<cheesyTruth>Horror festivals have always been about more than the movies for us. My husband took me to my first for my birthday (Stanley Film Festival). We made some great friends there, and they told us about the Telluride Horror Show. So we brought some friends and started attending. The next year, we brought more friends. Then we met more people, brought more people. It became its own thing.

The horror movies are always what we go for but are not what the experience is about. It is the trip and the experience–but mostly the people. This year, we could not have the trip and we had to cram the experience into the screen, but we still had (some of) the people. So we still had the part of our horror show that mattered. </cheesyTruth>

So cheers to more horror and more horror shows and to being able to bring it all back in person again in the future years!

Christina Bergling

https://linktr.ee/chrstnabergling

For the past three years, October has meant the Telluride Horror Show for me. It became our tradition when the Stanley Film Festival left Estes Park to become the Overlook Film Festival. Our tradition has now grown to include more people in our condo each year.

I could spout the same euphoric babbling I do every year. How I love the autumn drive across Colorado. How beautiful the mountain town of Telluride is. How the small festival has a fantastic community feel and atmosphere. How the films rarely disappoint. How fun it is to interact with filmmakers. BUT all of that has been true since Telluride Horror Show #8 (and remained true this year). Though I was disappointed to see no snow.

This year, in particular, the movies were particularly strong. Most years, there are some weak selections or ones that are not quite my flavor, but I was not disappointed. I did not enjoy one film, but I knew that going in from the synopsis in the programming guide.

Here is what I watched this year:

Making Monsters: A fantastic little film that felt like Hostel for the more digital age. The plot and the acting are on point. Great watch.

The creature shorts: A solid selection of short creature horror films. While one or two fall flat, none are bad. My favorites include Pathosis and It Came in Through the Window.

Mutant Blast: Stupid, stupid ridiculous movie, but it’s Troma so obviously. The main two characters are strong and engaging, but I could not get past the bullshit. Others in my party thoroughly loved it though.

Z: See my full review on Daily Dead.

1BR: THE FAVORITE! See my full review on Daily Dead.

Daniel Isn’t Real: Another movie about an imaginary friend (following Z) with a very Fight Club vibe. I love the character dynamics, but the ending wanders off a bit too far. A weak end but still a decent flick.

Tucker and Dale vs. Evil: Still just as funny 10 years later!

VFW: The mindless splatterfest I needed after a cerebral day. The characters are good enough for you to care about, and the gore is strong enough to keep your attention. Entertaining as hell.

The Deeper You Dig: A solid supernatural slowburn. Though I nodded off in a couple scenes, I was quite tired. Needs to be viewed on the right mood.

Extra Ordinary: Hil Arious. My friend nearly pissed herself laughing in the screening. The lovable character are so funny, and I can’t wait to watch it again.

We didn’t really get to participate in much beyond the movies. I was too jealous to listen to other authors read their works by the fireside. We ran out of time to walk down to the pig roast. However, we absolutely did make time for trivia.

…and we won it!

Congratulations are not entirely in order though. We hovered solidly in the middle of the pack until the final Jeopardy round. One of us was the only person who knew the lost footage from Event Horizon was found in a Transylvanian salt mine, so we were the only team to gain points while every other team lost. And that launched us to #1.

I’ll take the win however it comes. Trivia has never been my strength.

Our group also decided to increase our festive participation. We dressed up as the cast from The Shining—Jack, Wendy, Danny, and the Grady sisters. I never really miss an opportunity to go all in on a theme and dress up, but this was an exceptionally good environment in which to dress up as iconic horror characters.

Having someone who can pass as my twin only made it better.

It was endlessly entertaining to creep people out, speak and move in unison, and take pictures with a whole bunch of strangers. A good costume is always an awesome icebreaker to make new friends, not that that is hard to accomplish at a fest. We dressed up during the day on Saturday then again for the Last Call party on Sunday night. The Grady sisters are much more fun intoxicated, in my opinion.

Then it was over. The weekend flew by faster than usual. It was a blur of movies; then we were packing the cars back up to drive home. We even quickly overcame car issues to get on the road. I spent the long commute reading over my new WIP novel for the first time. Since I didn’t hate my work as much as I anticipated, it helped to ease the hard drop back into regular life.

If only we could always live at the Horror Show. If only it could always be October.

 

Christina Bergling

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2018 was a wild and busy year for me. Most of all, it was the year of the horror anthology. Take a look at what 2018 looked like for my publications.

Publications

January: “Jack Frost,” “You Don’t See Me,” and “Grand Slam” in 100 Word Horrors
June: “After the Screaming Stopped” in Graveyard Girls
August: “Upgraded” in Demonic Household
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August: “Personas” in Colorado’s Emerging Writers (nonfiction)
August: “Look What You Made Me Do” in Colorado’s Emerging Writers (fiction)
August: “Whole” and “Under the Rapids” in Ink and Sword Magazine
September: “Duende” in Collected Christmas Horror Shorts 2
October: “Zoltara” in Carnival of Horror
October: “Freaks” in Carnival of Nightmares
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Festivals

I attended my first author book signing event, Behind the Mask in Nashville, TN.
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As has become an annual tradition, I attended the Telluride Horror Show.
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My reviews for The Dark, Terrified, and Mega Time Squad are published on Daily Dead.
My other festival reviews are on my blog:
The year also saw me launch into some collaborations with other authors, a horror photographer, and an artist and return to performing as a belly dancer. It was a full, busy, and successful year.
Looking to 2019, I hope to add more books to my publication list, including a new novel. I also hope to be able to release more from my new collaborations.
I cannot thank you all enough for the support you give me. I wish you the warmest holidays and the best new year. And if you’re in the mood for some festive horror, check out my 12 Days of Christmas Horror

After having surgery this month, I spent an unprecedented amount of time on the couch. Yes, I used this time to catch up on writing blogs and movie reviews, BUT ’tis the season for holiday horror.

Allow me to present the 12 Days of Christmas Horror, twelve horror movies I indulged in this holiday season. I tried to travel the globe a bit like St. Nick here, taking in the naughty and the nice. The Scandinavians still have holiday horror nailed. This is just a sampling of the wonderful, horrible fruitcake of festive horror out there, but enjoy what you will and Happy Holidays!

1. Silent Night, Deadly Night (1984)

I decided to start strong with Silent Night, Deadly Night. I didn’t discover this gem until a couple Christmases ago, and I haven’t had the heart to indulge the rest of the slasher franchise. We all know how the 80s slasher franchises took a nosedive after the first installment.

After his parents are murdered by a man dressed as Santa Claus, Billy is raised (and abused) in a Catholic orphanage. Christmas and Santa haunt Billy into his teenage years. When Billy is asked to dress up as Santa at his toy store job, he finally snaps. With customary 80s gratuitous violence and nudity, Billy slashes his way through his issues.

Santa’s Verdict: Nice

2. The Children (2008)

Visiting your family over the holidays is often unpleasant when you’re an angsty teenager, but it is made much worse when your younger siblings and cousins are infected with a virus. A virus that drives them to kill all the family around them. The Children is a British thriller than plays on the innate terrifying nature of children and the pressure we all feel at family holidays. The violence is a fantastic mix of graphic and suggestive that leaves you wondering what you’ve seen and what you imagined. But any time a movie kills children, it’s a guaranteed jaw drop.

Santa’s Verdict: Nice

3. Krampus (2015)

A festive horror comedy, Krampus is a family favorite in our house. When family time causes Max to lose his Christmas spirit, the monstrous Krampus arrives to punish one and all. The movie has just enough fright to get my kiddos to jump and plenty of ridiculous comedy.

Santa’s Verdict: Nice 

4. Better Watch Out (2016)

Luke has the hots for his babysitter and a plan to make a move in this home invasion thriller with a twist. The movie is flawed but entertaining enough. It makes me think Home Alone as a horror movie. I always wanted to see what would really happen if you flung a paint can at someone’s head. Better Watch Out offers a pretty detailed portrait of young white entitlement gone psychotic.

Santa’s Verdict: Nice 

5. Dead End (2003)

Dead End might be a stretch as a Christmas horror movie, but it is a horror movie set on Christmas Eve so I’m counting it. On their way to the grandparents, the Harringtons take an unplanned shortcut that ends in disaster. The French horror balances family drama, horrific deaths, and light humor. I particularly enjoy the ending.

Santa’s Verdict: Nice enough

6. Red Christmas (2016)

The sins of the mother come home on Christmas Day in this Australian Christmas horror. Diane has managed to gather her estranged family together for the holiday, but she never anticipated being joined by a cloaked stranger claiming to be the child she attempted to abort 20 years prior. The premise and acting are ridiculous (and also horrible), but the gore is on point.

Santa’s Verdict: NAUGHTY

7. Black Christmas (1974)

The original Black Christmas is often cited as one of the first slasher movies and definitely credited with launching the subgenre. I know it’s the first killer POV that really sticks out in my mind since the shower scene in Psycho. This movie is a holiday and horror classic that I think still holds up today.

Santa’s Verdict: Nice

8. Black Christmas (2006)

Oh, early 2000s horror, what a mangling you did on this remake. The Black Christmas remake scarcely preserves the premise of the original then drops the rest of the film into early 2000s horror tropes. Mental institute escape, check. Dumb hot girls, check. Unnecessary killer backstory, check. It’s more of a gorefest (and obsessed with eyeballs) than the original, but otherwise, it falls entirely short.

Santa’s Verdict: Naughty

9. Sint (Saint) (2010)

We discovered this Dutch Christmas horror last year, and it immediately joined my mandatory seasonal viewing. Sint paints a very different portrait of St. Nicholas as a murderous bishop who takes and punishes rather than leaving presents. The horny teenagers give it a very Halloween vibe to begin with, but then it launches off into its own Amsterdam Christmas, ghost revenge carnage.

Santa’s Verdict: Nice

10. Rare Exports: A Christmas Tale (2010)

In the Finnish province Lapland, a British research team uncovers the tomb of something ancient, something that can slaughter hundreds of reindeer and rob Pietari and his father of their livelihood. They attempt to trap the wolf that killed their income but discover something else instead. Rare Exports is smart Finnish horror that provides an excellent rendition of a much more feral and evil Santa Claus.

Santa’s Verdict: Nice

11. Santa’s Slay (2005)

Santa is not really a good-hearted elf. Instead, he’s a demon who lost a bet, resulting in him being punished by spreading joy to children for a century. Full of ridiculous celebrity cameos, atrocious one-liners, terrible effects, and awful acting (from actors I have seen act well), Santa’s Slay is the lump of coal in your Christmas horror stocking.

Santa’s Verdict: Naughty

12. Anna and the Apocalypse (2017)

Anna and the Apocalypse mixes a teenage musical with Christmas AND zombies. Anna is just working through her teenage issues with song when the zombie apocalypse drops on top of the holidays with a sharp mix of comedy and gore.

Santa’s Verdict: Nice

BONUS SHORT! Treevenge (2008)

In Treevenge, poor, innocent pine trees are just trying to live out their lives peacefully until a group of violent humans come to mutilate them and tear them from their home. In this wonderfully awful short, the trees take their revenge upon their fleshy oppressors.

Santa’s Verdict: So naughty it’s nice

BONUS! Dead Snow (2009)

OK, Nazi zombies in a Norway is not exactly Christmasy. The characters may even be on an Easter ski trip, but it looks like winter. It is also one of my favorite horror movies, so I’m adding it as another bonus to my 12 days. In Dead Snow, a group of students head to a cabin for a ski getaway when Nazi zombies start popping out of the snow. The film is fantastically gruesome and so much fun.

Santa’s Verdict: Nice

 

Christina Bergling

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We’re baaaaaaaack!

Last year, I stepped up my #31DaysofHorror (watching a horror movie every day in the month of October) experience by adding bingo to the game. This year, I am returning to the same haunt with a new board, fresh with different horror movie tropes and cliches!

Will I top my record of 50 horror movies last October? Will some devoted soul beat me to bingo blackout? Join in and find out! Please, read the rules below, download the board and play along!

31 Days of Horror Bingo Rules:

  1. Each day of October, watch a different horror movie. You are allowed to catch up by watching multiple movies in one day.
  2. For each movie, cross out a tombstone on the board. Only one horror cliche per movie!
  3. Blackout all 24 spaces in the 31 days.

That’s it. Simple. Let’s see who can overdose on horror movies first!

 

 

UPDATE: I made it! Blackout by October 24th. Here’s how the tombstones fell:

Foreshadowing: Who’s Watching Oliver
Creepy doll: IT
Improvised weapons: You’re Next
Revenge: Revenge
Bait: Upgrade
Gratuitous nudity: Tenebre
Reanimation: Scouts Guide to the Zombie Apocalypse
Look behind you: Delirium
Ghost story: Sleepy Hollow
Rural horror: Never Hike Alone
Unrealistic death: Scream
Flashbacks: Terrified
Haunting: The Witch in the Window
Disfigured killer: The Dark
Dream sequence: A Nightmare on Elm Street
Aliens: Aliens
Stupid victim: After.Life
Final guy: Get Out
Ahab: Halloween 1978
Let’s split up: Halloween 2018
Pet scare: Pet Sematary
Bad acting: Scream 4
Urban horror: Bones
Stoner: The Thing

 

Christina Bergling

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In the month of May, I participated in the ABCs of Horror Movie Challenge hosted by Mr. and Mrs. Halloween. Each day, I selected a horror movie I had not seen to match the letter of the alphabet for that day.

So allow me to share my new-to-me horror alphabet from May.

A is for Audition
Visually poignant and confusing in the best and most disturbing way
B is for The Bye Bye Man
Boring, cliche, and full of poorly executed tropes
C is for The Children of the Corn
Essential. How had I not seen this yet?
D is for Dig Two Graves
Delightful spin on the exhausted revenge subgenre
E is for Excision
Fell infinitely short of expectations
F is for Frontiere(s)
Some wonderful combination of Texas Chainsaw Massacre and Hostel
G is for Ginger Snaps
Fun ride with angsty, teenage goths
H is for House of the Devil
Gorgeous throwback that left me bored
I is for Irreversible
Irreversible and haunting in every way, brilliant but brutal
J is for JeruZalem
Winged zombies, stupid
K is for Kaw
Fantastically horrendous, the Birdemic of horror
L is for The Lazarus Effect
An excellent cast in a passably entertaining story
M is for Maggie
A slow burn twist on the post apocalyptic zombie trope
N is for Near Dark
Bill. Paxton.
O is for The Open House
A spectacular fail at commentating on random crime
P is for Phenomena
Classic Argento, delivering cringe-worthy gore before the credits
Q is for A Quiet Place
High tension suspense in an interesting premise
R is for Raw
Beautiful and disgusting, a wonderfully real take on cannibalism
R is also for Revenge
So good I needed a second R! Gorgeous and gory, how rape revenge stories should be told
S is for Slither
Disgusting and hilarious
T is for Terrifier
Amazing practical FX gore, deeply disturbing and so much fun it had us screaming
U is for Under the Shadow
Slow and uneventful
V is for The Vault
An awkward insertion of horror into a bank heist movie
W is for Wrong Turn 2
As awful as I knew it was going to be
X is for XX
Four frightening trips into female horror
Y is for Yeti:
Curse of the Snow Demon
Ridiculous and hilarious, best of the worst
Z is for Zombie
Necessary zombie watching, subgenre defining

 

Christina Bergling

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I have been so busy posting reviews for the Telluride Horror Show, that I haven’t yet had time to talk about my actual experience of it!

This year was my first attendance of the Telluride Horror Show. Previously, I have only made it to the Stanley Film Festival (back when there was such a delightful thing) once. I haven’t even been to Telluride since I was a child.

The Telluride Horror Show is in its 8th year so is relatively established, and that much shows. The festival is well organized and smooth running, and the town seems very acclimated to the invasion by hundred of horror lovers.

Plus, Telluride is just GORGEOUS! I’m a Colorado mountain girl, so a town like this will always speak my native tongue. I loved that everything for the festival was in walking distance. The venues might be a half mile apart at the farthest, and our lodging was situation blocks away between them. We were able to just walk everywhere and enjoy the mountain air (or a creepy dark path with a bear sighting).

We arrived midday on Friday (after having to deal with our son shoving cinnamon playdough up his nose and needing to go to the doctor for extraction from hours away). Since it was Friday the 13th, en route we watched Friday the 13th and Friday the 14th Part 2. It helped to set the appropriate mood for the weekend.

We threw down our bags, mixed a drink, and headed to pick up passes. The venue for pass pickup was a little congested with lines for the ice cream social, passes, the bar, and swag all intersecting. However, things moved so quickly and the swag was so awesome that it was easy to forgive. I am still living in my lightweight hoodie and hat I bought there. I was even able to find horror figurines to match my children’s upcoming Halloween costumes.

Then we raced over to our first screening, Tragedy Girls. Witty, funny, and socially on point, Tragedy Girls is a fantastic choice to set the mood for our festival experience. (Read my full review here)

Following Tragedy Girls, we headed over to Creepy Campfire Tales. When we attended the Stanley Film Festival, we devoted our entire trip to watching movies. We did not indulge in any of the other activities. This time, we were determined to take in some social and non-screen activities.

Envious as I was as another horror author listening to someone read their work by the flickering firelight in the crisp mountain air, it was a very enjoyable experience. Then it was a quick sprint to resupply on food and drinks before hurrying to another showing.

Being that it was Friday the 13th in October at a horror film festival, we absolutely had to go see Never Hike Alone. It is a wonderfully executed and painstakingly local fan film of Friday the 13th. (Read my full review here)

By the end of the movie, I had imbibed my fair share and was enjoying the added effect of a few more thousand feet in altitude. However, said enhancement turned on me in the morning. I suffered a very brief but crippling hangover. I had to sleep it off while the rest of my party attended the horror comedy block of shorts. I managed to pull myself together for round 2.

Trailers from Hell, a collection of 35MM horror movie trailers. The trailers span multiple decades, but they are absolutely ridiculous. It was just the sort of simple, mindless entertainment I needed to ease me back into my day.

Following the silly, we embarked into the more cerebral with the Lovecraftian mind-bender The Endless. I loved the realism in the fraternal relationship of the main characters and the raw and creepy filmmaking. (Read my full review here)

After The Endless, we walked down to the pig roast. I appreciated that the festival included a free meal. It is nice to splice in experiences when you can interact with all the three dimensional people you are sitting next to in the dark for hours. The food was basic but also filling and delicious, fueled us up for a night of solid screenings.

We went to Jungle next, a real-life account of a hiker lost in the Amazon jungle. It is raw and intense and terrifying. Though I would not normally classify such a movie as horror, it is so gripping I was wiling to embrace the deviation. (Read my full review here)

We exited the theater after viewing Jungle simply to line up in the cold outside it again for Creep 2. Knowing Creep 2 was on the roster in advance, we had watched Creep right before coming to Telluride. The franchise is an interesting approach to found footage, completely carried by the main actor. (Read my full review here)

By this point, my brain was becoming a bit overstimulated by so many horror movies, typical for this point in the movie festival. The final morning, we took in back to back horror short blocks. First suspenseful, which started strong for two then went off the rails. Then zombies, which were super fun.

The final showing came up, and I struggled with my commitment. Part of me just wanted to relax and do anything but watch another movie. However, I am so glad we powered through. Well, half our party.

For our last movie, we watched Trench 11, a horror movie set in World War I trenches. I loved the history, the characters, the filmmaking. Genuinely, I just enjoyed it as it brought a perfect close to our set. (Read my full review here)

Before we departed, we took in one more social horror event, mostly so we could hang out with friends we had made at the Stanley Film Festival. We participated in horror trivia. Although our entire team was just terrible at horror trivia, we managed to finish somewhere in the middle and had a fantastic time doing it.

Then there was the lovely 6 hour drive home in the dark. Small, winding mountain roads slicing through the night. My GPS leading us on the opening arc of a Wrong Turn movie on some desolate dirt road. Yet, somehow, we still made it home.

My overall first impressions of Telluride Horror Show are entirely positive. Truthfully, I can only directly compare it to my one attendance to Stanley Film Festival. In that competition, Telluride wins on films but falls shorter on venue. While Stanley Film Festival had fantastic movies, there were some I did not enjoy and some that unnerved me to the point of discomfort. Whereas with Telluride, I only took issue with some of the suspenseful shorts. The ending ratio was much more enjoyable.

However, you cannot argue with The Stanley Hotel as a venue. Telluride is small and very convenient in that we could walk absolutely everywhere very quickly, yet the social events were crammed into small spaces like the Sheridan’s bar. The ballrooms in The Stanley were much more open and conducive to socializing. There was also The Chiller Lounge, which was necessary to recover from movies like The Treatment.

Culture-wise, the two festivals had a similar feel. People were more engaging and friendly in person at the Stanley Film Festival; however, there was much more online networking after Telluride Horror Show. The proprietors, in particular, are very responsive on social media, which always makes a fan and attendee feel appreciated. After the show, I was contacted over Twitter by multiple directors to review their movies.

And the social experience is a large part of what a festival is about for me. I can watch horror movies anywhere and with anyone. It is something different and decidedly more special to do it with people who share the same passion, with people who contributed directly to what you are watching. I adore cast and director Q&A. I love being able to randomly talk to a filmmaker in line for their movie. It is what going to a horror film festival is all about for me.

Telluride Horror Show was a fantastic experience for everyone in our group. We have already begun planning and plotting for next year and enlisting other victims to join us.

**BONUS**

After the Telluride Horror Show, my viewing was able to continue. I was privileged enough to screen Frazier Park Recut from the comfort of my own couch. The multiple perspective found footage film is both a throwback and something divergent in the subgenre. I would have loved to have gotten it into our viewing schedule while we were there! (Read my full review here)

 

Christina Bergling

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