Red Walls may be my sixth book, but this is the first time I’ve commissioned a book trailer to go with one of my books. I have always wanted to, but I lack the skills (and the time).

LJ GrAphix did an excellent job and taking my minimal direction and creating something creepy and engaging. It’s exciting to see my story translated into another medium.

I AM SO READY FOR THIS BOOK TO COME OUT!

Family trauma + vengeance + scary house + MONSTERS

Watch it! Share it! Tell me what you think…

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Red Walls – When Talia’s parents go after the monsters who hurt her, they never expected real monsters.
  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

2025 Publications

Posted: April 10, 2025 in Uncategorized

A video update? I know! It has been a while! After months (years) of writing and editing and querying, it’s time to talk about what is coming…

  • Red Walls: a horror novel about parental vengeance gone so wrong. Graveside Press on May 9th
  • “Break a Leg”: a short story about two male ballet dancers vying for the lead. Twisted Horrors in May
  • “One Last Kill”: a short story about a geriatric slasher after one more victim. The Horror Collection: Amber Edition in May
  • “Smolder”: a short story about a lesbian relationship between a contractor and a soldier with haunting consequences. Don’t Ask, Ghosts Tell in June

It’s going to be a busy spring and summer so stay tuned!

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Red Walls – When Talia’s parents go after the monsters who hurt her, they never expected real monsters.
  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Writing has a progression to it. Sometimes, in the best of circumstances. An inspiration becomes an idea. That glimmer is developed into a story. Maybe it gets scaffolded into outline, or maybe it pours out onto the page. A story starts with a draft. Then there are edits and more drafts and more edits and still more drafts and edits. Feedback comes in to polish off the rough edges. Then it is ready for querying and submitting. And if all the steps flow together harmoniously, maybe, just MAYBE, finally it sees publication (which incidentally includes more editing.)

COVID and its aftermath were my season of inspiration and writing. Undoubtedly, the best stages of the entire process. Creation and expression and riding the high of possibilities. And in this particular instance, escapism.

At the end, I had three novels and a bushel of shorts. The yield imprisoned me in over a year of edits (literal hell), followed by months of submitting and querying (hell adjacent depending on the result).

BUT, with all that behind me, I am moving into the next season: RELEASE (another pretty awesome season). The next year or so is going to see my works finally climbing out from the shadows and into the light of the world.

Red Walls

Followers was released in 2021. It has felt so long since I released a book. Four years might not be an eternity, but in publishing (and half of the rest of life), it has felt like it. I am ready to be back at it!

Red Walls is graphic, gory horror with an emotional heart, portraying family trauma as it both unites and almost destroys a family. Plus a scary house! Plus monsters!

I felt like it was time to do a real, full length monster story rather than just shorts. I also have been accused of being soft for horror, so I pulled no punches with the carnage.

Graveside Press is releasing Red Walls on May 9th, 2025, but you can preorder it now.

Horror Shorts

Spliced in with my novel flow, I always manage some short stories. I have at least a couple coming out on the horizon and can only hope more get picked up.

Find “Smolder” in the upcoming Don’t Ask, Ghosts Tell coming from Tundra Swan Press in June 2025.

Find “Break a Leg” in the upcoming Twisted Horrors coming from River Gardner in summer 2025.

Invisible Girls

“Do you ever write things that aren’t horror?” Not until now! Invisible Girls is my first non-horror novel. Dystopian feminist world burning so pretty close but still.

I will officially branch into another genre when Invisible Girls is released by Hybrid Sequence Media in 2026.

I have been waiting so long for this season, reminding myself it would come on the other side of slogging through edits and submissions and rejections. And at this current point in time and history, I need a light to focus on, something that feels good. If nothing else, I want to land on the bedrock of being a creator and putting art out into the world. Fucked up as the world may be.

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Red Walls – When Talia’s parents go after the monsters who hurt her, they never expected real monsters.
  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Here we are again. The end of the year. The annual retrospective. It was another challenging year full of fresh hells but also peppered with healing and joy. Perhaps closer to balance than I’ve been in a long time.

Writing

After Followers, I did a lot of producing but not a lot of editing, querying, or publishing. This year, it finally caught up to me. I focused a lot on editing and critique group sessions and made it through my WIP stack (three books) at last! Then I even got around to submitting.

It paid off. Red Walls is under contract with Graveside Press, targeting a 2025 release. Invisible Girls also has a pending contract and potential 2026 release. (Working titles for both, of course).

Unfortunately, Savage Island (Savages #2) has only found rejection so far. The rejection was particularly crushing since Savages is my first and favorite book and the story is very close to my heart. In all naked honesty, it made me want to quit the entire publication pursuit. But I have worked through it and resolved to find Savage Island the right home.

As far as short stories, “Freaks” found a new home in The Horror Collection: Topaz Edition. More rejections on other stories, naturally, but I also had a couple more shorts picked up that will be released in the coming year.

2025 is shaping up to see new work from me out on the pages.

Events

I was quite busy with events this year. From vending to conventions to film festivals, it was horror year round.

I worked several different events, sharing a table with the delightful Mighty Quinn from Wyrd Wanderings. We paired my horror books and razor blade art with old medical texts and Uranium glass from his ghost hunting adventures.

My husband and I had a fantastic time volunteering at Colorado Festival of Horror, and I also spoke on multiple panels over the weekend.

We went to Telluride Horror Show, like every year. Only this year was different as we took our son fresh from the hospital with us.

I did talks and readings and saw a lot of horror movies. I danced and performed.

It was a full year, full of things I love.

Regular Life

Health-wise, this was a year of healing for me. After problems with medication and losing all my hair yet again, I got on a new regime that appears to be working. I have hair again, but more importantly, I am seeing improvement in my labs and symptoms that I have not experienced in years. I feel better. I might even say I feel like myself at times.

We had big traumas this year, but they were easier to navigate being physically stronger and more stable.

Many things were put into perspective for me this year. The most important of which is that, even on the worse day, I have a pretty damn good life. Worth living and worth appreciating.

So, while there are many broken things in the micro and macro-cosms, here we go into the next year.

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

It has been a long time since I produced a horror short for this blog. The following short hit me like a train in November. Obviously, it is a direct result of my trauma from my son being bit in the face by our dog the month before. So, this season, I give to you a glimpse at one of my demons.


The bubbling Christmas music sounded out of place against the rolling chatter and peals of laughter filling the house. The college party throbbed around me. I perched on an uncomfortable plastic chair by the coffee table, surrounded by strangers in ugly sweaters, crowded by a sloppily decorated tree.

I poured another drink down my throat to sedate my nerves.

I glanced around the circle of the gift exchange. The boy across from me balanced the small, wrapped box on his fingertips, like he didn’t know how to hold it. The drunk sorority girl beside him on the battered couch swayed into him.

“It’s just a present,” she said over his shoulder. Her red velvet skirt was too short for winter. She knocked her bare thigh against him, melting snow slicking from her tall, black boots.

He looked down to the box, awkward in his grip, then suddenly right at me. I stifled a gasp. His eyes were startling, some kind of hazel reflecting the Christmas lights hung around the room. I almost flinched, but for an instant, he looked childlike, lost. Something about the connection soothed me, made me forget that I knew no one at this party.

“My family doesn’t do Christmas gifts,” he said to the blonde, offering the green box with shining red bow back to her. “I didn’t bring one for the exchange.”

“But it’s a Christmas party.” Her intoxication elongated her words. She butted her leg against him again, but he did not lean into the touch. She pushed against the gift, pouting. “Everyone gets a present.”

“Don’t worry, Tyler,” the plaid-clad guy in the armchair said from the end of the coffee table. “I always keep a couple spares for the lame-asses who forget their gift.” Popping up from the chair, he vaulted over the coffee table.

Plaid grinned as he retrieved a larger box covered in snowman paper and pushed it across the table. Tyler watched the present slide to a stop before Blondie snatched it up. I looked at the red gift bag dangling from my fingers, glittered paper stabbing up at me.

“Why doesn’t your family do Christmas gifts?” My question startled me, the alcohol loosening my tongue, blurring my thoughts into clumsy speech.

I winced before looking to him, flush burning through my cheeks. What business was it of mine why his family didn’t celebrate Christmas? Maybe he wasn’t Christian. Embarrassment pounded in my veins enough to dilute the alcohol, but he smiled at me, soft and gentle, a glint in his striking eyes.

“I don’t know if it’s a very festive story.” He dropped his eyes, tilted his head, but his resistance felt hollow. He passed the present between his hands, waiting. “Kind of a buzzkill.”

“No, tell us!” Blondie straightened on the cushion, gripping his bicep.

He didn’t look at her. He looked at me. I stopped breathing and hurried my plastic cup to my lips. His mouth quirked.

“Well,” he began. “If you insist.” He planted his present in front of him on the table and eased back on the cushion to address the circle. “When I was a kid, I got bit in the face by a dog. And it was bad, real bad.”

Blondie gasped beside him, pressing her painted fingernails to her mouth.

Tyler turned his face, exposing his cheek. “Part of my cheek was ripped down. I was hospitalized for over a week, had over 120 stitches. It got infected,” he said. He traced a faint line down his cheek and through the break in the stubble along his jaw. Once he pointed it out, the healed skin winked white in the light.

“You can barely tell.” My thoughts spilled out again.

He smiled fast, running his hand over the faint scars. “My parents could afford good doctors. Young skin heals well,” he dismissed. “And my mom made sure I kept out of the sun and used every cream and treatment they recommended.”

“Did it happen on Christmas?” Plaid interrupted, leaning forward on his elbows, clutching his beer.

The circle contracted around Tyler, the festive chaos around us fading into the background.

“No, no.” Tyler waved the question away. “This happened before Christmas. I was pretty healed by Christmas, out of the hospital, stitches out. We were getting back to normal, except my mom.” He paused a moment, wet his lips. “My mom was messed up about it. It was her dog who bit me. Her rescue. And she loved that dog. Sometimes, I worried that she loved him more than me.” A pained smile twisted his face. “But when we got home from the hospital, she put him down herself. Didn’t even take off her shoes, just took him straight out back, and he was gone. Never shed a tear in front of me.”

The entire circle fell silent. All gifts had been abandoned to the table or the floor around us. The party had ceased to exist as we all leaned in for his words.

Tyler ran his palms down his thighs to his knees, exhaling before resuming.

“So Christmas came around. Our family was big into Christmas, made a thing of it. My parents had this big party every year with their siblings and close friends. The main part was this asshole gift exchange. Everyone got a name and bought that person a joke gift. But not like white elephant.” He poked at the box in front of him. “Like well thought out, personal, and often kind of mean.” He chuckled to himself, smiling at the present. “It was only the adults, and we kids were always so jealous. We wanted to buy asshole gifts too, but our parents said we weren’t ready.”

“Asshole gifts?” Blondie asked, cocking her head like a puppy.

“Like, how mean?” Plaid asked.

“It was about being funny,” Tyler said. “But you had to have thick skin. Like, if you hated something, you were getting that for Christmas. If you did something stupid, you were getting that for Christmas. My aunt fell on the ice one year and got a concussion; my dad bought her ice skates and a helmet.”

The table giggled uncomfortably, unsure where the story was going, not knowing if it was inappropriate to laugh. A smile broke my face, but I took a drink to disguise it, feeling the liquor hum through me.

“So, the Christmas after the bite,” Tyler resumed, “my uncle decided to include me in the exchange. He got me this, like, Phantom of the Opera type mask that covered all my scars, and he painted it to look like a werewolf. Honestly, it was kind of badass.” He smirked, shrugged.

Blondie placed her hand on his forearm, but he didn’t meet her wide, blinking eyes.

“So, your mom was pissed about the mask?” Plaid eased to the edge of the armchair, legs bouncing.

Tyler exhaled in a whistle. “She was so upset.” His tone lowered with his eyes, back to the gift in front of him. “I wanted to be involved so bad. I was the only kid. Even if the mask hurt my feelings, I felt special to get it. I tried to tell her it was fine. I told her it was funny and I loved the mask. But she was livid.” He took a deep breath and let it out slow. “Then my dad made it worse. He told her to calm down.”

We took a collective gasp.

“Oh no,” Blondie said.

He looked directly at me again, and that boyish demeanor surfaced. A boy healing back together after the gnashing teeth of a dog. A child listening to his parents fight. Then it receded behind how handsome he was. My stomach flipped.

“So, what happened?” Plaid encouraged the words with his hands.

“She did not calm down.” Tyler grinned sourly at the present. “She left.” He shrugged, shifting on the cushion. “She messaged that she was taking an uber. But—”

His voiced trailed off, and he found me again. As his eyes watered and glittered, it felt like he could see through me. When his eyes caught mine like this, it felt like he was talking only to me. The intimacy of his sharing. Or it was the rum in my egg nog.

He kept staring into me when he continued. “We never saw her again. She never came home, never called, never got any of her things. Just gone.”

My heart sunk with each word until it burrowed in my belly.

“Wait, what?” Plaid shot to his feet, mouth agape.

“Oh my god.” Blondie grabbed her face.

“I’m so sorry,” I said without thinking.

He kept his eyes on me, calm and clear now. “After that mask, we never exchanged another gift.”

Tears pricked the back of my eyes. The urge to hold him overwhelmed me. My arms insisted I clear the table between us, sweep Blondie from the cushion, and comfort this wounded boy. Yet I just gaped at him with the others.

“Holy shit, bro!” Plaid shouted, swiping fast at his cheek. “What a downer. Now, open your damn present.”

***

The cold walk across campus cleared the echo of the party from my ears, but my brain still thrummed from the cups I had nervously drank after the story. And my proximity to Tyler. Looping my arm through his, he held me close to guide me over the icy sidewalks.

His story had dispersed the circle. Blondie took the hint and stopped slapping her thigh against him, turning her attention to Plaid instead. We rushed through opening the awful gifts unceremoniously.

Our gifts now sat purposefully forgotten on the coffee table at the party. I received a set of straws shaped like veiny penises. He never opened his. The crisply wrapped box remained where he placed it during his story. The story that circulated through me faster than the rum.

I tried not to stare at the side of his face, searching for the scars in the dim light, as he brought us to his room. He kept the lights low, half-hiding from me, except for those shining eyes.

Closing the door behind him, he gathered my face in his hands. He ran his thumbs over my unmarred cheeks, banishing the chill from the night. His eyes, green or gold or maybe blue, caught the light from the window. He kissed me, slow, deep, until my knees wobbled.

“I didn’t finish my story,” he said, low and soft against my lips. “At the party.”

I leaned back to take in his face. Something behind him, something in the shadow by the door shifted. Or I thought it did.

“What do you mean?” I murmured, staring over his shoulder.

He guided my face back to his, drew me closer. “I lied before, when I said I never saw my mom again.”

Anger flared in me, betrayal in how much I had trusted his words and how they felt meant for me, and I jerked back again. The shadow behind him moved, took shape. I closed my eyes, blinked hard, tried to force my vision into sobriety and focus. Taking a step back, I bumped into his bed.

“No, no,” he soothed. Stroking his fingers down my face, he pulled me into him. “It was the first Christmas after. It’s how I knew she was gone, how I knew to stop asking questions.”

This beautiful stranger embraced me, his hands foreign on my back. I saw it behind him. The figure hobbled from the darkness, broken and jerking. Eyes like his found the light and gleamed at me from a mangled face. The flesh of the cheek had been ripped, torn away to expose a line of white teeth. Like it had been attacked by a dog.

“She comes back every year,” he breathed into my ear. Then, still holding me close, he turned to greet her. “Hi, Mom.”

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Horror is a genre about trauma. Whether it is the fictional trauma being inflicted on the characters or the zeitgeist of fear it confronts for us.

At Colorado Festival of Horror 2024, I participated in two panels on the horror genre and trauma. Both sessions were so compelling and cathartic for me that I needed to share some thoughts here.

Horror can be a way of coping with trauma both by ingesting it and by creating it. In both cases, horror allows you to interact with or process something scary or hurtful in a “safe” environment. You are on your couch; you know the screen or the page cannot really hurt you. You can experience all those emotions knowing how it will safely end. Not unlike exposure therapy.

For me, it is definitely that, but it is also more. The awful things I see in horror help normalize how I am feeling, make me feel less alone in my pain. Horror also provides a worse-er scenario, which helps me keep my reality in perspective.

People often have “comfort horror”, stories they revisit in times of stress or pain. From the outside, it may seem odd to find solace in something terrible. However, when you unpack the movie and discover what resonates with you, you will often find it hits on something personal. Maybe it lets you control the situation. Maybe it lets you re-experience things knowing how it ends. Maybe it shows you a character like you surviving or being vindicated. But something in that horror is a salve to your wound.

For the panel, I had to think about my comfort horror movies. And why they are therapeutic to me. I came up with:

  • Scream: Aside from this being my first horror movie and introduction to the genre, Scream definitely hits something for me. When I stopped to actually consider it, I realized it is the deceit, the betrayal. Sidney’s friends lie to her, work against her, try to hurt her, but once she figures it out, she survives. And kills them all.
  • You’re Next: The same as Scream, You’re Next introduces a final girl who is being lied to and used. Yet when she fights for her life, it is her intelligence that keeps her alive.
  • Revenge: Rape revenge is pretty self-explanatory. I usually find this subgenre very triggering (Irreversible, Last House on the Left, etc.). Yet this one was different. I attribute the distinction to the female filmmaker (Coralie Fargeat). After Jen is assaulted and left for dead, she returns almost supernaturally in her vengeance.
  • A Nightmare on Elm Street: Nightmares and night terrors brought me to the horror genre. Seeing scary things outside my mind made me feel more normal. There was comfort in not being alone, in seeing what my mind mapped every night on external landscape. Watching Nancy confront her nightmares and ultimately defeat them in a way I never have soothes me.

Reading horror hits me even harder. In the past few months, I have been crying my eyes out over multiple books. American Rapture by CJ Leede, I Was a Teenage Slasher by Stephen Graham Jones, Lone Women by Victor Lavalle, The Angel of Indian Lake (the entire trilogy) by Stephen Graham Jones, The Reformatory by Tananarive Due, Maeve Fly by CJ Leede… to name a few.

More than watching or reading, more than anything, creating horror is how I deal with my trauma. I have always written about my pain from journaling to blogging to essays to stories and books. It is more effective for me than any therapy I have tried (and I have tried many). Sometimes, the trauma is the inspiration, sometimes the thread, sometimes the whole damn story.

Tour my horror library with me:

  • How to Kill Yourself Slowly: The first thing I ever published. I wrote this satirical essay for a nonfiction class in college. All my trauma packaged up into one catty rant.
  • Savages: My first and perhaps my best book. Going to Iraq as a contractor deeply affected me. It changed how I saw humanity. I worked that out in this book.
  • “The Last Christmas Dinner” in Collected Christmas: A character based on my mother and maybe what she should have done one unappreciated holiday.
  • “After the Screaming Stopped” in Graveyard Girls: My post-partum story. This one was hard to find a home for. No one wants to look at how ugly and scary those new mother emotions can be.
  • “Personas” in Colorado’s Emerging Writers nonfiction: A deep dive into the many faces and roles of me.
  • “Under the Rapids”, Ink and Sword, Issue 4: I almost drown white water rafting when I was in my 20s. This story covers what I can remember.
  • “Awake” in America’s Emerging Horror Writers: West Region: I had hip surgery to repair a torn labrum. This story confronts how helpless I felt under anesthesia and after the operation.
  • “Hairs”, 96th of OctoberAutumn 2023: I lost my hair to Alopecia multiple times in recent years. In this story, I start there and make it oh so much worse.
  • Followers: Questioning how safe we are on the internet. This book has roots in online stalkers and one I briefly had in Iraq.

Not included on this list are works where I borrowed other people’s traumas. Their experiences served as inspiration for me, but hopefully my resulting work can be therapy for them.

Hairs” and “After the Screaming Stopped” are the most literal examples of me writing out my trauma (aside from maybe Savages where I put myself in a story to change my mind about the world). In both, I took the literal trauma–severe hair loss and post partum depression–as the premise. Then I stretched it, elongated it into something grotesque and horrendous.

And at the end of both (of them all), I felt better. The trauma felt processed and exorcised.

I understand that horror is not for everyone. It is full of terrible things that can be triggering or make people uncomfortable. Even people who do enjoy the genre may not interact with it the same way. However, for me, I have found a way to make it therapeutic. It speaks to my traumas in their native tongue, soothing and hushing them so that I can claim more of myself.

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

October was a hell of a month. And not in the normal spooky, festive way. Sure, we crammed in a yard full of skeletons and Telluride Horror Show 2024 and horror movie bingo amidst the traumas, but it was truly a struggle.

All of that to excuse the fact that I am woefully behind in providing an update.

I have a new novella (working title: Red Walls) under contract with Graveyard Press for publication in early 2025!

When parents seek revenge against the monsters who hurt their daughter, they never expect real monsters.

I am thrilled and excited to be working with this new publisher and also to finally release a new book out into the world. It has been far too long since Followers.

During COVID, I wrote until I had a backlog of three manuscripts, so I have been in editing hell since then. This is a huge step toward unburying myself from that period.

Additionally, the crowd-funding anthology I was accepted into made their goal, so that book will also be coming out soon. I also have a short appearing in another killer KJK Publishing anthology coming in the new year.

I have more related news that I will release when it’s official. Stay tuned…

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Telluride was different for me this year.

The week before the Telluride Horror Show, my dog bit my son in the face. My son was hospitalized and had surgery, and I had to surrender the dog. Then my son’s wounds got infected, and he spent the weekend in the hospital again.

I was supposed to leave for Telluride a couple days after his release, yet after coming so close to losing him, I could not travel without him so soon. So, I didn’t. I brought him with me.

The Horror Show is not family friendly, not a place for children, so my experience was a bit different. And that’s OK. It was still a great weekend. It was what it needed to be this year.

Surprise Aurora

Unbeknownst to me, the Aurora Borealis descended in the southern night skies after we arrived and got settled.

Once we knew about it, we scurried outside and then up the gondola. The lights were faint and barely visible with the naked eye, but they showed up great on smartphone camera.

Obligatory Hike

To earn our sloth-like three days bound in movie screenings, we began our weekend on a hike. This year, we went to the other side of the town and did the Jud Wiebe trail.

After all my health challenges, I was embarrassingly out of shape, and we missed fall foliage peak, but it was gorgeous and glorious. The mental health boost I needed.

Horror Education

This year, the Horror Show offered the delightful treat of the Horror Vault. Over the course of the weekend, Jon Davison screened six classic horror movies on 16mm. Additionally, there was a screening of Night of the Living Dead (1968) colorized. It was the perfect opportunity to provide some horror education. Plus, the sound of the running projector is so soothing and nostalgic.

I was lucky enough to see:

  • Blood and Black Lace (1964): Touted as the first Giallo and possibly the first slasher movie, this film is a fascinating look back at where the tropes began. Peek-a-boo killer and oops I fell and my top came off are highlights.
  • Night of the Living Dead (1968): This was the first time I have watched the classic colorized. It gains some things but loses others. I have recently been watching The Walking Dead for a writing project, and this is the granddaddy of the zombie genre.
  • The Mummy (1959): I have always loved ancient Egypt and mummy stories from Goosebumps to my bisexual awakening movie The Mummy (1999). It was fun to see how my beloved 1999 version had modernized this story. Plus the set work is exquisite.

The Movies

Eight or so fests ago, I spent every moment in the theaters and saw as many movies as possible. Age, experience, and circumstance has changed my priorities. Particularly this year, I caught less screenings. But the ones I did see were fantastic.

The new screenings I attended:

  • The Creep Tapes 💀💀💀💀 A mini series in the Creep franchise. I saw Creep 2 at Telluride and love the killer in the franchise. We watched three episodes. The first is brilliant, fifth is entertaining, and sixth is just weird. I can’t wait to watch the entire series on Shudder.
  • Trizombie 💀💀💀 A Belgian film about a zombie outbreak where people with Down’s Syndrome are immune to the virus. When I read the synopsis, I admit I cringed. However, the film is funny, gory, and ultimately quite wholesome.
  • Daddy’s Head 💀💀💀💀 A creepy meditation on grief. Packed with jump scares, this movie is exceptionally unnerving with an emotional heart. The ending, to me, is perfect.
  • Presence 💀💀💀 POV piece with a ghost. This clever take on a haunting story feels almost found footage. While a slow burn, the plot is compelling and the approach interesting.

Final Girl Support Group

Admittedly, this year, my favorite event was not a movie. Instead, it was horror author Grady Hendrix’s Final Girl Support Group presentation. Having read some of his books, I knew Hendrix is a talented author. Even better, he is also a gifted performer with humor, voices, and even singing.

For Final Girl Support Group, Hendrix toured us through the history of horror and slashers. He framed the presentation in “how to stay alive” bullet points, citing friends and school as things to avoid then listing all the horror books and movies where those things get you killed.

He then double-clicked into several topics, including the origin of transphobia in horror, the blaming of the mother in both horror and pop psychology, the urban legends that started the slasher. This goldmine of information was delivered cleverly and with razor-sharp humor.

Until the end, when he punched us in the face with feelings, drawing parallels to the faceless killers of all those books and movies to the global COVID pandemic and the inevitable death of everyone in the room.

I laughed. Then I cried. And I loved every minute of it.

Fright or Wrong Trivia

As per tradition, we participated in Fright or Wrong’s horror trivia. Despite a strong Scream round, our team was bested once again. However, my Sidney Prescott with travel-sized Ghostface did at least win the final girl/boy costume contest.

In the past eight years, the Horror Show has grown and changed and evolved. In 2020, we did a fest from home then returned post pandemic. However, this year, it seemed to be the consensus that things felt different. While none of us could really articulate the cause, the intimacy seemed lost. The pace felt rushed.

Maybe it was an off year for us all. The awkward year we expected after quarantine a few years late. Maybe these are growing pains as things continue to change around us. Maybe we’re all just a little older. Or maybe my kid almost died and everything just looked different afterward.

Nonetheless, it was a great weekend of horror in the autumn mountains. Until next year, Telluride! Find me with my kids healthy and happy at home next year 👻

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Friday the 13th was made for horror festivals, and Colorado Festival of Horror (COFOH) took full advantage this year. I spent last weekend participating in all it had to offer.

COFOH is now in its fourth year. My first time was their second year, when they featured Art the Clown from Terrifier. Then I volunteered last year, sitting with the creator of Final Destination and members of the cast of Texas Chainsaw Massacre. The festival definitely has been growing and evolving each year into a destination event for horror lovers.

The weekend is put on by genre lovers, and their passion shows. It is also still small enough that there is a community feel. It is welcoming and approachable, with fun events like karaoke, a cosplay contest, and a Little Shop of Horrors sing along.

This year, I participated even more by sitting on three different panels.

Meet Me in the Dark: We discussed the relationship between trauma and horror movies and how horror can be therapeutic. This conversation resonated with me both because I consume horror as therapy and also create it as an outlet. So many of my stories are my own trauma stretched and processed. We covered our favorite “comfort” horror movies, mine being ones like Scream and You’re Next where everyone lies and hurts the final girl but she emerges stronger and a survivor.

Turning Trauma into Art: This session was the workshop extension to Meet Me in the Dark. Instead of covering horror that comforts and helps us, we expanded to discuss the art and horror we create to deal with our own trauma. I discussed works like my post-partum horror short. Then we went through an exercise of word association with different feelings and crafted art from those lists.

Where is the Monster Line: Joining authors from Horror Writers Association Colorado chapter and Denver Horror Collective, we discussed our favorite monsters and villains we love to hate. Then we dove into what makes a villain sympathetic, interesting, or relatable versus what crosses the line into abhorrent.

I also volunteered with the celebrities again. My husband and I sat with Thom Mathews (Tommy Jarvis of Friday the 13th Part VI).

Befitting the theme and the weekend, other Friday the 13th people were in attendance. Tom McLoughlin (director of Friday the 13th Part VI) and Vincente DiSanti (creator/director/actor of the Never Hike Alone movies and a frequent Telluride Horror Show attendee).

We got to meet Pam Grier as she introduced a screening of Ghosts of Mars and provided new insights into the film’s merits.

And, perhaps most importantly, we sat beside the delightful Tiffany Shepis and helped her create and recruit for a spatula cult (IYKYK). The Spatulatti spread like wildfire.

The weekend was a bloody whirlwind that left me exhausted, but my black, little heart was full. I needed this time with fellow horror lovers. I felt involved and included, like I was contributing. At this point in my horror life, I probably should be!

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

The publishing industry continues to evolve. When I first started with the first edition of Savages, self-publishing, indie publishers, and all the Amazon-ing was starting to explode. And in the past 10 years, for better and worse, things have continued to change and evolve.

This week, I am trying a new author adventure! Crowd funding.

One of my short stories has been accepted into an anthology. The publisher (Tundra Swan) is running a Kickstarter campaign for this anthology.

This is my first time participating in a publication that is being crowd funded. (The anthology is getting published either way but with cool perks with the Kickstarter.) I’m excited and nervous and curious above all things.

Cross your fingers! If you want to go on this ride with me (and maybe get matching shirt perks), go ahead and back the Kickstarter campaign. We’ll see how this next adventure goes.

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies