Archive for the ‘writing’ Category

Another book out the door. eBook, paperback, and party. Whew.

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Savages and The Waning were released insanely close together. It really felt like Savages was scarcely out the door before I was booking the party for The Waning. In truth, that is because The Waning was written as Savages was moving through the publication process with Assent Publishing. Back before my son was born, when I had time. Yet, to the untrained eye, it looks like I was cranking them out.

The two books are also vastly different. The stories are not related whatsoever; they are not even located in the same horror subgenre. Savages deals with the apocalypse and flirts with zombies, while The Waning dwells in the darker realms of torture. This difference required a change in party, in promotion.

For The Waning, I selected a small venue called Urban Steam, where I previously had a book signing for Savages. Urban Steam specializes in whisky and coffee, and the cold, industrial feel seemed fitting for a dark tale about a woman locked in a cage.

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A decent number of people attended to sample the delicious themed drinks the bartender concocted based on The Waning, buy books, and win swag. Once again, it was surreal to have people come to see me, to have people want to own a piece of my mind. I cannot express how much I appreciate all the support I have received.

Artist Phil Beachler, who drew multiple visions out of The Waning, joined me to sell his twisted glimpses.

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I consider the launch a success, and I consider a second book being published out into the world another success. I am glad and relieved to have both books out there so I can get back to the business of writing my third book. And actually seeing my beautiful family.

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Nothing makes me prouder than to hold my babies at an event for my writing. May they grow up to be proud of me too.

Being a published author, even on the smallest of scales, remains a perpetually surreal experience.

A couple weeks ago, I attended my first book club. This experience was especially unique because it was also the first time (to my knowledge) that my book, Savages, was the book said club read that month.

Even though this book club was one a friend belonged to, sure to be hosted by equally welcoming people, I found myself nervous. I had experienced feedback on the book from people directly in my life in person and from strangers at the distance of the internet. While the response from those sources was overwhelmingly positive, I had developed coping strategies for when/if it was not. Having to receive critiques from live people who had no personal stake in my mental well being was going to be new.

Thankfully, my anxiety was largely unfounded.

The women were, as anticipated, very welcoming and friendly. Prior to our book discussion, I could have easily forgotten I was there as an author and would have had a delightful time just eating and chatting with newly met women.

When we transitioned to book discussion, I was reminded, “hey, you’re a published author.” Enter the surreal.

There were the normal questions. Where did you get the idea for this book? And so on. Every time I get the questions, I get a little better at articulating them. Especially in person. The more I’m asked about my own inspiration and process, the more I am able to analyze and define it myself.

The critiques were also relatively gentle. They wanted more, more time with the characters, more about the characters. They wanted to know what caused the apocalypse. They wanted to know what happened next. I took all of these reactions to mean I had accomplished what I wanted; I had affected them.

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Overall, it was a good experience. Like a baby step to public scrutiny.

More recently, I (or more just Savages) went to Denver Comic Con. ChaosStudios was kind enough to grant Savages a cozy little corner on her booth, as she was the artist to visualize the savages from its pages.

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Aside from it being Savages‘s convention pseudo debut, this was also my first official convention. I went to a couple misnamed events falsely claiming to be conventions when I was a belly dancer in Tennessee and Georgia. I also attended the Stanley Film Festival. Yet this was my first full fledged, official convention attendance. And a comic con, no less.

Denver Comic Con was overwhelming. We spent the duration of our time among the vendors, lost in a sea of cosplay bodies, shouted sales, and blinking geekdom. Everywhere, there was a vendor to take my money for something new and creative. The market was utterly saturated.

While our voyeur experience was enjoyable, Savages did not fair especially well. On a small corner of a non-horror art booth in a sea of visual options, it went largely unnoticed. Not even a copy sold, which was quite disappointing. Yet I could understand how it could easily happen in such an overstimulating market.

So when I was physically present at the booth on the last day, I simply distributed my cards and evaluated what made a successful booth. It was exposure, and it was a learning experience. In the end, that was enough.

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It is difficult to gauge my place on the public spectrum. I have a published book that seems to be selling; I have created a growing social media following. In short, I am infinitely farther than when I started. Yet in comparison to successful public figures, I barely seem noticeable.

Once again, just utterly surreal.

So I continue to stumble down this unknown path as an author, fumbling through a string of unfamiliar experiences. It all makes me wonder where this road will lead after my second book, The Waning, comes out in July.

Christina Bergling

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Two survivors search the ruins of America for the last strain of humanity. Marcus believes they are still human; Parker knows her own darkness. Until one discovery changes everything.

Available now on Amazon!
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TheWaning_CoverThe Waning, coming July 2015

Beatrix woke up in a cage. Can she survive long enough to escape, or will he succeed at breaking her down into a possession?

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Savages is fully launched and out upon the world! ebook is released; paperback is released. And finally, I threw a launch party and book signing to commemorate it.

Rather than maintain a professional veneer of a polished, public author, I am going to be more raw in my account of my release. More personal and honest. As Savages is my debut book, I have obviously never hosed a book launch party before. I also have never attended one before. Add to that the fact that I am supposed to do something creative and different, I truly had no idea what I was doing.

I stressed about this event for months. I dreaded it. I am not the typical socially reclusive, shy, or awkward writer. I love to host parties; I enjoy attention. However, hosting something of this scale and having it all centered around a deep piece of my own brain made manifest in paper was intimidating. What if no one showed? What if nothing sold? What if people thought it was all stupid?

I just was not sure what I wanted to do, what suited my book, what best represented me, and what would attract and appease my guests. Once I abandoned my apprehension, however, it all came together.

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Ultimately, much like it was the backdrop for the story itself, I let the apocalypse be my theme. A friend suggested a taproom in an old church for the venue. Though the place was more polished and less professional than I would have preferred, it fit the theme perfectly, and I simply built from there. I set up a table at the venue. I sold and signed copies of my book. I did a raffle for book-related and survival swag. I did it open house style to keep it casual. And finally, under duress, I did a reading from my book.

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Sari NeoChaos of ChaosStudios also sold prints of the savages she drew from the pages of Savages, including a selection of prints in the raffle as well.

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Admittedly, even with a plan, I remained nervous. It was fear of the unknown. It was fear of exposure and vulnerability. It was fear of failure. However, all the planning did eventually coalesce. Though I dealt with venue issues and swag issues, in the end, none of those problems were visible.

People not only showed up; they arrived early to ensure they could purchase a copy of my book.

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And they kept coming. All told, more than 75 people showed up for the event. People from every branch of my social network made an appearance. I saw friends, family, coworkers present and past, people from high school. I would have guessed at least 25 of my people would show up; it was overwhelming to see triple that number arrive.

It was also overwhelming to interface with all of these people. It took me well over an hour to move around the room, greeting and talking to people. Though it would be a lie to say I was not basking in the attention, praise, and support. It is a rare thing in life to physically see how much you are supported, to have a gathering of people just to wish you well. I did not let such a moment pass me by unnoticed or unappreciated.

I was woefully under stocked for the turn out. I had wrestled with how many copies of my book to purchase, how much swag to make. Unsure of the amount of guests, I did not want to come home with a stack of my own books, but I also did not want so many to leave empty handed. The copies of my book I did have sold out in the first 20 minutes of the event. I had to keep them covered until the event actually started.

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Having your book sell out in minutes is not a bad problem to have. Having people upset that there were not enough copies is also not a bad problem to have. I would have preferred to have been better prepared, but I am not unhappy to have created demand or the need for additional signings.

And I donated half of the money. Not the money I made but all of the money. I donated it to Wounded Warrior Project where it belonged.

It was a surreal feeling to sign my own books as well. Asking people how to spell their names felt foreign. I had to force myself not to concentrate on my own signature, lest I foul it up. The entire experience was just deeply weird for as much as I always wanted it.

I was immersed in being social, but I later found out that the bar was providing very substandard service. Numerous people left due to being served painfully slowly or not at all. This would later explain why so few people lasted until the raffle. The place was packed; I filled it up for about the first hour or so. Then they gradually all disappeared.

We raffled, nonetheless.

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We doled out the Savages keychains, the last signed copy in the house, the prints from ChaosStudios, and the stocked bug out bag. I would have been content to happily conclude the night there as a success. However, the public demanded a reading.

I did not want to read. I was sick and losing my voice. I did not want to hear myself in that microphone or read from my book. It should be the easiest thing ever, to read my own words. I read the full book to my husband twice while I was drafting it. Yet, somehow, I was intimidated once again. Yet the audience would not be dissuaded.

I had selected a passage for such a contingency; however, with the sellout, I had to borrow a copy of my own book to read from. I stood behind the microphone and shakily read my own words to the crowd that remained. Quickly at first, the words leaping off my tongue to make room for the next, sprinting toward the end. Then I slowed myself, allowed myself to fall back into the story I lived in for months writing it. I let my eyes flit up from the words to see them smiling at me, pointing their phones up at me.

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As I read my own words in my own published book in front of crowd that came to see and support me, it all felt real again.

Thank you to all who celebrated with me, in person or in spirit; I deeply appreciate you.

When you publish a book, the first thing people ask you is where the idea came from.

The honest answer (that it just one day materialized out of the gray matter between my ears and started knocking on my skull until I wrote it out) always sounds like a vague copout, so I guess the real question is what inspired that idea in the first place. What planted the seed that bloomed into (in my case, a dark and twisted) alternate reality in my head.

For me, with Savages, the answer is a combination between a short civilian deployment to Iraq and a season long marathon of The Walking Dead.

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The two might be seemingly unrelated, yet they have one common vein for me: savagery.

When I traveled to Iraq, I was a young, naive civilian girl. I had experienced messy and rough patches of life but all under the pillowed safety of American culture. I never wanted for food or shelter; my life was never in daily peril. I lived the good and easy life without realizing or appreciating it.

In Iraq, I did not see any action. I spent my time on a few different bases (Victory, Liberty, Slayer, Tallil, Taji, War Eagle) but never outside of the wire. I only traveled by plane of helicopter. My interaction with the soldiers was in a living capacity, as we shared living areas, laundry, and dining facilities, and professionally, as I trained them on software. My interaction with actual Iraqis was slimmed down to only an Iraqi troop store on War Eagle.

The impression made on me was an issue of exposure. Feeling the blast of an IED in my boots and the walls of a trailer around me was different than a passing news story on TV. Hearing the sirens for a mortar was different than the idea of the threat. Talking to soldiers who lost brothers or had missions go awry was different than some cold article in a magazine or link on Facebook. Seeing wounded warriors still walking and still serving was different than donating to a charity in their names.

My little taste of war, my front row sideline seat, made me appreciate my cushy life back home, but it also highlighted the worst in human nature. The stories I heard, the reports I saw, the realities all around me painted humanity in a very depressing and unfavorable light. To me, it seemed if you removed a flush and comfortable society to take care of our needs, people reverted to animals.

So into my brain went the seed that people are savage in nature. Enter twelve straight hours of The Walking Dead.

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My favorite part of The Walking Dead, aside from the gruesome zombies, is the examination of what the apocalypse does to the survivors. I appreciate how the show tracks their slow exchange of humanity for survival. No matter how the characters try to cling to the humans they once were, with each threat, they ransom off a little piece of that person they remember. Not to mention the entirely savage other survivors they encounter.

Psychology is my favorite part of apocalyptic media.

So with my brain saturated half a day’s worth of post-apocalyptic dead fighting and living fearing, the mood and the imagery permeated my mind, reached down to mingle with my own memories, my own life imprints.

I started to think about how savage we are underneath all our socialization and civilization. I started to brood on how those animals within would come screaming out at the smallest threat, much less the end of the world. Gradually, these ideas grew legs, formed into bodies, started speaking in dialog inside my head. I could see their world, and I only followed.

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Savages tells the story of two apocalypse survivors navigating through the ruins of America and battling through lingering savages with no answers, searching for the last strain of humanity. Until one discovery changes everything. The infant’s cry shatters their already destroyed world. For Parker, the babe invokes the ghosts of her dead husband and sons. For Iraq war veteran Marcus, the child embodies his hope and gives him innocence to protect.

As far as inspiration, Parker is the most pessimistic and damaged parts of me, the rational parts of my mind the believe the worst of us as a species. Marcus is the embodiment of the best I saw out of the soldiers I was deployed with. The savages are representations of what might be at the core of every one of us.

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What do you think? Are we savage at our core? Would we all devolve in the face of the apocalypse?

Savages is available in paperback and for Kindle on Amazon and Barnes and Noble (with more formats and sites to come). Feel free to step inside my brain and see how I imagine the world falling apart.

 

 

 

 

Sweet Success

Posted: December 23, 2014 in writing
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When I was in fourth grade, my teacher did extensive writing lessons. We wrote different formats of poetry. We even wrote and published our own short stories, which included printing and illustrating the pages then binding them together. It was in this class that I realized I wanted to be an author.

I always wrote. I kept a journal compulsively over the years. I wrote short stories that I would pass around to my friends in spiral notebooks between junior high classes. I placed in every writing contest to which I ever submitted.

Writing came easy to me. It was just what I did. And all I wanted to do.

I pursued writing in college, of course. I took every creative writing class they offered (beside poetry). I caused controversy when I made a satire out of suicide. It was just not enough for a career, and I surely could not make a living off of what I was producing and publishing.

After college, I faced a fork in my writing life. I was offered a job as a technical writer for a Department of Defense contractor and as a community writer assistant at a newspaper. It was write for salary and benefits or write for the hope of doing what I love eventually.

I chose salary and benefits; I sold my writing soul for comfort.

And I do not regret that decision, though I do sometimes wonder what if. I have financed a beautiful life; I have supported the growth of my family. I have been comfortable. And eventually, that comfort left me to be able to write my first book.

The seed was planted during my brief civilian deployment to Iraq (another side effect of the soul selling). I went to train soldiers on software but ultimately ended up just writing software user manuals in a trailer in a war zone. I didn’t see any action, but I was immersed into military wartime culture, exposed to things that never could seem so real on the news. My three months there changed everything, shifted every perspective I had.

Later, I nurtured this unconsummated idea with full season marathons of The Walking Dead (complete with my gothic belly dancers for company and lots of booze). The way The Walking Dead explored the survivors made me question the ideas of humanity I had seen in a war zone.

What would we become without all our civilization? What are we really underneath all the comfortable pretense?

And so my novella, Savages, was born.

The story infected me. I woke in the middle of the night to write sections and scenes. I lived inside it.

Then, on a whim, at the recommendation of a dear friend, I entered Savages into a contest from Assent Publishing. I placed as a finalist; I won a publishing contract. It all happened, and my dream since fourth grade was finally realized.

And a year later, after promoting and prepping and editing and reviewing, Savages is released!

SavagesCoverChristinaI cannot wait until next month, when I can hold the paperback copy in my hands. Maybe then it will feel less surreal than sales numbers on an ebook. Maybe then it will feel like I have finally made it to being a published author.

Find Savages on Amazon: http://www.amazon.com/Savages-Christina-Bergling-ebook/dp/B00R8YRBYY

Winter Horror

Posted: December 18, 2014 in horror, writing
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The silence of the snow was smothering. The large, slow flakes and the mounds of fluffy powder appeared soft, but I only felt the edge of the cold infiltrating my layers, bristling against my contracting skin.

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My heart was beating so hard I could hear my pulse knocking in my ears. My heaving breaths plumed out in front of me in the dark night air. I could not hide them; I could not contain my own escaping heat.

It would find me. It would be able to hear me, to see me.

My fingers were trembling against the bark. I had not noticed I was clinging to the trunk of a tree desperately. I caught myself and tried to pry myself from its embrace, but it was just too sturdy, too constant against me. Yet my fingertips shifting against the rough bark made a small sound against the heavy night.

A sound it could hear.

I was at a loss with my frozen feet shuttering and sunken in the deep tree well beside my wooden pillar of feigned safety. I could feel the weight of the snow pressing down on my boots; I could feel the compound cold of the heaped snow penetrating the fabrics deeper and deeper. The cold was making a home in me, teaching my cells a new and frigid language.

Then I heard it, over my own heartbeat, over my own panting breaths, over the thick silence of winter: the slow deliberate compaction, the crunch as the powdered snow was smashed down under weight. Footsteps, slow and in the distance, moving closer.

If my heart could have seized in my chest, it would have stopped beating. I felt my entire chest contract, wrapping tightly until concave around the anxiety swelling in my belly. I froze and held the fog of my breath in my lungs until my lips began to quiver.

I could not hide in the dark with the way the moon ignited the snow blanketed on the ground and fluttering down through the air. I could not find refuge with the tree trunks and branches barren like skeletal limbs. Any step on the virgin snow would betray me, announce me to its keen ears.

It was waiting for me to make such a mistake.

The footsteps were getting closer. The methodical puncture of the untouched snow was becoming deafening. I sneaked breaths out of the corner of my mouth and tried to send the curling heat against the trunk of the tree so as not to broadcast it in the contrast against the black air.

I could not take it. I could not just wait for it to find me. It was getting too close.

My instincts swelled up inside me, reached out into my limbs, pulsing adrenaline through every vein.I shoved my palms against the abrasive tree trunk and began to run without direction. My feet plunged into the soft snow; my legs were swallowed up. I tumbled forward and clawed at the cold snow, digging my way forward sloppily.

I left a cavernous path behind me, leading straight to my pathetic attempt to flee. Steam curled like smoke signals into the night above my position. I was a blur of heaving breaths, scraping hands, and sloppy steps.

I was an advertisement for my own demise.

And as I broke from the twisted skeletons of the trees into a blank clearing of only windblown snow, it saw me. Our eyes met across the pall radiating from the white world, mine wide and crazed and its red and demonically glowing.

The beast cast a haunting shadow across the glittering snow, broad heaving shoulders, lean and powerful legs, gnarled and pointed antlers. Large puffs of smoke curled around its drooling muzzle and through its sharp rack as it grunted at me rhythmically. Even in just the moonlight, I could see the blood dripping slow and thick from the tips of the antlers.

Jacob’s blood.

Jacob’s screams behind me as I heard his ribs shatter and collapse, as I hear the air wheeze out of him.

I did not stay to watch as I fled to my lonely tree trunk in the dark.

It did not need to move; I knew this was the end. I could never outrun the beast in its habitat, as it hunted me so naturally. I looked up into the cold and distant stars then closed my eyes to hear the hoof falls escalate to a gallop towards me.

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This was a glimpse of winter horror. My book, Savages, paints a picture of apocalyptic horror.

What would be the scariest winter horror for you?

I have a guilty pleasure: sexual tension and ill-fated romance in horror and apocalypse stories. So deep does my secret affinity run that it manifests as a major line in my own book (Savages). I simply cannot help myself.

Do not misread me; I am not looking for classic romance. I do not want a happy ending; I do not want courting or dating or any of that drama. Even if part of me is rooting for ultimate consummation or for the characters to end up together, I am always secretly satisfied when it goes so terribly awry. I think it is less about the actual romantic element and more about the juxtaposition of it within a terrifying or catastrophic scenario. It is normalcy in the traumatically abnormal.

Sexuality is also very primal, very base, which runs completely in line with survival, be it surviving a killer, the apocalypse, zombies, whatever. It seems appropriate to acknowledge and include that instinct while exploiting the others. It makes the scenario and the characters seem all the more real to us.

Humans are hooking up in every scenario; you cannot stop us. And when in real life does it ever play out like a romantic comedy? It is all the more accurate to be messy, ill-fated, or unrequited.

When I wrote my own book, the sexual tension between the characters is where the story began to blossom in my head. In a post-apocalyptic world slim on survivors, with all the normal world and distractions stripped away, I was able to concentrate on two elements: survival and her attraction to him. For me, the survival was the setting, and the attraction was the story.

And that is because of this guilty little pleasure I have. Clearly, however, I am not the only one, as this element does appear in horror and apocalypse stories.

For horror, Hannibal Lecter and Clarice Starling immediately come to mind, whether in the novels or the movies. In Silence of the Lambs, Hannibal is clearly intrigued by Clarice and her intelligence, in a similar way he was by Will Graham in Red Dragon. In both instances, he wants to toy with the other while also teaching them, minimally helpful manipulation.

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However, his interactions with Clarice take on that additional level of sexual tension. Hannibal is aroused by her vulnerability, hungry for her specific psychological damage and idiosyncrasies, a level he never achieved with Will. I think this sexual tension and Hannibal’s attraction to Clarice is what makes their dynamic so interesting and convincing.

By Hannibal, Hannibal’s romantic attraction is fully realized and no longer relegated to simple sexual tension in their interactions. In the movie, he sacrifices his hand to spare Clarice hers; in the book, he drugs her and spirits her away to live with him in the jungle. By this point, it got a little too romantically centered for me but was still enjoyable.

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The sexual tension in Silence of the Lambs was much more engaging and entertaining that the outright romantic pursuits of Hannibal, but throughout the franchise, that sexuality is a strong element between the characters and in the plot. Hannibal being my favorite fictional serial killer does not hurt either.

As far as apocalypse, (let’s go mainstream, why not?) The Walking Dead fully exploits the soap opera of human sexuality in a apocalypse survival scenario. The Walking Dead being such a sensation and its success bringing it so mainstream does always lead to more interpersonal drama, a tactic to entice outside the initial target audience. Yes, I have the zombie lovers, but if I have a little romance, let me hook those on the fence too.

The first instance of sexuality and romantic drama in The Walking Dead was the love triangle between Rick, Lori, and Shane. Rick wakes up to the zombie apocalypse and hunts down his family, only to find his wife entangled with (and impregnated by) his partner, Shane. Definitely soap opera worthy but enticing all the same. The scenario is also pretty realistic. If you thought your husband/partner was dead, would you not consider finding comfort with one another?

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The relationship between Glenn and Maggie is probably the longest and most explored in the series. They start as convenient fuck buddies on the farm (sex always happens during lulls in combat, right?) then develop into a full romantic relationship. They get separated and reunited; they make horrible and dangerous decisions based on their love for each other. Again, this crosses my unrequited, inappropriate romance line (for my own personal affinity); however, it is still very effective. It gets the audience invested in them, rooting for them (and hence hooked on the show).

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I, personally, think sexual tension and romance has a place in horror and apocalypse. It attracts my interest and also makes the scenarios and character seem more authentic to me. Even facing the end of the world, given a moment to breathe, I believe humans will continue to be sexually driven. Oh, it seems the zombies are gone for the moment; how about a roll around in an empty pharmacy?

However, I think the inclusion of this element must be applied properly. Too much or too idealistic and it violates the genre; too little and it is lost and its purpose is unrealized. It needs to augment the plot and play off of the survival scenario; if it takes over as the story, it becomes too much.

Hopefully I succeeded in doing just that in my own work.

“Civilization is just a flickering illusion. Turn the lights out long enough and you see what we really are.”

Another apocalypse story but this is not the same apocalypse. The survivors have no idea what happened. Suddenly, the world just collapsed, and all that remains are remnants and unproven theories. And these are not zombies that chase them. The only word they have for what people have devolved into is savages.

Two survivors travel these ruins of post-apocalyptic America. He remains convinced other survivors are out there, humans who did not become the savages all around them. She knows the darkness insider herself yet follows him, haunted and conflicted, lusting after him, as he pushes them west.

Together, they sit amidst the pieces of another cluster of savages. He leads them to scavenge what is left of the town, only for them to discover a newborn baby tucked in a closet—a child that changes everything.