Archive for the ‘horror’ Category

My favorite holiday has always been Halloween. I have said it before; I have written about it before. Since I can remember, I always enjoyed and waited for Halloween above all others.

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I love the fall weather and colors.

I love the crisp (or snowy) night.

I love the costumes.

I love the candy.

I love the fear and the horror.

I loved it in my earliest memories as I love it now, as I share the holiday with my children.

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I also started writing when I was a child. I remember my passion truly being ignited during a writing unit in fourth grade, but I believe I was crafting miniature tales even younger than that. Even in my naive, sheltered, and happy youth, I found myself drawn to the darkness, attracted to the infancy of horror I was exposed to within my coveted holiday.

My young brain was stimulated by all the conventional Halloween imagery. Haunted houses. Jack-o-lanterns. Witches. Ghosts. Monsters like Frankenstein, vampires, and werewolves. Bats and spiders. Each year, as these images began to populate the stores, TV shows and movies, and my classrooms, my mind began to whir with spooky stories.

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Each October, I remember I would start to write Halloween tales, complete with illustrations in black, green, orange, and purple. From construction and computer paper, I would self-publish my own childish horror books. I remember being filled with such joy and pride as I folder the paper into the book shape and showed my mother what I had created. A pride I would later revitalize in a mature evolution when I held my first published book in my hands.

This year, I remember that youthful tradition by teaching my daughter how to write and illustrate her own Halloween story and by taking the time to craft a short piece of festive fiction here. I could have crawled inside this one and made a home, which makes me wonder if I should not write something in the young horror fiction (a la Goosebumps) someday, but I forced myself to keep it short. Just a scary little glimpse.

Enjoy.

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The Green Light

That house loomed over me as long as I remember, dark and slumped on a dismal plot of land along our walk to school, staring down at us with wide and lopsided windows like a drooping face. Everyone knew the house was haunted. The McAllister house. The murder house. That damn house. It had many names. If we walked alone, we quickened our step to a near jog until we had passed the edge of the property; if we passed it in a group, laughing conversations lulled, and all eyes cast sideways up towards the black house perched between gnarled and twisted trees.

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The house haunted all of us. It was the torrid subject of village lore, its tales a crucial part of our own cultural indoctrination. We all knew how the rich father murdered his wife then stalked and killed his own children one by one inside the house. Dares to set soles of shoes on the wilted grass were defined rites of passage.

Yet it haunted Derrick most of all.

I grew up in his shadow, watching him both enamored and unnerved by the place. As if a splinter of the very structure was lodged in his brain tissue, swollen and infected under the skin where he could not reach to scratch it.

And when he disappeared, I knew where he had went. The police told our parents that he must have just run away. My mother wept, and my father turned his lips into his mouth and hung his head, and they both questioned what they had done to drive him away. But I knew he had not left us, not left me behind over any fight with our parents. I knew he had finally done it. He had finally walked through that door to see what was in the house.

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With my older brother’s disappearance, his obsession became my own.

“Dude, come on!” Jacob hollered from the safety on the sidewalk beyond the dead yard. “You do this every goddamn day.”

I ignored Jacob’s irritated plea as I did every day as we walked home from school. Instead, I let my gaze stretch and lose focus, crawling up the dead leaves and grass matted down under the black trees that bent in a twisted dance, reaching until I could hear the creak of the wood on the porch and feel the cold metal of the knob on my palm.

“Dude, fuck you, Mikey,” Jacob said, his voice edging on quiver. “I’m going home.”

“He’s in there.”

“Not this shit again. No, he’s not.”

I ignored Jacob, as I always did in the shadow of this house. The mere sight of it had a captivating power over me. As if I could hear Derrick’s voice whisper wafting on the breeze from the dilapidated siding.

He was in that house. I could feel it the same way I knew he was sleeping in his room on the other side of my wall every night.

“Mikey, what are you doing?”

Jacob’s voice was farther behind me now. Growing more distant by the syllable. Startled from my trance, I turned to find him still on the sidewalk. I had wandered halfway up the dead lawn. The fear twisting his face matched the fear quivering his voice, but his features were growing more distant. I continued to walk, to mount the hill even as I looked back at his pleading. By the time I broke eye contact with him, the jagged trees had already passed over my head, and the porch boards creaked beneath my meager weight.

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This close to the house, wrapped under its damp shade, I could almost feel it breathing. As if oxygen was being sucked in through the shingles and the siding, as if the house expanded and slumped, as if a gruesome thumping emanated from its dark center. I could feel its life vibrating up from my sneakers, creeping up along the tingling flesh of my legs, reaching into my very chest.

I felt home, the way I felt sitting in front of the fire with Derrick when the snow fell outside the windows of our house.
The door swung open wide suddenly, yet I was not even startled. I walked into the darkness without hesitation, the way I would walk into my own room.

The darkness swallowed me whole with a wide mouth, and I heard the door creak waning behind me. When the door slammed and extinguished all light, my comfort unnerved. I felt my fear begin to bristle along the edges of the fine hair on the back of my neck. The house grew deeper in the dark, an undulating shape formed by the rhythm of the strange breathing of the wind outside and the steady thumping below my feet.

Something heavy walked above me, footsteps shaking the air over my head. I did not dare move; I only clutched my arms tightly around myself and waited, eyes wide and reeling in the dark. Something scratched along the floorboards beside me, so close I could feel the vibrations in my feet. My heartbeat started to throb, and I think I stopped breathing as I waited on edge.

What was I doing here? I should have stayed on the cracked sidewalk with Jacob like I had every other day. I should have walked home to our empty house and watched my mother stare absently into a pot as she stirred dinner and sat with my father as he silently lost himself in the TV. Where the whole house was where Derrick was not.

No. I needed to be right here.

As I steeled myself, the loud whine of neglected hinges echoed through the darkness, silencing the other noises. The green light emanated from a door up the unforgiving staircase and sliced through the black, splitting my sight and casting hard shadows. The wider the door swung, the more light spilled down to me. It washed down the steps and got tangled in the black shape of the banister.

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I followed the light. There was really no other choice. I stepped slowly and deliberately, outstretching my hand toward the banister. The wood was rough and scratched at my fingertips as I carefully began to ascend the stairs. Each board cried out under me. I just kept moving towards that light.

At the summit, I kept my eyes trained on the glowing shape of the open door as I side stepped in its direction. I allowed my hand to trail the banister, feeling the splinters steadily piercing my fingertips. As I grew closer to the opening, I became aware of something near me. The dark air changed, felt full and disrupted. I stopped moving, silencing the creaks under my feet, to hear the steady, wet sound of breathing.

The sound was right in front of me. I shielded the light to allow my pupils to dilate. As the darkness took on shape, a figure materialized against the wall, shadowed and obscure. I could only make out the reflection of the green light against the two large orbs of eyes staring at me intently.

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The thing saw me see it, yet neither of us moved. Its breathing did not change though mine seemed to strangle in my throat. I waited. Waited for it to jump forward and attack me, waited for it to do anything. The two glowing spheres in front of me remained unmoved and unblinking, and the wet breathing panted in my face.

Keeping a peripheral awareness trained on the dark figure, I began to inch away. I dropped my hand to bathe in the green light and felt somewhat safer blinded by its glow. I walked until it overtook my sight. I walked until the doorframe disappeared behind me. I walked until I was temporarily lost in the green haze.

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My eyes finally gauged the light and allowed the room to take shape before me. A bed slumped against one wall; a ravaged dresser leaned against another. A dead rug draped over the floorboards sprinkled in a menagerie of broken toys. A long and lanky figure folded on top of itself on the edge of that rug, pointing absently at a shattered doll with a spindly digit.

I took another step forward, permitting my hand to extend into the cold air toward the bony shoulder that seemed so familiar. Before my fingertip could make contact, it shifted, and I drew my arm back protectively.

“Michael,” it said. I knew the voice. From the very marrow vibrating in my bones, I knew the sound of it. “Michael, you finally came.”

The figure stood in front of me, growing to be a head taller than me, casting the shadow I had grown up underneath. The boy unfolded his limbs before turning to face me, the green light carving sharp shadows across the face that looked so similar to my own.

“Michael,” Derrick said, stepping towards me. “You’re here. You’re finally home with me.”

The skin on Derrick’s face stretched strangely as he smiled at me with wide eyes, reaching out his arms. I smiled back and dove into his cold chest, allowing him to wrap around me the way he would when I had hurt myself and no one was looking.

We froze in brotherly embrace. In the pit of my stomach, I felt truly home.

And the green light went out.

Halloween-Background

 

Christina Bergling

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facebook.com/chrstnabergling
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SavagesCoverChristinaSavages

Two survivors search the ruins of America for the last strain of humanity. Marcus believes they are still human; Parker knows her own darkness. Until one discovery changes everything.

Available now on Amazon!
savagesnovella.com

TheWaning_CoverThe Waning

Beatrix woke up in a cage. Can she survive long enough to escape, or will he succeed at breaking her down into a possession?

Available now on Amazon!
thewaning.com

(Originally published on MoviePilot.com)

Let’s face it: dating can be horrible. Some might even say that dating is a horror in itself. The endless parade of repeated failed relationships, the perpetually dashed hopes, the awful ways people hurt each other.

My dating life was thankfully brief, though still plenty traumatic. Now, as a spectator to several friends who are currently navigating the single and dating scene, I can say it is not unlike watching a horror movie. Disturbing yet I cannot turn away.

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Here are 10 ways dating can be like a horror movie.

There will be at least one corny line. Probably more.

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From “Did it hurt when you fell from heaven?” to “How’s this for a wet dream?”, whether in a horror movie or on your first date, someone is going to say something painful stupid. You might smile; you might roll your eyes. Either way, you cannot avoid the cheesy one-liners. And the worse the date or movie, the more corny lines you are going to endure.

Someone always turns into a monster; the suspense is finding out who that is.

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In the beginning, it is all sunshine and roses. This person could be THE ONE. This camp on Crystal Lake could be a delightful summer pastime. My boyfriend isn’t possessive; he just really loves me (is that one horror movie or dating? or both?) Yet as the euphoria and infatuation wanes and reality creeps back in, the characters start to show their true colors. We all sit on the edge of our seats, waiting to see if that person turns out to be a douchebag or a serial killer.

The sequel is never good as the original; in most cases, no one even wants a sequel.

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Nothing compares to the original. Everything else is a just a faded copy of the first love, the first date, the first movie in a franchise. Try as we might, we just cannot duplicate the magic of the first. Yet we just keep trying. And the more we push and claw to cling to the same characters, the more disappointing they become.

When it is bad, it goes on much longer than it should.

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It might just be perception distortion, but whether it is awkward date or painful horror movie, it seems like when it is bad, it never ends. Suddenly, you are trapped in a time warp that drags out every excruciating detail. You are counting the seconds through every uncomfortable conversation or every poorly composed scene. Sure, you could get up from the table and leave the crappy dinner or pick up the remote and flip off that lackluster scene. In both cases, you probably just suffer to the bitter end, later telling your friends how awful it was.

There are times you do not want to look but you just cannot help yourself.

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The messier things get, the less we seem to be able to turn away. We may date someone just for the thrill of the drama, or we may watch entire horror movie franchises just for the death scenes (*cough, cough!* Final Destination, what?). In both cases, we might be cringing and covering our eyes, but, just like when it is awful, we do not leave. Instead, we keep coming back.

There is always blood.

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In the dating world, we can hope that there is not literal blood involved; however, there is always carnage. Whether it is the physical bleeding from being stabbed in the chest with a butcher knife or the emotional damage of having your metaphorical heart ripped out, there is always pain and “blood.” In the end, the thrill of that pain and that blood is probably what keeps us coming back for more.

The less you sin, the more likely you are to survive; if you sin big, it is over.

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In old school horror, particularly the slasher variety, the more moral infractions you incurred, the more you guaranteed your own demise. Have sex, you die. Do drugs, you die. Commit enough dating sins, especially of the deal-breaker variety like infidelity, and you have ensured the untimely death of the relationship.

The slut always loses.

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This vintage horror concept piggybacks on the sin convention. And by the same regard, while the slut may get laid with ease, in the old horror movie, she ends up dead. In the dating realm, she may be doomed to be uncommitted (especially in the era that parallels when this horror convention applied). In our modern times, we can hope for sexual liberation and equality, but that really just depends on who you are dating.

There is just something special about the virgin.

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I do not understand it personally, but serial killers and men in general seem to have a unique attraction to virgins. There is just something special about a virgin, as if she has it tattooed on her untouched forehead. Maybe it is something about unexplored territory. I am not quite sure why sexual inexperience attracts more interest and makes you smart enough to be the final girl, yet there it is.

You have to go through a lot of victims to find the final survivor.

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These poor serial killers just spend movie after movie, franchise after franchise cutting and carving their way through incompatible victims. None of them were “the one.” So the killing continues, frame after frame, until they meet their match, that clever survivor that just seems to complete them. So too do we date and date, on a quest to find that one worth of “’til death do us part.”

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Christina Bergling

christinabergling.com
facebook.com/chrstnabergling
@ChrstnaBergling
chrstnaberglingfierypen.wordpress.com
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SavagesCoverChristinaSavages

Two survivors search the ruins of America for the last strain of humanity. Marcus believes they are still human; Parker knows her own darkness. Until one discovery changes everything.

Available now on Amazon!
savagesnovella.com

TheWaning_CoverThe Waning

Beatrix woke up in a cage. Can she survive long enough to escape, or will he succeed at breaking her down into a possession?

Available now on Amazon!
thewaning.com

I do not usually post here or write about the happenings in Hollywood, even when particularly influential figures pass on. However, I am making an exception in the case of horror master Wes Craven.

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Wes Craven made so many masterful horror movies and greatly shaped and influenced the genre. Everyone knows that. For me, it was all about Scream and Nightmare on Elm Street.

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I have written about it before. Scream was my very first horror movie. At age 12, after my parents got divorced, this was my introduction to the genre. I loved it instantly, both the movie and the genre. Scream scared me and also made me laugh; it was fun to watch.

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Nightmare on Elm Street blew my mind. I saw it much later than its release, well into my adulthood. It filled a hole in my horror heart that I did not know was there. Again, fear perfectly edged with humor. Again, just perfect entertainment for me. I watched with my jaw on the floor and had nightmares about it for nights afterward.

Of the many contributions Wes Craven made to the horror genre, these were the two that changed me. I will greatly miss his influence.

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Christina Bergling

christinabergling.com
facebook.com/chrstnabergling
@ChrstnaBergling
chrstnaberglingfierypen.wordpress.com
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SavagesCoverChristinaSavages

Two survivors search the ruins of America for the last strain of humanity. Marcus believes they are still human; Parker knows her own darkness. Until one discovery changes everything.

Available now on Amazon!
savagesnovella.com

TheWaning_CoverThe Waning

Beatrix woke up in a cage. Can she survive long enough to escape, or will he succeed at breaking her down into a possession?

Available now on Amazon!
thewaning.com

fear1

So many times I have watched a horror movie or read a horror book and said to myself (or my viewing partners) what I would have done better in the terrifying situation. Of course I would not run up the stairs with my oversized breasts bobbing in my face from the methodically slow-walking serial killer pursuing me. Of course I would not trip and fall at the most inopportune moment as I ran in a blind panic through the woods in the dark.

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From the comfort of my safe couch, of course I would not be scared stupid.

However, in reality, can I really say these things? Can I really forecast how my brain would operate when awash with fear and instinctual responses? Would I be any smarter than those horror characters who are written in just to populate the body count?

I would like to assume I would be smarter, that I would be final girl level intelligent and crafty. However, in honest and reality, I do not know. There is no way to predict your own fear response, no way to truly gauge what a situation will do to your mind and behavior.

I thought about this idea a lot while I was writing The Waning.

In The Waning, I put my protagonist in a cage. I created a strong, smart, independent, powerful, if not unsympathetic woman and had her locked up in a metal box for a long and painful time. I wanted my narrator to be fearless in her normal life because the story, to me, in an examination of what prolonged fear does to her.

Artwork by Phil Beachler, the Graphics Smith

Artwork by Phil Beachler, the Graphics Smith

As I was writing, I thought about all the things I would do. If a person locked me in a cage in the dark, would I scream? Would I fight? Would I cry? I tell myself I would fight. I would never stop fighting. I would fight until it freed or killed me. That is what I want to believe, and maybe under the right circumstances, it would be true.

The more I thought about it, however, the more I wrote the graphic scenes of captivity and torture, the more I started to doubt it. Humans, as a species, are conditioned by painful and negative stimuli. There are few things more painful or negative than torture, isolation, and captivity. How many punches in the face would I actually take before I stopped getting up? If I’m honest with myself, it could be as few as two.

Artwork by Phil Beachler, the Graphics Smith

Artwork by Phil Beachler, the Graphics Smith

On the other hand, perhaps one would gain a tolerance for pain and violence? That phenomena is just as psychologically valid as operant conditioning. Maybe if I spent months in a cage, the cage would not seem like torture any more. Maybe at a certain point, it would become familiar, comforting even. But at that point, would I have any fight in me, or would I have been changed by the pain and the fear?

I think it is easy to sit from the comfort and safety of my couch and forecast how I would behave under the worst of circumstances. We all do it. It is natural to imagine ourselves in the situations we see or hear or read about, and it natural to think the best of ourselves as we view with a cool head. Yet my own life experiences have shown me that I do not always exhibit final girl behavior. More often than not, I, like the many stupid characters I chastise, behave like serial killer bait.

Years ago, my boyfriend’s house was routinely burglarized. He traveled for work, and while he was away, I checked his mail, fed his fish, and so on. On more than one occasion, I arrived at the house after it had been broken into. Did I wait outside and call the police? Did I even hesitate, thinking the perpetrator might still be inside? No. I walked right in like a stupid white girl in a horror movie.

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More than once.

Then, while I was working as a contractor in Iraq, I got the slightest taste of war, or the peripherals thereof. My exposure was extremely minimal, as I deployed after contractors were regulated to the military bases. What was common place, though, were rocket attacks. In my first couple weeks, I was sitting in a DFAC (dining facility) with my coworkers. The rocket sirens started blaring. The TCNs (third country nationals) flew out from the kitchen; people started climbing under the tables. I stood somewhat shocked, somewhat confused, and looked to my coworkers for direction. One of them said to me, “If a rocket hits this place, a table isn’t going to save you.”

And we sat there and ate until the sirens stopped.

In both cases, my reactions were either not smart or not what I expected. I would have thought I was smart enough to not walk into a house where someone could be lurking. I would have thought rocket sirens would be me under the table. Neither were the case.

If I had to generalize, I would have to say my default fear response is hesitant observation. I try to evaluate the situation to make sure it is happening; I might be in denial. I try to think my way through panic or talk myself out of it. Yet that is not always the case, and I cannot say that I could guess at what I would do at the mercy of my own fear in different situations.

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And that is what I find fascinating. The unpredictability of human behavior in the face of fear. That is why I wrote an entire book about what fear and pain could do to a woman.

What do you do when you are scared? What does fear do to your behavior?

 

Christina Bergling

christinabergling.com
facebook.com/chrstnabergling
@ChrstnaBergling
chrstnaberglingfierypen.wordpress.com
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SavagesCoverChristinaSavages

Two survivors search the ruins of America for the last strain of humanity. Marcus believes they are still human; Parker knows her own darkness. Until one discovery changes everything.

Available now on Amazon!
savagesnovella.com

TheWaning_CoverThe Waning, coming July 2015

Beatrix woke up in a cage. Can she survive long enough to escape, or will he succeed at breaking her down into a possession?

Available now on Amazon!
thewaning.com

When I embarked for a weekend of horror movies at the Stanley Film Festival, I had all of these grand ambitions of spare time. My children would not be in attendance, so surely, I would be drowning in surplus hours. I was going to go for mountain runs; I was going to blog, review, Facebook, and tweet in real time; I was going to work on my next horror novel.

Very few of these things actually happened. Instead, my waking moments were utterly and wholly consumed by horror movie viewing. Fitting for a horror film festival.

So I devoted myself to the cause and emerge now to finally recount the experience.

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Estes Park is gorgeous. I am Colorado born and bred, so I am an insatiable sucker for a beautiful mountain town. Something in the looming peaks speaks to me deep, in my bones. I could have simply vacationed there, could have been content visiting the famed Stanley Hotel, yet coupled with my resounding love of horror, I was euphoric.

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Attending the Stanley Film Festival marked my first film festival experience. I had no idea what to expect. My exceptional partner secured the trip to celebrate my birthday.

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The Stanley Hotel is a character within itself. I could see how the setting, how that personality could inspire Stephen King, how it still has a draw for horror and paranormal enthusiasts. It was like a pilgrimage. The hotel is, at its essence, creepy. The walls and floors themselves creak; the physical building speaks and whines. It is not a faceless, renovated, cookie cutter hotel you can stay at in any American city.

I loved it.

IMG_0240_editedWe braved the fury and fickleness of mountainous Colorado spring weather as we waited for the initial screening. Huddled under our daughter’s rainbow polka dot umbrella, we felt decidedly un-horror, but it was worth the freezing pelting wait.

Cooties was the opening night screening (Cooties review here). Cooties was potentially the perfect film to kickoff the festival for us. It managed to be funny yet still scary and wildly entertaining throughout. My partner and I laughed out loud, and I flinched on multiple occasions.

Directly after the screening was the opening night party. The party was a strange experience. I am a cinematic civilian, so it was surreal to me to be in arm’s reach of celebrities or actors like Elijah Wood. As much as I wanted to gush over each and every one of them (and also hand them a copy of my book), I forced myself to keep a quiet and respectful distance.

The party was oddly low key. The music was loud, but the crowd was more sedated. People stood stoic with drinks around tables. It only became more lively when the chicken nugget eating contest began (or perhaps after we left).

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On Friday, the first full day of the festival, it became an assault of movies. We went to screenings only to exit the theater to get back in line for the next film. There was no time for eating or sleeping. My partner and I took turns fetching beers (free from the Chiller Lounge) as we stood in these long and slow lines.

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We began Day 2 with The Treatment (The Treatment review here).  This was not the wisest of selections for us. As parents, a movie so graphically about child rape and abuse was hard to take. It was horrific but not in the way that we usually enjoy the horror genre. The film left us somewhat beaten and depressed. Afterward, all I wanted was another beer and to watch anything else.

Thankfully, Goodnight Mommy was only a line’s wait away (Goodnight Mommy review here). I enjoyed the film, and it made me forget (somewhat) The Treatment. Nothing could truly ever wash it from my mind. However, at this point, I began to question the Stanley Film Festival’s intentions when it came to children. Cooties had killer monster kids; The Treatment was all about child abuse; Goodnight Mommy brought us back to more killer kids.

Where we had intended to watch four movies in the second day, we dropped one from our roster. We could not make it between theaters (there were three around Estes participating in the festival) in time to line up. Instead, we capitalized on the opening to actually eat food.

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We returned to truly cleanse our palates with the midnight movie: Deathgasm (Deathgasm review here). Deathgasm was mindless, stupid, crude horror comedy. While it was not my particular flavor, my partner thoroughly enjoyed it, and I was relieved to have my brain realigned and distracted after the earlier trauma.

By Day 3, we were orientated to the routine. We fell into a horror viewing rhythm and started to recognize faces around the festival. Various actors, directors, producers, and our many friendly line mates.

Once again, we did not make the optimum choice for our first movie of the day. We opted for the documentary The Nightmare (The Nightmare review here). While I found the chronicle of sleep paralysis sufferers intriguing, my partner was relatively bored. Both of us agreed we would have rather invested our festival view on another selection.

The Invitation and The Boy made up for our slow start (The Invitation review here) (The Boy review here). Back to back quality horror, broken up only by more time queued up outside the theater. Both were slow burns. Both followed in the anti-child theme with a dead child in one and another killer kid in another. Consistency is important. What matter was how much we enjoyed them both.

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By this point, as much as we had enjoyed the many movies we had been offered, I was a bit burned out on slow burn, artsy, indie horror. I was ready for something a little more traditionally entertaining.

Enter the closing night movie. The Final Girls was potentially my favorite of the festival, though the competition with Cooties is fierce (The Final Girls review here). Like the opening film, The Final Girls was fun to watch in a full theater of horror lovers. And it was so very genre savvy and appropriate. It made me happy to watch it, right there on the grounds of the Stanley Hotel.

At this point in the festival, I began oscillating between wanting the festival to continue and being overstimulated and ready to relent. I missed food and sleep and exercise. My brain was awash of horror. Yet, at the same time, I loved it.

The final day arrived either way.

We attended the bloody horror brunch, which had themed food that could be served at a Halloween party and table decorations devoted to great horror films. At the end, they distributed some of the awards from the weekend. It was fun, and the drinks were strong.

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Then we concluded our weekend and our viewing with the Pumpkin Pie Show. Amazing. The show consisted of four live monologue performances. The actors were brilliant; the stories rich and appropriate. It was the perfect way to end our time.

IMG_0231_editedIn the end, I am glad we attended the Stanley Film Festival when we did. It is on the cusp of becoming too big for itself. The schedule offered more to do than you could ever indulge. We missed out on multiple movies, the virtual reality experience, the immersive game, and yet we took no time off. There was very little time to eat or sleep, mainly due to the time that had to be committed to waiting in line to obtain seats to the screenings.

I am not sure how any of these issues could be resolved. The festival is popular, rightfully so, and will only become more so, but the Stanley Hotel venue will never be able to accommodate more patrons. The city of Estes Park will also probably not have more or larger theaters to offer.

Success is a double-edged sword.

I do know I hope to attend again. I also may venture out to check out the horror festival in Telluride, Colorado in October. I enjoyed the experience, the environment, and the people. I am glad I was initiated at the Stanley.

While I attended as a horror and movie lover, I also did sprinkle in a bit of my horror writing. On the scenic drive up through the mountains, I sat in the passenger seat, typing away on my third book.

More importantly, I left a couple copies of my book, Savages, around the Stanley Hotel for other festival attendees, patrons, hotel staff, or ghosts to enjoy. I was not there to pimp myself, but I could not help but leave a part of my own horror behind.

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I was also recognized for the first time, which was another surreal experience. The first in my author career. I appreciate that he managed to pull it off in an appropriately creepy and awesome way.

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My weekend at the Stanley Film Festival was amazing. While I was tired and hungry at times and disappointed in the limitations of the scheduling at others, it sated my ravenous horror appetite for the time being and stimulated so many parts of my dark little mind.

Horror Imagery

Posted: March 11, 2015 in horror
Tags: , , , , , , ,

(I have been woefully slacking on this blog, I know. Life surged up and kept me overly distracted. Now, back to the important business of horror…)

One scene. One image. One thing that truly affected you. Widened your eyes, caught your breath in your throat, brought your hand over your mouth. A picture that climbed under your skin and made a home in the back of your brain.

Something that haunted you long after the image faded from your retinas.

I watched Hellraiser for the first time last week. I know, I was gravely deficit in my horror history by not indulging it until now. Yet at my more mature age (I was 4 when it was originally released) and my expanded horror expertise, I feel like I could more fully appreciate the horror brilliance of it.

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And the brilliance of Hellraiser lies mostly in its imagery. Frank, from the point of his resurrection onward, is visually impressive. His initial resurrection scene enthralled me. His creature clawing after his victim was completely unnerving. I was dazzled, and the film lingered with me.

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That effect, that successful bit of horror got me thinking about horror as a genre. To me, the ultimate purpose of media in the horror genre is to evoke a fear-based reaction in the audience. By definition, what you see (whether with your eyes or with your mind) should be frightening or disturbing.

When I craft horror, I definitely (attempt to) lean heavily on these ideas. With my book, Savages, I aim to make my reader uncomfortable with the terrifying savagery hiding under our humanity, personifying it with a crucified sacrifice. With my book, Ode to Master (working title, soon to be retitled!), I climb into vivid detail of skin removal, hoping to make my audience’s skin cringe at the words.  With any luck, I am successful, but I rely heavily on creating horror through images.

When I think back through the library of horror exposure in my memory, there are a few stark images that stay with me.

From reading horror, it is Gerald’s Game. Unfortunately, my brain tends to offload the details of a book very quickly after I finish it. I can remember if I liked it or if I thought it was amazing, but the specific scenes fade away. I wish they did not, but gray matter real estate seems to be at a premium these days. Yet one image from Gerald’s Game lingers with me. Jessie is handcuffed to the bed after her husband dies. Eventually, she lubricates her hand with her own blood to attempt to free it from the cuff. Complete with skin peeling. My hands crawl just typing the glimpse. That picture lives in my nerves.

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I have seen numerous horror movies, good and bad. I have cringed; I have laughed. I could probably list plenty of disturbing scenes and gory flashes. Yet the first one that comes to mind is the baby removal scene in Inside. Thankfully, I had not had children by the time I viewed said scene because, after two babies, I cringe at the mere recall of that bloody mess. Again, I feel the memory of the image in my body.

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These are just two, the first two on the crest of my brain. Yet they are burned deep behind my eyes.

What horror image haunts you best?

When you publish a book, the first thing people ask you is where the idea came from.

The honest answer (that it just one day materialized out of the gray matter between my ears and started knocking on my skull until I wrote it out) always sounds like a vague copout, so I guess the real question is what inspired that idea in the first place. What planted the seed that bloomed into (in my case, a dark and twisted) alternate reality in my head.

For me, with Savages, the answer is a combination between a short civilian deployment to Iraq and a season long marathon of The Walking Dead.

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The two might be seemingly unrelated, yet they have one common vein for me: savagery.

When I traveled to Iraq, I was a young, naive civilian girl. I had experienced messy and rough patches of life but all under the pillowed safety of American culture. I never wanted for food or shelter; my life was never in daily peril. I lived the good and easy life without realizing or appreciating it.

In Iraq, I did not see any action. I spent my time on a few different bases (Victory, Liberty, Slayer, Tallil, Taji, War Eagle) but never outside of the wire. I only traveled by plane of helicopter. My interaction with the soldiers was in a living capacity, as we shared living areas, laundry, and dining facilities, and professionally, as I trained them on software. My interaction with actual Iraqis was slimmed down to only an Iraqi troop store on War Eagle.

The impression made on me was an issue of exposure. Feeling the blast of an IED in my boots and the walls of a trailer around me was different than a passing news story on TV. Hearing the sirens for a mortar was different than the idea of the threat. Talking to soldiers who lost brothers or had missions go awry was different than some cold article in a magazine or link on Facebook. Seeing wounded warriors still walking and still serving was different than donating to a charity in their names.

My little taste of war, my front row sideline seat, made me appreciate my cushy life back home, but it also highlighted the worst in human nature. The stories I heard, the reports I saw, the realities all around me painted humanity in a very depressing and unfavorable light. To me, it seemed if you removed a flush and comfortable society to take care of our needs, people reverted to animals.

So into my brain went the seed that people are savage in nature. Enter twelve straight hours of The Walking Dead.

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My favorite part of The Walking Dead, aside from the gruesome zombies, is the examination of what the apocalypse does to the survivors. I appreciate how the show tracks their slow exchange of humanity for survival. No matter how the characters try to cling to the humans they once were, with each threat, they ransom off a little piece of that person they remember. Not to mention the entirely savage other survivors they encounter.

Psychology is my favorite part of apocalyptic media.

So with my brain saturated half a day’s worth of post-apocalyptic dead fighting and living fearing, the mood and the imagery permeated my mind, reached down to mingle with my own memories, my own life imprints.

I started to think about how savage we are underneath all our socialization and civilization. I started to brood on how those animals within would come screaming out at the smallest threat, much less the end of the world. Gradually, these ideas grew legs, formed into bodies, started speaking in dialog inside my head. I could see their world, and I only followed.

SavagesCoverChristina

Savages tells the story of two apocalypse survivors navigating through the ruins of America and battling through lingering savages with no answers, searching for the last strain of humanity. Until one discovery changes everything. The infant’s cry shatters their already destroyed world. For Parker, the babe invokes the ghosts of her dead husband and sons. For Iraq war veteran Marcus, the child embodies his hope and gives him innocence to protect.

As far as inspiration, Parker is the most pessimistic and damaged parts of me, the rational parts of my mind the believe the worst of us as a species. Marcus is the embodiment of the best I saw out of the soldiers I was deployed with. The savages are representations of what might be at the core of every one of us.

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What do you think? Are we savage at our core? Would we all devolve in the face of the apocalypse?

Savages is available in paperback and for Kindle on Amazon and Barnes and Noble (with more formats and sites to come). Feel free to step inside my brain and see how I imagine the world falling apart.

 

 

 

 

Winter Horror

Posted: December 18, 2014 in horror, writing
Tags: , , , , ,

The silence of the snow was smothering. The large, slow flakes and the mounds of fluffy powder appeared soft, but I only felt the edge of the cold infiltrating my layers, bristling against my contracting skin.

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My heart was beating so hard I could hear my pulse knocking in my ears. My heaving breaths plumed out in front of me in the dark night air. I could not hide them; I could not contain my own escaping heat.

It would find me. It would be able to hear me, to see me.

My fingers were trembling against the bark. I had not noticed I was clinging to the trunk of a tree desperately. I caught myself and tried to pry myself from its embrace, but it was just too sturdy, too constant against me. Yet my fingertips shifting against the rough bark made a small sound against the heavy night.

A sound it could hear.

I was at a loss with my frozen feet shuttering and sunken in the deep tree well beside my wooden pillar of feigned safety. I could feel the weight of the snow pressing down on my boots; I could feel the compound cold of the heaped snow penetrating the fabrics deeper and deeper. The cold was making a home in me, teaching my cells a new and frigid language.

Then I heard it, over my own heartbeat, over my own panting breaths, over the thick silence of winter: the slow deliberate compaction, the crunch as the powdered snow was smashed down under weight. Footsteps, slow and in the distance, moving closer.

If my heart could have seized in my chest, it would have stopped beating. I felt my entire chest contract, wrapping tightly until concave around the anxiety swelling in my belly. I froze and held the fog of my breath in my lungs until my lips began to quiver.

I could not hide in the dark with the way the moon ignited the snow blanketed on the ground and fluttering down through the air. I could not find refuge with the tree trunks and branches barren like skeletal limbs. Any step on the virgin snow would betray me, announce me to its keen ears.

It was waiting for me to make such a mistake.

The footsteps were getting closer. The methodical puncture of the untouched snow was becoming deafening. I sneaked breaths out of the corner of my mouth and tried to send the curling heat against the trunk of the tree so as not to broadcast it in the contrast against the black air.

I could not take it. I could not just wait for it to find me. It was getting too close.

My instincts swelled up inside me, reached out into my limbs, pulsing adrenaline through every vein.I shoved my palms against the abrasive tree trunk and began to run without direction. My feet plunged into the soft snow; my legs were swallowed up. I tumbled forward and clawed at the cold snow, digging my way forward sloppily.

I left a cavernous path behind me, leading straight to my pathetic attempt to flee. Steam curled like smoke signals into the night above my position. I was a blur of heaving breaths, scraping hands, and sloppy steps.

I was an advertisement for my own demise.

And as I broke from the twisted skeletons of the trees into a blank clearing of only windblown snow, it saw me. Our eyes met across the pall radiating from the white world, mine wide and crazed and its red and demonically glowing.

The beast cast a haunting shadow across the glittering snow, broad heaving shoulders, lean and powerful legs, gnarled and pointed antlers. Large puffs of smoke curled around its drooling muzzle and through its sharp rack as it grunted at me rhythmically. Even in just the moonlight, I could see the blood dripping slow and thick from the tips of the antlers.

Jacob’s blood.

Jacob’s screams behind me as I heard his ribs shatter and collapse, as I hear the air wheeze out of him.

I did not stay to watch as I fled to my lonely tree trunk in the dark.

It did not need to move; I knew this was the end. I could never outrun the beast in its habitat, as it hunted me so naturally. I looked up into the cold and distant stars then closed my eyes to hear the hoof falls escalate to a gallop towards me.

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***

This was a glimpse of winter horror. My book, Savages, paints a picture of apocalyptic horror.

What would be the scariest winter horror for you?

(The delightful people at Man Crates [mancrates.com], where you can get an array of manly kits and sets in wooden crates, ammo cans, or tactical bags [including zombie survival!], asked me what I would need to survive a Halloween movie. I stepped it up and went for the full horror franchise.)

So you lived through a horror movie. Congratulations. So have 1-3 people in almost every horror movie ever from the awful to the awesome. If you are going to prove you have true Halloween and horror chops, you have to make through an entire horror franchise, or in the least to the closing film (until they reboot it 10 to 20 years later).

Surviving a horror franchise is not for the faint of heart. At a minimum, it would require scraping through at least three full length films. If you are aiming to live up to Laurie in the Halloween movies or Sidney in the Scream series, you are going to have to condition, prepare, and (most importantly) fight.

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Cardio

Not unlike Zombieland, the #1 rule is cardio. Because you are going to be running your ass off, movie after movie, up misadvised staircase to tripping in a field. You need to be in top physical condition to sprint and run and hide from the serial killer at your heels, who will always walk faster than you can run without fail.

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Take it easy now, though. A horror movie franchise is a marathon not a sprint. You cannot go blowing your whole cardio load on the first chase sequence; you are sure to end up dead before the next reel that way. Work on your interval training so that you can sprint away in an emergency but always keep running through script after script.

Helpful supplies: Workout DVDs, heart rate monitor

Hydration

Closely linked to cardio, you need to take care of your body, and most importantly, you need to hydrate. Could you really run through a minimum of three films, consistently stumbling at the most inopportune moment, hurdling the bodies of your fallen castmates without so much of a swig of water? Sure, the movies make it look like their characters can do it, but the smart know better. Hydrate, snack, definitely sleep between features. In short, keep your body in peak physical condition.

Helpful supplies: Hydration pack or water bottles, iodine tablets for filtration in a pinch

Sin Avoidance

We all know the old paradigm for horror movies: Those who have sex die; those who drink or use drugs die. Basically, those who sin are guaranteed a death scene. Granted, those commandments have largely been evolved from since Scream called out the genre on their existence. However, you might as well be safe because you are going to need all the help you can get. Not to mention, sins like sex, drinking, or drugs can deplete the muscles and dehydrate you or weaken your mind, all making you a much easier target. You may be able to sneak out of one horror movie with these infractions, but they are bound to catch up to you in a whole franchise.

Helpful supplies: Bible or other code of conduct (depending on who is defining “sin” in the series)

Survival Skills

When you think horror movie, you might think big-breasted woman running (falling) stupidly as she flees a slow-walking killer. Yeah, those victims all die. Those victims do not even get to see the first set of credits roll by. Sure, those characters have their place, nameably dying before you to keep you alive, but you need to do better. You need to develop some survival skills.
Think You’re Next. Sure, that’s not a horror franchise (yet), but if anyone would survive a long-standing horror franchise, it would be Erin. If it is a tactic that could help you survive the apocalypse, there is a good chance it could help you survive a horror franchise. Plus, you never know what the set will be in the next film. Adapt and overcome!

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The ability to hide or camouflage yourself is paramount. Running and cardio are great and necessary, but how monotonous would it be if that was all you did for multiple movies? You also need to be able to evade and avoid. Punctuate your sprints with an ultimately unsuccessful hide in a closet. Sure, it did not work, but at least you caught your breath as you deafened the audience with your panting.

Strategy is also key. You do not just want to be running around in a panic, running up stairs or jumping into rooms with no secondary exit. Think! Think beyond your primal fight or flight instincts and actually make decisions that will keep you alive. Maybe practice some yoga or meditation to learn how to control your physical body and still think clearly in high stress (death and murder) situations.

Helpful supplies: Meditation for Dummies book, black clothing, sound shoes

Sound Communications

The best way to knock off victims in a horror movie is to isolate them. Of course the phone line is going to be cut; of course there is no cell signal; naturally the power has gone out. If you want to reach the outside world and rescue, you are going to need sound communications means that traverse these obstacles.

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It would not be a bad idea to cultivate a personal relationship with some sort of law enforcement character. Someone who might miss you if you disappeared, someone who might exchange walkie talkies with you. Yes, this poor bastard will get snuffed out along the way for helping you, but hey, he might just save your life once before that happens. Since you have to survive multiple times, you have to take your life saving where you can get it.

Helpful supplies: Satellite phone, walkie talkies

Personal Connection

The only way anyone is going to even remotely entertain the idea of letting you claw your way through a horror franchise is if you have a personal connection to the killer. The audiences need the drama. Plus, why else would we buy that this killer keeps coming after you movie after movie?

Take our examples of Laurie and Syndey. In the Halloween movies, Laurie is Michael Myers’s sister. Sure, she does not always know that. And sure, she vanishes for part of the franchise, but any Halloween fan pretends those movies never happened anyway. In the Scream movies, even though the killer is vanquished at the end of every film (spoiler alert!), a new killer or killer emerges in the next installment, and they are all, in some way, connected to Sidney. A boyfriend, a brother, a copycat, a cousin.

If you want to be valuable enough to be written into multiple endings, you better make yourself indispensable to your adversary.

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Helpful supplies: Memento from relationship with the killer (just to remind everyone why you are indispensable)

Ultimate Faceoff

While the running and evading and hiding is necessary for the first few movies, every horror franchise eventually culminates in an ultimate faceoff between the persistent survivor and the killer. Some protagonists may survive multiple movies just to finally be defeated at this glorious moment, but you are not trying just to make it to the last movie; you are trying to live to see the final credits of that final film (again, until the reboot). You better be prepared for this ultimate faceoff.

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It may happen in each movie of the franchise. You may think you have killed the killer over and over. Whether it happens once or three or five times, you eventually will have to man up and fight the killer face to face.

By the conclusion of the franchise, the killer will have become stronger and more impervious to death with each movie. You will also get beat to hell a little more each time you escape. You may have been stabbed multiple times by this point. You need to rehabilitate your body. In your off film time, indulge in some physical therapy and some self-defense or martial arts classes. For all your running and cardio, at this point, you are going to need to be able to fight.

The fight is only over when the killer is dead (or at least when you and the audience are sneakily convinced the killer is dead). Since this killer has survived just as many horror movies as you have, you are going to have to bring out the big guns (ironically, a gun almost never works). You need to rely on your survival skills to provide you with a weapon to finally put down your killer. (If it is a gun, remember, head shot.) Perhaps a baseball bat with nails through the end? Maybe a vehicle and a large cement wall? Get creative.

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Helpful supplies: Weapon of choice or opportunity

Surviving a horror franchise takes an unteachable blending of charisma and interest, physical condition and preparation, and a sound mind (not to mention current genre trends and dumb luck). If you prepare enough, you might just be able to join the ranks of those blood soaked survivors who lived through not just one horror movie but an entire series.

What do you need to survive?

Jack o’ lanterns from pumpkins and furry black kittens, these are a few of my favorite things…

Ever since I was a child, Halloween has been favorite holiday, even in preference to the more present-laden Christmas or my own self-serving birthday. It was, and continues to be, all about Halloween.

So in the spirit of the season and my beloved holiday, I give you the 10 best things about Halloween (for me at least):

10. Candy: At heart, I am just a little fat girl. I loved candy as a child, and I love candy still as an adult. Granted, candy is accessible year round, and with the internet, seasonal candy is as well. However, there’s just something special about when pumpkin and ghost shaped candy in black wrappers starts to grace the grocery aisle. And can we say mellowcreme pumpkins and candy corn? There is also something enchanting about a heaping pile of variously concocted sugars (even if it now comes home in my kid’s bucket).

Halloween-Candy

9. Haunted houses: Fear (#1) is fun, when that fear is contrived and controlled. A haunted house is nothing if not a place designed to scare you safely. That is why we go, after all. I have been to many haunted houses in my Halloweens, some awesome and some painfully lame. One in a cave, one in a mine, some in a house or building, one in a corn field. I was in a photo shoot in the House of Shock. I even helped construct a haunted house for children during community service. Snaking through a long line in the dark, being teased by cast members, just to willingly plunge into darkness to be terrified is its own small thrill.

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8. Weather: The crisp edge on the air. The lovely death hues adoring the leaves before they pile on the ground. The crunch of the leaf corpses under my feet. Aside from the snow of winter, fall is my favorite season. It is the best time to run (a deep, pervasive addiction of mine); the temperatures are mild and pleasant; the colors are beautiful. Once those first leaves begin to turn and fall, I know my beloved Halloween is near. And Halloween would not be what it was if it did not happen during the fall.

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7. Trick-or-treating: See #10 Candy above. Add to this love of candy the fun of costumes (#3) and the excitement of going door-to-door in the dark. If you are fortune and your neighbors are festive, your neighborhood can be transformed, in that one night, into an alternative and spooky world. I remember my father used to don a ferocious mask and terrify all our friends and classmates as he doled out candy. And when I briefly lived in the South, one house was so inspired as to have a full-sized skeleton funeral procession poised in their front yard.

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6. Parties: I may or may not have been an avid (read: rabid) drinker in my misspent youth. I may or may not have frequented many a party in my day. Whatever my past, a house party still has a special place in my heart. Especially when it is my party where I can simply stumble up the stairs and pass out face down in my Dora the Explorer costume (shoes included). When these parties are made even better with music and costumes (#3) and the macabre (#2), I am one happy and intoxicated girl. Every year, we go all out with festive food and drink and costumed friends.

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5. Movies: Horror movies, need I say more? Horror movies that include or are focused around Halloween, even better. Trick ‘r Treat is our staple Halloween movie. Since having our daughter, every year after we return from trick-or-treating (#7), we put her to bed in her post-sugar comma and watch Trick ‘r Treat over drinks and more candy (#10). Not to mention other necessary classics like the Halloween franchise, just to name one.

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4. Pumpkins: Delicious, delicious pumpkins. When October graces our calendar, pumpkin reigns in our house. Pumpkin cookies, pumpkin bread, pumpkin fondue, pumpkin pancakes. The list goes on. We also harvest the pumpkin for the pie for the next holiday. Pumpkins also make jack-o-lanterns. As a child, I hated gutting a pumpkin; I found the gooey, sticky innards horrifying. Yet I loved carving just the same. One year, our parents helped us construct a jack-o-lantern totem pole in a planter on our front step. Now, I watch my daughter squeal as she shoves her hand inside a pumpkin as we carve for our porch. Plus, pumpkins are orange like my hair. They are simply a symbol of both the holiday and the season.

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3. Costumes: Costumes allow you to temporarily be someone else. When I was a child, I played dress up incessantly, mostly using Halloween costumes from years past. I was a mermaid then a princess then a ladybug, all in the same day. But Halloween costumes were special. I spent the entire year deciding what single thing to be on that special night. As an adult, Halloween costumes have become about creativity and hilarity (with a stop off at slutty between childhood and parenthood). This year, for example, with my newborn son, I represented my challenging pregnancy and birth by dressing us up as Alien with me being the chest out of which he is bursting.

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2. Macabre: Even prior to my fall from innocence, even before my gothic phase, I loved the darkness in Halloween. I used to write illustrated stories about haunted houses. I used to plaster things with ghost and witch and black cat stickers. Year round, I love skulls and skeletons. When I was a gothic belly dancer, I was frequently covered in fake blood. Halloween is defined by the macabre. Sure, it is often all cuted up and toned down for the kiddies, but at its core, Halloween (not Samhain) is defined by darkness and the macabre. I love having a small graveyard in my front yard and a skeleton dangling from my door. It is the one time of year where my aesthetic preference is acceptable and embraced.

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1. Fear: Halloween is about being scared and things that are scary. Boo! Being scared in a safe and controlled scenario is fun and exciting. I startle embarrassingly easily, even considering my horror obsession and copious amounts of time spent desensitizing myself, and I love that thrill of the jolt in my adrenaline, that rush of relief when the fear passes. I am an addict for that sensation, and it is so much more fun when everyone else is playing along. Haunted houses (#9), trick-or-treating (#7) in the dark, terrifying decorations, foggy and eerie weather (#8). All things that allow us to flirt with and dabble in fear while knowing we will be able to emerge smiling on the other side.

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What are you favorite things about Halloween?

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Visit the rest of the Halloween blog carnival!

Poetic Zombie

http://www.poeticzombie.com/hbg-halloween-blog-carnival/#more-927

 

Interrogating Ideology With A Chainsaw

http://www.interrogatingideologywithachainsaw.blogspot.com/2014/10/hbg-halloween-blog-carnival-great.html

 

I Want to Suck Your Blog

http://lockyourdoor.blogspot.com/2014/10/overwhelmed.html?m=1

 

I Want to Suck Your Blog

http://lockyourdoor.blogspot.com/2014/10/a-grim-fairytale.html

 

Amanthatwriteswrites.blogspot.com

http://youtu.be/dhr9u1Q6PDM

 

Poetic Zombie

http://www.poeticzombie.com/pre-halloween-prep/#more-904

 

The Nightmare Nook Horror Blog

http://nightmarenookhorrorblog.blogspot.com/2014/07/monster-mash.html

 

I Want to Suck Your Blog

http://lockyourdoor.blogspot.com/2014/09/the-package.html