Archive for the ‘film festivals’ Category

Telluride Horror Show 2025

Posted: October 17, 2025 in film festivals, horror movies
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Year #9 at the Telluride Horror Show! This year, there was no traumatizing child injury, so I had a much more typical experience.

Obligatory Hike

Over the years, the Horror Show has experienced the many seasons of Telluride in October. We have seen roasting sun, crisp fall air, and heavy snow. This year, we got a lot of rain. Potentially my least favorite.

Considering the mud the weather created, we kept the hike simple. Mostly, a stroll through Telluride to the Bridal Veil Falls trailhead. We started up the road; however, time and my confusing body truncated the hike.

But the views were gorgeous, and Telluride was in full (soggy) autumnal splendor.

The Movies

Whatever the hike did to my body (I thought altitude sickness once again but now have doubts), it did limit me for the weekend. I didn’t feel up to my normal wandering and marathoning. As such, I stuck pretty close to one venue. This did, however, help me watch WAY MORE movies than last year!

Here is the rundown of my viewing and my ratings:

  • Dust Bunny 💀💀💀💀💀 A big budget, fantastical production. Basically, an R-rated kids movie. This film is hysterical and heartwarming (and honestly should not be rated R). Plus, the sets and visuals are dazzling. I cannot wait to show my children.
  • The Creep Tapes 💀💀💀💀💀 I love this franchise. The new episodes are hysterical. What I have seen of season 2 is even better than season 1.
  • It Ends 💀💀💀💀 I was underwhelmed until this movie was explained to me. It seemed so slow and vague and repetitive. However, once I viewed it through the proposed lens, it’s brilliant. I will need to watch it again knowing what I know now so it can break my heart.
  • Good Boy 💀💀💀💀 Such a clever concept with the dog. Slow but beautifully shot. Considering what happened to my family last year, I had all the feelings during the introduction. And Indy, the dog, is a very effective empathetic tool. The pace could be tightened, but I really enjoyed it.
  • The Vile 💀💀💀💀 Creepy and emotional. The story drew me in, the plight of a wife and mother when her husband unexpectedly brings home a second wife and things go so very wrong. It needed more horror, but the story is enough.
  • We Bury the Dead 💀💀💀 A very unique zombie story. The first half is fantastic; then it kind of loses its way. It has a great premise and is so creative, but it feels like they didn’t know how to wrap it up so did so too cleanly.
  • Dolly 💀💀💀 American 70s homage horror in the woods of Tennessee. The special FX in this are wild. This is very much a punch-in-the-face, make-you-uncomfortable horror; however, the story still manages to sag in the middle. Somehow, a 76-minute movie feels long.
  • Honey Bunch 💀💀 Bizarre. I didn’t hate it, but it might need a second watch to make me like it. The soundtrack, in particular, is very peculiar. I think the dynamic between the main couple is odd, and that is reflected in the rest of the movie.
  • Shelby Oaks 💀💀 This one had a lot of hype, but I was disappointed. It is like two movies shoved together, and only the first one is good. There is a threshold of how much “dumb white girl” shit I can buy, and this one far exceeded my tolerance.
  • Deathgasm 2 đź’€ I saw Deathgasm at Stanley Film Fest years ago, but the sequel is terrible. I need my repeated penile trauma to have a purpose in the story.

Overall, a solid year and lineup. I can’t remember much of last year, beyond my worry for my child, but I do feel like this year was better for more than just that. The schedule allowed for breathing room between showings, which also helped with line management and gave the non-movie events some space. Though there were an unfortunate number of single screenings of films, and one of my favorite parts is deciding what to see Sunday based on chatter.

The Horror Show continues to grow and, with that, does come growing pains. The lineup was released later. Less celebrities and directors attended to give Q&A after the features. Assholes found their way into the audiences and lines to misbehave. It happens as things grow and change.

All told, it was a fantastic weekend, and I can’t wait to go back for year #10.

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Red Walls – When Talia’s parents go after the monsters who hurt her, they never expected real monsters.
  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Colorado Festival of Horror 2025

Posted: September 18, 2025 in film festivals
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Here comes spooky season! đź‘» And it may be the only life raft I have from debilitating depression right now.

Summer sprinted to an end, landing us in September. For me, spooky season starts with Colorado Festival of Horror (CoFoH). Horror may be year-round for me, but the CoFoH weekend of horror movies, celebrities, and art sets the tone for the impending October and Halloween surge.

This year’s festival was BUSY for me. My schedule was stacked. I volunteered all three days, was on four panels, and had a signing block in the dealer’s room. But I still managed to find time for the costume contest, karaoke, a screening, and a couple of other panels.

This year’s theme was monsters, and the big draw was the colonial marines from Aliens. When I was volunteering, I worked at Michael Beihn’s table. Though, honestly, my husband did all the work, and I made appearances briefly to snap pictures for the fans.

Running around to panels kept me pretty engaged.

Enter the HeTerrorTopia (part I and II): What is a heterotopia? you ask. I asked the same thing preparing for these panels! In part one, we explained the concept of a heterotopia (in very short: a world within a world) and provided examples in the horror genre. I chose Stephen King because he may very well be the king of heterotopias. Then, in part two, we used the concept to create our own heterotopia as an interactive group. We ended up selecting a quarantine wing of a hospital during pandemic. The session ended up drifting into group therapy and trauma dumping about COVID, but clearly, we all needed it. I was thrilled that people got the concept (faster than I did) and to see so much participation in the workshop.

Feminism in Horror: From femme fatales to final girls, this panel covered the good, the bad, and the future of feminism in horror. We discussed how feminism means more than female representation and concentrated on creating authentic, nuanced characters of every representation. As an author constantly labeled as “pink horror” or “girl horror”, it’s nice to talk about what that really means.

Monster Mash: This panel started by defining what a monster is in horror then examining what makes a compelling monster. However, after 10pm on day two of the con, things rapidly descended in the best way. We ended up playing rounds of Monster Smash or Pass to uproarious laughter. This was probably the most fun I’ve had on any panel. Obviously, we need a full, focused Monster Smash or Pass panel next year.

The largest development for me, as an author, was having a signing at The Slab table in the Death Dealer’s Room. After Stephen Graham Jones, no less. It was thrilling to see my name all over the program and promo material.

While I brought multiple books, my focus was obviously on the latest: Red Walls. And Red Walls SOLD. This weekend was probably the most successful I’ve seen for book sales. Between my signing table and the Horror Writers Association booth, I sold half my last order of copies!

Everyone says it’s the cover, and I can’t argue with them. I’m trying to figure out how to turn it into my next tattoo.

So, the weekend was very successful for me as an author and very fun and fulfilling as a horror fan. It has me excited for Telluride Horror Show next month and Creepaway Camp next summer. I will take all the distraction I can get!

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Red Walls – When Talia’s parents go after the monsters who hurt her, they never expected real monsters.
  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Telluride Horror Show 2024

Posted: October 16, 2024 in film festivals, horror movies
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Telluride was different for me this year.

The week before the Telluride Horror Show, my dog bit my son in the face. My son was hospitalized and had surgery, and I had to surrender the dog. Then my son’s wounds got infected, and he spent the weekend in the hospital again.

I was supposed to leave for Telluride a couple days after his release, yet after coming so close to losing him, I could not travel without him so soon. So, I didn’t. I brought him with me.

The Horror Show is not family friendly, not a place for children, so my experience was a bit different. And that’s OK. It was still a great weekend. It was what it needed to be this year.

Surprise Aurora

Unbeknownst to me, the Aurora Borealis descended in the southern night skies after we arrived and got settled.

Once we knew about it, we scurried outside and then up the gondola. The lights were faint and barely visible with the naked eye, but they showed up great on smartphone camera.

Obligatory Hike

To earn our sloth-like three days bound in movie screenings, we began our weekend on a hike. This year, we went to the other side of the town and did the Jud Wiebe trail.

After all my health challenges, I was embarrassingly out of shape, and we missed fall foliage peak, but it was gorgeous and glorious. The mental health boost I needed.

Horror Education

This year, the Horror Show offered the delightful treat of the Horror Vault. Over the course of the weekend, Jon Davison screened six classic horror movies on 16mm. Additionally, there was a screening of Night of the Living Dead (1968) colorized. It was the perfect opportunity to provide some horror education. Plus, the sound of the running projector is so soothing and nostalgic.

I was lucky enough to see:

  • Blood and Black Lace (1964): Touted as the first Giallo and possibly the first slasher movie, this film is a fascinating look back at where the tropes began. Peek-a-boo killer and oops I fell and my top came off are highlights.
  • Night of the Living Dead (1968): This was the first time I have watched the classic colorized. It gains some things but loses others. I have recently been watching The Walking Dead for a writing project, and this is the granddaddy of the zombie genre.
  • The Mummy (1959): I have always loved ancient Egypt and mummy stories from Goosebumps to my bisexual awakening movie The Mummy (1999). It was fun to see how my beloved 1999 version had modernized this story. Plus the set work is exquisite.

The Movies

Eight or so fests ago, I spent every moment in the theaters and saw as many movies as possible. Age, experience, and circumstance has changed my priorities. Particularly this year, I caught less screenings. But the ones I did see were fantastic.

The new screenings I attended:

  • The Creep Tapes 💀💀💀💀 A mini series in the Creep franchise. I saw Creep 2 at Telluride and love the killer in the franchise. We watched three episodes. The first is brilliant, fifth is entertaining, and sixth is just weird. I can’t wait to watch the entire series on Shudder.
  • Trizombie 💀💀💀 A Belgian film about a zombie outbreak where people with Down’s Syndrome are immune to the virus. When I read the synopsis, I admit I cringed. However, the film is funny, gory, and ultimately quite wholesome.
  • Daddy’s Head 💀💀💀💀 A creepy meditation on grief. Packed with jump scares, this movie is exceptionally unnerving with an emotional heart. The ending, to me, is perfect.
  • Presence 💀💀💀 POV piece with a ghost. This clever take on a haunting story feels almost found footage. While a slow burn, the plot is compelling and the approach interesting.

Final Girl Support Group

Admittedly, this year, my favorite event was not a movie. Instead, it was horror author Grady Hendrix’s Final Girl Support Group presentation. Having read some of his books, I knew Hendrix is a talented author. Even better, he is also a gifted performer with humor, voices, and even singing.

For Final Girl Support Group, Hendrix toured us through the history of horror and slashers. He framed the presentation in “how to stay alive” bullet points, citing friends and school as things to avoid then listing all the horror books and movies where those things get you killed.

He then double-clicked into several topics, including the origin of transphobia in horror, the blaming of the mother in both horror and pop psychology, the urban legends that started the slasher. This goldmine of information was delivered cleverly and with razor-sharp humor.

Until the end, when he punched us in the face with feelings, drawing parallels to the faceless killers of all those books and movies to the global COVID pandemic and the inevitable death of everyone in the room.

I laughed. Then I cried. And I loved every minute of it.

Fright or Wrong Trivia

As per tradition, we participated in Fright or Wrong’s horror trivia. Despite a strong Scream round, our team was bested once again. However, my Sidney Prescott with travel-sized Ghostface did at least win the final girl/boy costume contest.

In the past eight years, the Horror Show has grown and changed and evolved. In 2020, we did a fest from home then returned post pandemic. However, this year, it seemed to be the consensus that things felt different. While none of us could really articulate the cause, the intimacy seemed lost. The pace felt rushed.

Maybe it was an off year for us all. The awkward year we expected after quarantine a few years late. Maybe these are growing pains as things continue to change around us. Maybe we’re all just a little older. Or maybe my kid almost died and everything just looked different afterward.

Nonetheless, it was a great weekend of horror in the autumn mountains. Until next year, Telluride! Find me with my kids healthy and happy at home next year đź‘»

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Colorado Festival of Horror 2024

Posted: September 24, 2024 in film festivals, horror, horror movies
Tags: , , , , , , , ,
6

Friday the 13th was made for horror festivals, and Colorado Festival of Horror (COFOH) took full advantage this year. I spent last weekend participating in all it had to offer.

COFOH is now in its fourth year. My first time was their second year, when they featured Art the Clown from Terrifier. Then I volunteered last year, sitting with the creator of Final Destination and members of the cast of Texas Chainsaw Massacre. The festival definitely has been growing and evolving each year into a destination event for horror lovers.

The weekend is put on by genre lovers, and their passion shows. It is also still small enough that there is a community feel. It is welcoming and approachable, with fun events like karaoke, a cosplay contest, and a Little Shop of Horrors sing along.

This year, I participated even more by sitting on three different panels.

Meet Me in the Dark: We discussed the relationship between trauma and horror movies and how horror can be therapeutic. This conversation resonated with me both because I consume horror as therapy and also create it as an outlet. So many of my stories are my own trauma stretched and processed. We covered our favorite “comfort” horror movies, mine being ones like Scream and You’re Next where everyone lies and hurts the final girl but she emerges stronger and a survivor.

Turning Trauma into Art: This session was the workshop extension to Meet Me in the Dark. Instead of covering horror that comforts and helps us, we expanded to discuss the art and horror we create to deal with our own trauma. I discussed works like my post-partum horror short. Then we went through an exercise of word association with different feelings and crafted art from those lists.

Where is the Monster Line: Joining authors from Horror Writers Association Colorado chapter and Denver Horror Collective, we discussed our favorite monsters and villains we love to hate. Then we dove into what makes a villain sympathetic, interesting, or relatable versus what crosses the line into abhorrent.

I also volunteered with the celebrities again. My husband and I sat with Thom Mathews (Tommy Jarvis of Friday the 13th Part VI).

Befitting the theme and the weekend, other Friday the 13th people were in attendance. Tom McLoughlin (director of Friday the 13th Part VI) and Vincente DiSanti (creator/director/actor of the Never Hike Alone movies and a frequent Telluride Horror Show attendee).

We got to meet Pam Grier as she introduced a screening of Ghosts of Mars and provided new insights into the film’s merits.

And, perhaps most importantly, we sat beside the delightful Tiffany Shepis and helped her create and recruit for a spatula cult (IYKYK). The Spatulatti spread like wildfire.

The weekend was a bloody whirlwind that left me exhausted, but my black, little heart was full. I needed this time with fellow horror lovers. I felt involved and included, like I was contributing. At this point in my horror life, I probably should be!

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Tales from the Drive-in: Post CoFoH Podcast

Posted: October 19, 2023 in film festivals
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Last month, I went to Colorado Festival of Horror and made some friends! Listen to us talk about the festival, horror in general, and my writing!

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Telluride Horror Show 2023

Posted: October 18, 2023 in film festivals
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I just got home from my 7th Telluride Horror Show (yes, I’m counting the 2020 fest streamed from home during the pandemic). A younger, drunker Christina used to cram in every possible screening and skid out of the weekend on her face the shell of a human. This old, post-illness, recovering Christina took an more moderate approach. But even with uncharacteristic rest and self-care, I did manage nine movies over three days.

And I had a great time.

The Movies

Favorite of the Fest

I attended my first Telluride Horror Show in 2017, and Never Hike Alone premiered there on that Friday the 13th. I loved the movie and started following and backing Womp Stomp Films. I had been watching hoping to see the sequel grace Telluride again. When another Friday the 13th premiere was announced, I was ecstatic.

It did not disappoint.

Never Hike Alone 2 takes threads from Never Hike Alone and Never Hike in the Snow and ties them up in a gruesome little bow, delivering the splatter we want with added depth. Never Hike Alone is a narrow narrative that brings us back to Camp Crystal Lake with foolish solo hiker, Kyle. In Kyle’s misadventure, Tommy Jarvis reenters the scene. Then in Never Hike in the Snow, the world expands, stepping back to before Kyle and an earlier murder, painting a picture of what serial loss does to families and the community over decades. Never Hike Alone 2 then hands the narrative baton from Kyle to Tommy. We see a chunk of the events in Never Hike Alone from Tommy’s perspective, weave in the grieving mother from Never Hike in the Snow, then jam on for a bloody climax.

Loved

If this year’s films had common theme, it could easily be “bad shit happening to children”. I don’t know what the fact that two of my favorites were the worst offenders says about me. But the Horror Show came hard for one of the remaining taboos in horror.

When Evil Lurks

In 2018, I saw Terrified at Telluride Horror Show. Loved it. This year, Demián Rugna returned with When Evil Lurks. Like Terrified, this is another story involving demonic possession. However, the manifestation and the world it happens in are different, unique. The movie starts twisted and depraved before punching the audience right in the throat. It got a touch shaky toward the end but not enough to unravel the story.

The Coffee Table

THE talk of the fest.

The Coffee Table is billed as a black comedy. NOPE. It is just black. Black, oppressive discomfort that captivates you in every frame. I kept waiting for the tilt, the turn into comedy, but it never came. However, the film is so well made, so compelling that I ultimately did not need it. I was unpacking it through my nightmares and into the next morning.

Infested (Vermines)

Arachnophobia traumatized me as a child. Scenes of spiders under toilets and in bowls of popcorn still live in my mind rent-free. Which is why I had to go see Infested. While the ending got a little loose and the commentary a little clunky, it is a fun watch. I jumped; I cringed; I imagined my earrings were little spider legs.

Liked

Not every movie punched me right in the feels (or stomach). Plenty of them were entertaining without being perfect.

Where the Devil Roams

I have been following Adams Family Pictures since The Deeper You Dig and Hellbender at previous Telluride Horror Shows and again at Six Feet Under Horror Film Festival. I adore their dark, quirky style and adorable family. Yet Where the Devil Roams didn’t land as well for me. While the filmmaking and effects have evolved, the storytelling is a bit convoluted. I spent too much time being confused.

Frogman

Frogman is wild. It is apparent that the filmmakers are new to found footage in the amount of shaking and static applied. While the movie could benefit from an aggressive edit, the characters have great chemistry, and it is a super entertaining watch. When you can keep your eyes onscreen.

Suitable Flesh

There is nothing like a Lovecraftian body swapping tale. I forgave a lot of ridiculousness because the events happen in Arkham. Suitable Flesh is not a watch for quality but instead for wild, spinning sex scenes and gratuitous violence.

Eh

While every movie was not a hit for me, none where a total miss either. I didn’t see anything I hated. However, there were some for which I had critiques.

If the fest had a secondary film theme (besides child trauma), it would have been continuity issues. Multiple films came to wobbling conclusion violating their own rules or leaving something unexplained or just ending.

It’s a Wonderful Knife

Christmas for Halloween is always rough, but there is often a holiday movie at the fest. It’s a Wonderful Knife plays off (surprise, surprise) It’s a Wonderful Life with a slasher twist. However, the movie comes across a bit sloppy and Hallmark-y. It is a bit disappointing after seeing Tragedy Girls from director Tyler MacIntyre.

Vincent Must Die

Vincent Must Die has a great premise. People just start randomly assaulting Vincent with building violence. However, it seems like the filmmakers didn’t know how to consummate that idea. By the end, I felt like they were trying to say something significant and I had just missed it.

The Fest

Telluride is GORGEOUS! The weather year to year is really roulette, but this year, we landed on perfect, idyllic autumn. Abundant sunshine (according to my weather app), aspen leaves so bright they looked on fire, even temperate nights.

We went on our annual hike, this time selecting a loop around Mountain Village. For being a “popular” trail, it was horribly marked, and it took three apps to navigate us successfully. Since we started at the mid-point of the gondola, it included a bizarre trek through the village, shops, construction zones. However, it was gentle and beautiful. I feel more intimately familiar with Telluride now that I have hiked up grassy blue runs and over frozen snow machines. Like being behind the scenes of the resort.

At this point, this pilgrimage is steeped in tradition with our “family”. I have been going to the Horror Show long enough that our annual trip feels like home. We know the places. We have tips and tricks. I have friends and connections who I look forward to seeing each year.

With explosive growth over the years and post-COVID, the culture of the Telluride Horror Show is changing. Everyone is still super nice. Filmmakers are still very accessible. It is just less rowdy. Gone is the wall-to-wall mass of humans at Last Call, fogging up the bar windows. Tamed are the late night screenings, cheers and whoops exchanged for more pious observation.

Telluride Horror Show is growing up. The same part of me that misses drinking misses the more rambunctious energy. But the same part of me that requires sobriety realizes this is probably for the best.

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Telluride Horror Show 2022

Posted: December 29, 2022 in film festivals, horror, horror movies
Tags: , , , ,
1

Every time I vanish from the interwebs and writing, I say life has been wild and complicated. And it always is. Yet, it seems like every time that happens and I get back on top of things, life seems to level up on the challenges. Here we are in December, and I haven’t even written about October! I had the Father Death chapters to cover my absence, but now it is plain to see.

So let’s play catchup. Let’s talk about the Telluride Horror Show way back in October. My memory is well past faded, so forgive less detailed opinions and reviews.

#

Ah, October. The most wonderful time of the year. Halloween, horror, and the Telluride Horror Show.

The trip is more than the festival for us. It is a tradition, and it is a vacation. As always, we prepaid for a weekend of sitting and eating with a hike. This time, we tried Little Hawaii.

The hike was easier and shorter than we usually do but gorgeous — as the mountains and Telluride are in the fall. It was a great start.

Then it was all movies and all horror the rest of the weekend.

It was a solid lineup of films this year. Of course, there were good and bad, but the ratio favored us. Since I currently have the memory of a Pomeranian puppy, here is a (brief) summary of what I saw.

Ice Cream Man: Somehow I had never seen this cult classic. I loved it. Clint Howard serving ice cream before and answering questions after made it all the better.
A Wounded Fawn: This was like two movies smashed together. The first was interesting and entertaining. It really reminded me of Fresh. But then the second half wandered off in an incongruent direction and lost me. The ending credits were hilarious but not enough to right the ship.
Something in the Dirt: I’m usually not too dazzled by Lovecraftian/cosmic horror. However, these filmmakers have my number. The Endless was great, as was this one. The movies stays with mostly two characters, and that tight scope had me locked in that apartment with them.
Christmas Bloody Christmas: This was like Silent Night, Deadly Night meets Terminator. With gratuitous violence and cheesy holiday cheer, it was pure entertainment. A great one to watch with a night fest crowd.
Mad Heidi: Swissploitation is all I have to say. This movie is utterly ridiculous but, in so, just hilarious. It is great for mindless entertainment.
V/H/S/99: The V/H/S franchise has been hit or miss with me. The first is great; then the rest are less impressive. Until this one. I enjoyed all the segments. Each section is different, but all are well done and entertaining.
The Harbinger: OH MY FUCKING GOD! To say this was my favorite of the fest is an understatement. It is likely my favorite movie of 2022. It is definitely one of my favorite horror movies. On the surface, it is a well made, engaging horror tale. Yet it is so deep and nuanced. It hits on so many levels.

The only screening that was utterly unenjoyable were the high elevation (elevated horror) shorts. We walked out of that one.

Of course, in addition to the movies, we made sure to cram in social events. The ice cream social with Clint Howard. The pig roast.

As every year, I made time to go to the campfire tales, author summit, and book signing. Part masochism and part inspiration hunting, I enjoy just listening to other authors. This year, I was introduced to Alma Katsu and have since read two of her books.

We also did trivia, but this year, we utterly lost our asses. The questions just get harder, and we had no surprise film makers on our team.

Overall, great movies and great weekend. Until October, Telluride!

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

Telluride Horror Show 2021

Posted: October 26, 2021 in film festivals, horror, horror movies, real life
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Telluride Horror Show, back in person! If I can accurately stalk my own social media posts or count my own souvenir badges correctly, this was our fifth Telluride Horror Show attendance (inclusive of last year’s virtual rendition). I was thrilled to back in Telluride this year.

For the past two years and pandemic, the festival itself managed to go on largely unchanged. There were masks indoors and wristbands to verify vaccination or negative test status. Some events were held outside. Otherwise, all the things happened.

However, this won’t be my typical Horror Show write up because this was not my typical Horror Show experience. Not due to the fest–the fest itself was as normal as it possibly could be. The call was coming from inside the house. The trip to Telluride afforded me the time to finally take a breath, and when I did, many things surfaced in my mind. Horror has always been a coping mechanism for me, so I supposed it was an apt time for some processing.

In all cases, it was much needed.

Bridal Veil Falls

Sure, three days of horror movies and events is enough to fill a weekend. However, considering we have to drive across the state to get to Telluride, we decided to cram more into the trip. Plus there is always that masochistic outdoor streak.

My father has been scolding me yearly for being in Telluride and not doing the Bridal Veil Falls hike, so this year, we finally got it together and did the thing.

The weather was amazing. My Viking heart was singing through the frigid snow contrasted with the blazing fall colors on the trees. I was euphoric and zen, in my total happy hiking place. We took the long walk through town to the trailhead to truly absorb it.

When we got to the trailhead, there was even more snow on the mountain and we were the first on the trail, so there was no trail. We had to trailblaze through the untouched powder the entire way up. It was an adventure. And a slog. Lots of slipping and sliding. For just over a mile, it was a journey.

Totally worth it. Gorgeous frozen falls times three. It was the perfect way to kick off the weekend and get the blood pumping before sitting in theaters for three days.

Author Stalking

One of the highlights of Telluride Horror Show for me this year was all the author events. Telluride always hosts an enviable set of author activities. I have seen Paul Tremblay and Jeremy Robert Johnson in previous years. Yet this year included Stephen Graham Jones.

I was introduced to Jones’s work this year when a beta reader suggested The Only Good Indians as a comparable title to my WIP novel. I read it and fell in love with that book and Jones’s style in general. I immediately devoured My Heart is a Chainsaw and Mongrels. I was hooked and so excited to see him in person.

Jones and Tremblay both read (and Johnson riffed) at the Creepy Campfire Tales. Then, prior to a book signing, the three held a Horror Summit to discuss writing and horror genre topics.

This all hit at a strange time for me. I find myself a bit lost in my writing career, and I’m not entirely sure why. I just released my fifth book (Followers) with Crystal Lake Publishing. I have wanted to work with Crystal Lake for a long time, and releasing a book is always a success, so I should feel happy and accomplished. I already have another novel drafted and ready to submit. Though it has garnered a bunch of agent rejections, I still love it.

So, why am I questioning my writing career? Why is my resolve weakening now? Listening to these professional authors speak somehow left me feeling even more conflicted, made the real dream seem even farther away. I left the events full of admiration… and increased self-doubt, which is uncharacteristic for me.

The Movies

The Telluride Horror show is really all about THE MOVIES! So what did I see?

Admittedly, I saw less this year than I usually do. My social stamina was not where it used to be, so I did not have the drive to attend every round of every day. We also had a baby in our party, so I took several child care shifts. Then I devoted a good portion of my time to the other events (authors and trivia). Plenty of horror movies still happened.

The viewing experience was somewhat off for me this year too. At first, being in a full theater was bizarre. It had been two years since I was in a packed theater. The first time I was seated directly next to a stranger, I found myself curling toward my husband, as if I was going to crawl into his lap like a cat. But I got over that quickly and reacclimated to being social.

More than that, my triggers were misaligned. Movies that were hyped up to upset me passed over my mind smoothly, while others that seemed inane stirred unexpected responses. Ghosts were moving beneath the surface of my mind that I could not identify. The horror called to them.

The Sadness

HOLY SHIT this movie. The Sadness gets every trigger warning. Graphic, gory, disturbing, fucked… but brilliant.

The movie is unsettling enough with its COVID parallels. The news reports sound all too familiar. Then it takes a swan dive off into horrific. Yet it is not splatter or shock gore. While traumatizing, it is all calculated. The despicable things depicted contribute to the story, drive the plot points.

The movie is about showing what terrible things are right below our surface, right under our thin veil of control or civilization. The Sadness renders a sublimely sickening vision of what is behind that veil. Yet it maintains lines where the camera pulls away and leaves even worse things for the imagination of the audience. That control made what is deliberate on screen all the more effective.

While a challenging and one-time watch, The Sadness is my favorite from the fest and a movie I needed to see.

Sinister Stories Shorts

The “Sinister Stories” shorts block included some creepy and interesting offerings.

Koreatown Ghost Story was my favorite short of the fest. Extremely succinct and unnerving, it offers just enough to draw you in and deliver the right impact. I loved it.

Face Not Recognized. Try Again has an interesting concept that left me with numerous questions. You’re Family Now delivered a creepy interpretation of grief.

Let the Wrong One In

Horror comedy is always a solid bet for our group. We love it, and even when it goes wrong, it is usually ridiculous enough to keep us entertained. Let the Wrong One In brings Irish vampires. One junkie brother shows up bitten instead of strung out, and things unravel from there. The movie is funny and entertaining as long as the brothers fumble in their own house. Once the story left that structure, it sort of lost cohesion.

Antlers

The big budget, mainstream closing night movie. I have very mixed feelings on Antlers. On the surface, it is a formulaic, highly produced, entertaining horror movie with a very good monster.

Yet the formula is also a bit tired. As the story borrowed the wendigo from Native culture, it felt like another instance of white characters telling a not white story. It could have been more interesting with a couple steps out of the typical box.

The ending is also pretty weak.

When the Screaming Starts

More horror comedy. When the Screaming Starts is a pseudo mockumentary about an aspiring serial killer starting a cult. The story has a lot of potential, yet much of the comedy does not land as strong as it should.

Broadcast Signal Intrusion

To be honest, I slept through part of this movie, so I’m not sure how inclusive my opinion can be. I was well schooled on the inspirations for the movie, which definitely made it more interesting. I found the first half very intriguing, a solid mystery. Then the movie lost steam. When I woke up for the ending, I was left confused and wanting (more so than from being unconscious).

Black Friday

I was potentially the most excited about Black Friday. Holiday horror comedy with Bruce Campbell? Yes please! I was expecting something in the vein of perhaps Krampus. I’m not sure what the fuck I got. I don’t know that the movie knew what it was.

I think I was expecting the commercial commentary to be foundational, a la Dawn of the Dead. Instead, it was more sprinkled like salt as random references. Then the threat shifts from zombie-like shoppers to some sort of amalgamation monster, and that transition is poorly portrayed. All the characters are extremely cliché, but it is not pushed far enough to be caricature. Ultimately, just so disappointing.

“Folked Up Horror” Shorts

Folk horror is not my preferred genre. I definitely have selections I enjoy, but I am in no way an expert. The shorts in the “Folked Up Horror” block were bizarre. The musical taxidermist in Stuffed is fantastic and more entertaining than I usually find musicals. Then The Wet Nurse personally traumatized me with breastfeeding flashbacks and horrifying potential. The others fell relatively flat or outright confusing.

Trivia

We always attend Fright or Wrong trivia and muddle our way through. By some miracle of betting on the right question last (in person) year, we won. We managed to pull it off again this year. This time, the feat was accomplished by the combination of having two experts in 80s horror combined with two strangers joining us more fluent in filmmakers and modern horror.

Win or lose, it is always a fun time. And ridiculously hard questions.

In the End

Despite whatever cycles or processing I had percolating under my surface, the breath this trip afforded me to acknowledge them was so needed. Vacations or breaks of any kind have been scarce since the pandemic, and I am glad that we used it for Telluride Horror Show. The fest managed to preserve itself and return post lockdown with the same level of horror, community, and events.

Can’t wait until next year!

Christina Bergling

https://linktr.ee/chrstnabergling

Telluride Horror Show: In Virtual Review

Posted: October 20, 2020 in film festivals, horror, horror movies
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I wanted to be in Telluride this weekend. I wanted to be up in the mountains surrounded by aspens ignited in golden leaves, walking through the crisp air to shiver in queue after queue for horror movie screenings at my fourth straight year at the Telluride Horror Show.

Yet, as with just about everything in recent days, the Telluride Horror Show went virtual this year. And, as with just about everything in recent days, it was better than nothing, but it was just not what I wanted. There is only so much that you can emulate online, especially when everything is now forced online into a distanced echo of what it used to be.

We do what we can under the current constraints. Telluride Horror Show definitely made every effort to virtualize the festival experience and offerings, so rather than spend another blog post analyzing my pandemic fatigue and depression, I will strive to stay on topic.

For the Shelter-in-Place Edition, the Telluride Horror Show endeavored to provide the variety of their programming and the sense of community in the usual experience online. Beyond feature films, the offerings included recorded campfire tales, director and/or cast commentaries, horror trivia, a virtual lounge, and other events I didn’t even get to sample.

However, it was all that: online. All that flat, glowing screen of the television or the smartphone. It was all socially distant. With all of life filtered through these damned screens lately, it felt so reductive. For me, rather than bringing me closer to the experience, it called attention to everything I was missing and could not currently have.

But that is just how my brain works in this pandemic.

We did the best we could, as we have been for months, with the situation. We gathered our cohort together to put on our own miniature horror fest. At times, it included children milling around in other rooms or yelling at uncooperative dogs. We employed a couple different venues for variety.

To be entirely honest, our viewing started out quite rough. The first few features we attempted were disappointing and seemed to amplify the bitterness of not being in Telluride itself. We really struggled with the film descriptions. We were misled multiple times over the weekend and found that, ultimately, we were missing the festival chatter, the reviews we would hear in lines between movies and at the bar from other movie-goers.

However, I do not enjoy writing bad reviews. As an indie artist, I do not like to rip apart something I know people put themselves into or truly loved. So, this festival recap is not going to be about how a virtual festival flirted with zoom burnout or which movies did not suit my particular palate. Rather, I am going to focus on everything the Shelter-in-Place Edition of the Telluride Horror Show did right.

Perks of watching from home:

  • Comfort: While the Sheridan and the Nugget theaters may be beautiful and storied (if not haunted) venues, they are not the most ergonomic after compound hours. Sheltering at home, it could be the couch or the floor or the bathtub or the backyard or all of the above! While I missed the long walks between screenings, some in our party who were relieved to be skipping them. And there was no shivering outside in line and zero waiting.
  • Convenience: In Telluride, we often encountered the dilemma of two conflicting screenings. However, at home, we were the film programmers. We watched the on demand movies, shorts, and events when we wanted and in the order we wanted. Had to pee? Pause! Needed a snack? Pause! Wanted to start early or run late? We could do whatever we wanted.
  • Concessions: While a normal Telluride includes sandwiches shoved in a bag, popcorn, candy, and booze, the home part of sheltering opened the door to much more elaborate snacks and meals. We could eat and drink whatever we wanted. Hell, we could have it delivered. The bar and the kitchen were inside our theater.
  • Conversation: A festival may be more of a communal viewing than a typical movie, with laughter and banter encouraged. However, it would still be disrespectful for a group of assholes (us) to chatter through an entire film. Yet, when that group of assholes is the entire audience, we could do what we wanted. Especially when we were not entirely enjoying the movie, rowdy joking was exactly what we needed to elevate the experience.
  • Cost: Holy cost effective! The Shelter-in-Place Edition included SO MUCH content for the price. And with the convenience of the format, we were able to consume so much more of it in the timeframe. Much more horror for each dollar spent.

Our viewing may have started rocky, and we may have missed a scheduled screening due to not fully understanding how those were working. Yet, we still found plenty of horror to enjoy in this year’s programming. I have never been able to watch so many shorts at a fest before!

My favorite films (in no particular order):

  • The Columnist: A horror comedy that reminded me of two of my books (clearly, the themes speak to me) where trolls on the internet push one writer too far
  • Bloodthirsty: A refreshing rendition of a neglected subgenre that finds a vegan singer struggling against all kinds of hunger as she works on her new album
  • Dark Stories: A clever anthology of spooky stories a mother tells a possessed doll to keep it distracted
  • Butchers: A rare exception to my distaste of the hillbilly subgenre with teenagers breaking down in the middle of nowhere and encountering a family of sadistic butchers
  • Possessor (honorable mention): A sci-fi mingling including an assassin who possesses others to execute her jobs until she finds herself trapped in the last host

My favorite shorts (in a very particular order):

  1. Keith: A little girl meets the monster under her bed
  2. We All Scream: A little boy is tempted by a clown in an ice cream truck
  3. Oh Deer!: A father teaches his son what to do when they hit a deer with their car
  4. Carmentis: A injured miner struggles to survive on a harsh planet
  5. There’s a Ghost in the House: A couple bickers over the appearance of an apparition in their living room
  6. Face Your Fears: A woman faces a challenge to concur her fear of the dark

In Review

This is going to sound fucking ridiculous and corny, but the truth is the truth.

<cheesyTruth>Horror festivals have always been about more than the movies for us. My husband took me to my first for my birthday (Stanley Film Festival). We made some great friends there, and they told us about the Telluride Horror Show. So we brought some friends and started attending. The next year, we brought more friends. Then we met more people, brought more people. It became its own thing.

The horror movies are always what we go for but are not what the experience is about. It is the trip and the experience–but mostly the people. This year, we could not have the trip and we had to cram the experience into the screen, but we still had (some of) the people. So we still had the part of our horror show that mattered. </cheesyTruth>

So cheers to more horror and more horror shows and to being able to bring it all back in person again in the future years!

Christina Bergling

https://linktr.ee/chrstnabergling

2019 in Review

Posted: December 31, 2019 in film festivals, horror, horror anthologies, real life, writing
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Another year has passed. I’m not quite sure how this one managed to fly by so quickly. It feels like I blinked last New Year’s and opened my eyes on the other side of Christmas. Some of this acceleration is my own fault for packing every moment of every day with activities and experiences. It is my Thoreau-based life philosophy to suck the marrow out of every second, yet I think I may have hit the threshold this year where I nearly sucked the marrow out of myself in the process. And the rest of it is just that I am getting old and the years cycle by more rapidly.

2018 was a heavy authoring and publications year. 2019 focused more on my non-writing life. Not really by my choice but rather the swing of the pendulum. My day job progressed into a lot more travel and a promotion. The travel often gave me more opportunities to write uninterrupted (completing a draft of my next novel, for example), yet more demands and more hours also got in the way of writing, posting, reviewing, speaking.

My personal life also required more of my time. From the inevitability of increased parenting obligations to death in the family and funerals.

2019, in short, was death and travel.

A lot of other things did happen, but those were the loudest themes.  Amidst drafting my latest novel (now deeply in the cycles of editing), I also did manage to get a few works published and to get out there and pretend to be an author.

Publications

March: “This Way,” “Prison,” “The Leftovers” in 100 Word Horrors 2

March: Screechers with Kevin J. Kennedy

March: “Awake” in America’s Emerging Horror Writers: West Region

“Malignant” (formerly released with Savages) in The Horror Collection: Purple Edition

While these few pieces (mostly in March) may seem insufficient to me, especially after the year of the short story in 2018, I have to remind myself that I wrote a novel too. It is not finished and it is not published, but it is written. The story exists outside of me, and that’s an accomplishment. If it does get published, it will be my second full length novel, after The Rest Will Come in 2017. Again, something worth including in the year review.

In 2020, I hope to be able to see the novel is under contract.

Events

In annual tradition, we attended the Telluride Horror Show. I won’t regurgitate my post on the fest, but it was a fantastic year. We saw great movies, participated in epic cosplay, and kicked ass at trivia.

The films were exceptionally solid this year, and I wrote up a couple reviews for Daily Dead again.

Against my better judgement, I also participated in another book signing event. After Behind the Mask in Nashville was such a bust, I swore I would never try it again. I made an exception for Deadly Reality at The Stanley Hotel. I won’t repeat that post either.

The event was not a great fit for me and my work, but I saw moderate success at the table. It was also a fun experience (mostly with the company I brought with me) and a great trip. How many times does one wander the halls of The Stanley Hotel dressed as one of the Grady sisters?

The weekend was worthwhile, but (once again) I have resolved to stay away from signing events. However, my collaborators and I do have eyes on new attempts and new events in the new year.

So, I made it through the year, partially skidding across the line on my face. I was distracted and tested but still managed to be a writer and accomplish a couple things as an author.

In my personal life, my goal is to make 2020 a rebuilding year. I need to simplify and regroup, reestablish the foundation so the whole damn house doesn’t come crashing down on me. I’m hoping this change will benefit my writing too, give me time and focus to prioritize writing. 2020 can be a rebuilding year for all things.

I’m not sad to put 2019 behind me, so happy new year!

 

Christina Bergling

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