2018 was a wild and busy year for me. Most of all, it was the year of the horror anthology. Take a look at what 2018 looked like for my publications.
Publications
January: “Jack Frost,” “You Don’t See Me,” and “Grand Slam” in 100 Word Horrors
June: “After the Screaming Stopped” in Graveyard Girls
August: “Upgraded” in Demonic Household
August: “Personas” in Colorado’s Emerging Writers (nonfiction)
August: “Look What You Made Me Do” in Colorado’s Emerging Writers (fiction)
August: “Whole” and “Under the Rapids” in Ink and Sword Magazine
September: “Duende” in Collected Christmas Horror Shorts 2
October: “Zoltara” in Carnival of Horror
October: “Freaks” in Carnival of Nightmares
Festivals
I attended my first author book signing event, Behind the Mask in Nashville, TN.
As has become an annual tradition, I attended the Telluride Horror Show.
My reviews for The Dark, Terrified, and Mega Time Squad are published on Daily Dead.
My other festival reviews are on my blog:
The year also saw me launch into some collaborations with other authors, a horror photographer, and an artist and return to performing as a belly dancer. It was a full, busy, and successful year.
Looking to 2019, I hope to add more books to my publication list, including a new novel. I also hope to be able to release more from my new collaborations.
I cannot thank you all enough for the support you give me. I wish you the warmest holidays and the best new year. And if you’re in the mood for some festive horror, check out my 12 Days of Christmas Horror
Here’s hoping you are just getting started in your successes! Fantastic year of accomplishments!
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[…] 2018 was a heavy authoring and publications year. 2019 focused more on my non-writing life. Not really by my choice but rather the swing of the pendulum. My day job progressed into a lot more travel and a promotion. The travel often gave me more opportunities to write uninterrupted (completing a draft of my next novel, for example), yet more demands and more hours also got in the way of writing, posting, reviewing, speaking. […]
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