Posts Tagged ‘depression’

Trigger Warning

Welcome to a darkly satirical little journey through suicide, suicidal ideation, self-harm, depression. Apply a heavy sardonic tone while reading.

I think I am having an inverted mid-life crisis. I am not trying to be young again, not groping at my youth or clawing to live longer. Rather, I don’t want to live at all. Instead, I want to skip to the end and be done living. My mid-life crisis is trying to find a reason not to die.

In a way only I could find humorous, this might just classify as me trying to recapture my youth—since this is exactly what I was doing when I was young.

I spent my teenage years in a painful blur. The sharp fragments that do surface from the haze are better left lost in the fog. I scratched incoherent calls for help into my flesh. I planted pills into my stomach and watered them with burning alcohol. I filled my lungs with smoke until I suffocated my own voice. I tempted anyone, everyone, everything to prove to me how terrible the world was and how I had no place in it.

In summary, I tried to kill myself after my conviction wilted with one failed direct attempt. If I couldn’t do it myself, surely I could tempt another way to find me. My writing career began when I documented this (see ”How to Kill Yourself Slowly”).

I squandered my youth crushed under the unhappiness of things already passed and figments contrived in my mind. I looked down at the genetic embers of mental illness and the low flames of trauma and poured gas until my entire world burned. The past swallowed the years greedily and spit me out, wasted.

Yet decades later, I find myself again on this same shore of a familiar sea. Somehow, it is like I never left, as if my footprints in the abrasive sand are still fresh and unfinished. The path before points to the waves. The dark water beckons, and the vicious sirens serenade my demise from the distance. The lyrics of their songs, the rhetoric they weave into my ears has changed, yet the pull to submerge myself into oblivion with them remains consistent.

I wish I could say that something clear and identifiable has happened. I wish that the call to the darkness was in an intelligible tongue that translated into logic. Yet the illness betrays itself in its clumsy, mute current. At its simplest, I feel this swelling wave repeating that I just want to be done. I am tired. Tired of pushing and trying and fighting. Exhausted of the cyclical repeat. Life has lost its fascination as enjoyment and hope has drained from almost every experience.

Sound like a symptom from a depression screening? I surely fail those every year. They have a pill for that! I can add it to all the other pills I have started taking. My body has turned on itself in a myriad of minor autoimmune conditions, manifesting suicidal ideation at the cellular level. Maybe next it will spell “end it’ on my scalp in alopecia bald spots or withhold circulation long enough to shed entire digits.

My hair does not want to remain rooted in my scalp. My blood does not want to pump through my vessels to feed my extremities. My stomach does not want to digest and process food. My brain does not want to wake up or engage the world. The body appears to be sending clear messages in multiple formats.

I am not even at home in my own flesh. My own body does not want me to stay alive, so why should I want to? Why should I battle both my brain and bone to keep going?

Half the time, it feels like my body is rejecting me. And when I look out of the eyes that do not even want me behind them, I only see bleak extremes. I see everything wrong with myself, my life, humans, the world, the future.

It does not seem like the time to worry about attending my twentieth high school reunion or accepting the permanence of baby weight or negotiating a better mortgage rate or deciding what to buy with the extra money I manage to scrape together after working the same years on repeat. It seems like the time to get off this demented merry-go-round.

Instead of giving myself a drastic makeover, chopping my hair and dyeing it red, I’ll shed this entire physical body. Instead of picking up a fitness craze and chasing the tautness of an Instagram celebrity, I’ll immortalize myself as under 40—forever. Instead of violating my relationship for a fling with someone young who wants to fill my inbox with pictures of their genitals, I will remain permanently faithful by creating a widower. Instead of making impulsive decisions like spending my 401K or quitting my job to make my mania blush, I will make one last permanent decision.

In the quiet oblivion, I would miss all the ugliness around me, all the noise inside my mind. I won’t have to stick around to see how this pandemic, next world war, political unrest, climate crisis, or any other historical plot twist unfold because (spoiler alert!) none of them are looking too good.

The ugliness in the world used to be a contrast point for me. It used to motivate me to identify and savor the rare beauty and joy in life. I have lost that. I feel only the dark and the ugly. Maybe it has been too long and I have become too complacent since the war zone, gagging on my own comfort and privilege. Maybe I have forgotten the face of true suffering once again, leaving me feeling sorry for myself.

Something has changed in me to bring me back here. My perspective has shifted. A lens has settled to stifle all the color, subdue all the joy, darken all the possibilities. Living has become robotic, detached, and contrived (uh oh, more symptomatic language). The experience has been reduced to a practiced rotation to amass material possession, create waste, and fight about issues that never reach resolution while the world dies. It all feels so futile and pointless, so much like running on a wheel that goes nowhere, and I no longer want to participate.

I feel like I worked my entire life and survived myself the first time to get to this future just to find out there is no future, just to learn the rest of life is only a repetitive struggle to survive and buy unnecessary shit until I die. And the gravity of that idea is heavy enough to make me want to chemically lobotomize myself to make existence palatable.

The easy answer seems to be to just STOP.

Randy Poe Photography

I have things to live for, of course. I have not lost sight of those. However, those things tend to only amplify and make this crisis more poignant. Loving my children fucking hurts. I keep seeing how I brought them into a world where people hate them for simply existing and their home is on fire every summer because the planet is dying. I think, what did I do to them? I wonder, what can I possibly offer them in all this?

With the way things are going, my husband wants to go off the grid, grow our own food, and sustain ourselves. I could fertilize the garden with my corpse. I would probably be more nourishing to my family in that capacity versus drawing trauma marks along their brains when they get swept up in the wake of my storm.

I could spare them my damage and grant them the fruits of my absence. Instead of worrying about dwindling resources and accumulating waste and what that will mean for my progeny, I can remove myself from the equation. I can offer up what I would consume and eliminate all the plastic husks that would trail behind me. One less viral contributor.

Who says living it out is better? Who says you need to know what happens? Sometimes, you need to turn the awful movie off or put the terrible book down. Sometimes, you need to get off the ride. Maybe we all would be better off if I just called it the end instead of the middle.

Just like when I was young, it seems so simple, so seductive. What if the first time in my teen years was my mid-life crisis and my return here now is simply the end? The math is right. I am about double the age I was then. Life could be one elegant, self-destructive circle with the conclusion back where I started. There would be a sick poetry in that symmetry. It would almost be like time travel, obliterating the happiness and good deeds done in the decades gap between these dark visits to the shore of oblivion.

Randy Poe Photography

Afterword

How much of this is overdramatic satire? You decide, but I do hope you slapped on the sardonic tone I requested. If you’re looking for optimism, you’re barking up the wrong blog. Have you read “How to Kill Yourself Slowly?” We don’t do that here. Writing is for the dark side of my mind. I am aware of how simpering and self-indulgent these posts are. But do not be concerned; I am fine. Obviously, I am not alone in a dark room plotting out the practical end of my life as I just blasted these feelings on the wide and public internet. I have dark emotions, and this is how I process them. Sometimes, things need to be written out to see how truly malformed they truly are. I actually firmly believe that nothing in life is permanent enough for suicide.

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

“Did you miss me?” she said into the abyss.

I have been out of it as far as writing, posting, connecting. What happened to me?

Christina Bergling

https://linktr.ee/chrstnabergling

Like my writing? Check out my books!

  • Followers – You never know who is on the other side of the screen. Followers is a mystery and thriller that blends women’s fiction with horror.
  • The Rest Will Come – Online dating would drive anyone to murder, especially Emma.
  • Savages – Two survivors search the ruins for the last strain of humanity. Until the discovery of a baby changes everything.
  • The Waning – Locked in a cage, Beatrix must survive to escape or be broken completely.
  • Screechers – Mutant monsters and humans collide in the apocalyptic fallout of a burned world. Co-authored with Kevin J. Kennedy.
  • Horror Anthologies

I want to give it all up.
All the striving.
All the pushing.
All the trying.
I just want to stop
and forget I ever wanted to.
I won’t.
But that’s what I want right now.
To quit.

Upon reflection, I realize I have motivation cycles. Perhaps more aptly, I have bouts of despair or abandonment compulsion (I WANT TO GIVE IT ALL UP) cycles.

I seem to fall into these sinkholes in the following circumstances:

Annually

As a horror author, fall is a significant time of year. Halloween and spooky season are ultimately horror season. This is the time of year when I should feel the most engaged, excited, and inspired. This is the time of year when everything I love should just be in the air around me. Yet, more and more each year, I just feel daunted. The expectations of the season have almost sucked the joy out of experiencing it.

Launching a Book

Again, a time when I should be thrilled. I am an author, and I have a book being published. This is what it is about! This is the success! Yet it is simultaneously so draining. It is like the last mile of a marathon or labor at the end of pregnancy. Yes, a wonderful accomplishment and bliss is on the other side, yet as it gets closer, it feels farther away. As I slog through promotional preparations and launch requirements and steel myself for the incoming negative reviews, it feels like I will never cross the line, my baby will never see the world.

Querying a Book

Trying to get a novel published may be a torment only surpassed by editing the damn thing. After pruning, packaging, fluffing, and presenting the manuscript with more diligence than when job hunting, my tender heart is only met with a barrage of rejection or silence. Insecurity, doubt, and self-loathing are all that swell to fill that void.

Looking at the Numbers

Any numbers. All of the numbers. Sales. Downloads. Reviews. Followers. Works in my library. No matter how I grow them, they seem insufficient. No matter how I scrape, they never seem to match the effort. Comparison is the thief of joy, as I tell my children, but these numbers are all based in comparison to other numbers I never meet.

Any of these things, all of these things weaken my resolve, cue my insecurities. Each beckons sweetly to just set down the heavy burden of the dream and let it simply float away forgotten.

This round, it is more than a beckon, and it is surely not sweet. I don’t just want to quit writing. Life itself is beating me up, for many reasons, and I want to quit just about everything. Add to this that I am experiencing ALL of these triggers at once. Fall and Halloween are approaching. Crystal Lake Publishing is releasing my novel Followers on September 24th. I am currently querying my novel Green Eyes to absolutely no success. And all my numbers mock me as my socials seem to have died.

It is all the things, all the things that make me want to give up on being an author.

What makes me not want to give up? Writing.
What am I not doing? Writing.

If I remain calm, I know from experience that these things will pass. I will excavate my motivation again. Yet the confluence of all the triggers compounding the angst and depression from the rest of life is challenging.

I feel overwhelmed and burned out. The chorus of the world right now.

I want to quit, but I am not going to. This too shall pass. I will ride this wave back into the writing for which I am here.

Christina Bergling

https://linktr.ee/chrstnabergling

Per my marketing plan (that I am trying to hold myself to), I am supposed to be writing a blog about my book Savages.

However, if I’m honest, my mind is like quicksand lately. Thoughts turn into holes that swallow and crush me until I can no longer breathe. Motivation and focus are figments I cannot seem to get my hands around. Whenever I seem to catch my balance, a hole in the bottom of my brain opens, and I am dragged below the surface again.

I am in this place for many reasons. Things happening in my life, my brain itself. This place is not new. I am a frequent visitor.

And perhaps these broken fragments of my mind do piece back together and relate to Savages. Savages started in this place, after all. The idea came from the darkness, blossomed in my hopelessness.

Sometimes, there is inspiration in the darkness.

Other times, like now, there is mental catatonia there. Lethargy. Detachment. Resignation. Overwhelm.

Yet Savages came from that terrible and wonderful balance when the darkness pinched and sliced and bled some brilliance out of me. I took everything awful I felt and tried to say something beautiful with it. Did I succeed? You would have to read it to decide.

When I read Savages (and I have and I have listened to the audiobook), I always feel the same swell of emotions that inspired and drafted the book. Savages will probably always be my baby, my first book and my first love. They are all still tucked right behind the words. I feel all the darkness soaked into the pages. So I’ll never be able to see the work objectively (as if the author ever could). It will always exist in the dark place for me.

I don’t know why depression and writing walk hand in hand for me. Mania and writing surely do not, though I would love to fuel my craft with that energy. There is just a certain point in the descent, a certain shade in the darkness where my mind unfurls and all the words pour down on me. Any deeper and it swallows and crushes me, but before that pain is some terrible sweet spot.

I have been asked if it is worth it, to suffer the pain for my art. On some days, curled up at the bottom unable to think, I would say no. However, on most days, when I hold something like Savages in my hand that was born from that darkness, I do not even hesitate. It is always worth it, and I honestly do not know how I would function without it.

If you want to read my dark baby, you can find Savages here: https://www.amazon.com/dp/B07C2T88RZ/ I personally recommend the audiobook, but I might just love to hear my words in someone else’s voice.

(Apologies for the detached brevity. Hopefully, next month finds me more solidified in my efforts.)

Christina Bergling

https://linktr.ee/chrstnabergling

Yesterday, I got my semicolon tattoo in a now cliche display of suicide and self-harm survival. It was a last minute addition when I was sitting to get flowers added to my seasonal sleeve. The tattoo may be fully mainstream now, hiding on the wrists of strangers all around me, but the metaphor still speaks to me. As a writer, a punctuation mark to symbolize choosing to keep going speaks to me. I could have ended my story with a period but chose to keep writing.

It was 24 years ago when I was first suicidal and continued for roughly a decade after that. Years saturated with depression, pain, self-harm, self-abuse, awful life choices, and consequences. As my oldest child approaches the age I was when I first wanted to die, when her problems appear so simplistic and her understanding of life and the world so rudimentary, I remember how adult those emotions felt.

Wanting to end everything at 12 felt exactly the same as cutting my arm open at 19, feels exactly the same as when the depression gets black now. The emotions are exactly the same; it is my understanding of them and ability to deal with them that has evolved. I have matured and grown up around them. Yet they were just as real then; they only looked bigger and scarier. They filled my small body then. Now, they curl up in a corner in the back.

I need to remember that as my children approach that age. I need to remember that age and experience don’t decide what the pain feels like.

The dark time in my life somehow simultaneously feels like yesterday and another life completely. It both feels like the core of me and something that happened to someone else. In either case, it left a mark on my mind and who I am. Now, it has left a small mark on my flesh.

I’m not sure why I chose behind my ear. Maybe I’m just running out of canvas. Maybe I wanted it close to my brain, where the darkness has lived. I chose the right side because that is the side I write with and to balance out the wedding ring tattoo on my left hand.

I have a strange unbalanced symmetry in my ink. Both wrists, both upper arms, both shoulders, both shoulder blades, both ankles, a couple along the center of my spine, a finger on one side, and behind the ear on the other. Ink therapy. A map of many of the places I have been. How could I not have such an early milestone, such a formative part of me?

I think that dark and self-destructive period of my life is important. It taught me potentially the most about myself and about life. I continue to learn from it as I compare the way my life unfolds to that baseline. Perspective. It gives me and keeps things in perspective.

So now, I keep going. I keep writing.

 

Christina Bergling

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Releasing my novella Savages as an audiobook was a new and bizarre experience as an author. As many nights as I spent writing the book and as many times as I’ve read it over, it was something completely different to hear my entire story aloud in another voice. I loved it, so I decided I wanted to create some YouTube videos reading my own works.

I had to start with “How to Kill Yourself Slowly.” This is the first piece that I ever had legitimately published. I think this piece is where I discovered myself as a writer–my style, my themes, what I had to say. It also got so much response. The people in my creative writing class reacted very strongly. When I posted it on my blog at the time, I received hundreds of comments and emails. I have talked about it at high schools. People have found me on social media from it.

“How to Kill Yourself Slowly” has been out there in the world for maybe 15 years. Yet somehow when I started reading it aloud, it felt more vulnerable, more exposing. The feelings were strange and unexpected, and it actually made me nervous and hesitant to go through with releasing the reading. I felt freshly embarrassed about my past; I worried about how it would sound and how the people referenced in the piece would feel. It feels like being naked in a crowd of people. More than that, it feels like then peeling off my skin, cracking my rib cage open so you can get the full show.

I turned 36 yesterday. I felt compelled to post this because I almost didn’t turn 13 or 18 or 20… That is important. That matters. Aside from the fact that it has been out there for so long already, I kept thinking about all the comments and emails, the people saying that reading the piece helped them or saved them. And I had to post this.

 

 

 

Christina Bergling

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When I started “modeling,” I think I was chasing a way to feel positively about my appearance. In the wake of my most self-destructive phase, I needed to manufacture some semblance of confidence from the shattered pieces of my sense of self. I knew I could never be classified as conventionally pretty or skinny, but I wanted to make that art. I wanted to see myself differently, from the outside.

Over the course of this clumsy dabbling, I worked with photographers with whom I could collaborate, and our visions collided and amalgamated into what I considered my visual style.

But I never did feel better about myself.

My pseudo eating disorder raged. I would starve myself and not eat on days I did nude shoots, as if lunch or water made a perceivable difference. I would turn the pictures on myself, use them to catalog my flaws, use them as a qualifier of my worth. For as much as I have never prioritized aesthetics for any other person, the toxic tentacles of the damage in my brain always made me one-dimensional to myself. It was as if my physical body was an entirely separate entity from the rest of me, judged meticulously by only its appearance–by ever-sharpening criteria. I was never going to be “thin” enough or “pretty” enough because it was never about how I looked. Self-destruction had been driven out of my heart only to make a hidden home in my eyes and my flesh.

Yet I continued to play in front of the camera. The symptom was never the disease. I modeled until we moved back to Colorado from Tennessee. Then I was no longer dancing, I had no established relationships with local photographers, and I had another child. By this point, I resigned myself to simply being too old and the pictures being a closed chapter in my life.

Then I mentally evolved again.

Two major changes happened. Most importantly, perhaps at the root, I finally made peace with the damaged and self-destructive persona in me. I have been analyzing, flirting with, writing, and being her half my life. This time, I actually forgave her, forgave myself for what I did to us. I released that blame and those consequences that it felt so safe to hold.

Perhaps as a side effect to this or maybe as a tangent effort, I put my atypical bulimia to bed. In vain attempts to restore myself after my son, I spent years obsessing and fixating, starting and torturing myself, punishing my body to the point of multiple injuries. Then I discovered intermittent fasting.

I had attempted numerous diet and fitness paradigms, yet fasting slipped on like a glove. For all my anxiety about not eating and hanger, it was just what my brain and body wanted. Needed.

And impossibly simply, food was no longer an issue. The numbers were no longer an obsession. Just like that. It seems utterly unrealistic. I am neither the weight or size I “want,” yet I don’t care. I am happy. I am comfortable. I have finally grasped that confidence that launched the entire endeavor.

It is possible I have simply outgrown some of the fixations. Life continues to get bigger. Maybe I am old enough to just give no fucks anymore. Yet a part of me still fears this is a trap set by that self-destructive girl, a false summit. Feeling authentically good in my skin feels alien, so forgotten it’s almost foreign. I have reservations over so many years of struggle culminating in so seemingly simple a fix.

But I’ll ride this wave until it sends me crashing onto my face.

In this place, I have returned to modeling. Yet this time is not motivated by a search to find something in myself. This time is not a band-aid over the tear in my mind. I am not trying to prove to myself that I look worth something.

I am trying to look scary and disturbing.

I have launched into a new collaboration with members of my “commune.” The photographer is establishing her visual voice, and I am happy to play test subject. We both love horror and have already collaborated on one of my novels. With the addition of a blood minion, we are collectively chasing beautifully disturbing images.

Successfully so far.

The difference is where I am coming from. I no longer feel infected by that pervasive insecurity. I am no longer worrying if the wrong position creates a bulge; instead, I am making sure the fake blood is dripping right. I am able to look at the pictures and see the image rather than all the things I am not.

I have worked with some amazing photographers over years (and plenty not), but there is something unique about laughing your head off as your “sisters” ladle chocolate fake blood on you, about collaborating with women who have held you up most of your life.

The fact that the pictures are turning out is just a bonus.

Christina Bergling

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I recently had an otherwise innocuous experience dig up some very old and relatively unrelated trauma. Considering the disconnect and the disproportionate emotional surge, I considered this a warning sign and an indication that I should probably finally go and address the issue. I have effectively avoided actually discussing it in 15 years of sporadic therapy.

So I brought it to my current therapist. We exhumed the 17-year-old skeleton and its nearby relatives in the strata of my emotional past. Now, I have been tasked with “forgiving” 17-year-old Christina.

What does this have to do with horror? you may ask. Or writing? Or horror writing? In short, NOTHING. A sane person would probably do all this processing privately on hidden paper. I, however, am an extrovert and an exhibitionist. Besides, if I write something and no one reads it, did I even write it at all?

The idea of forgiving 17-year-old me is oddly unnerving. I think largely because my entire identity and concept of self at that age was defined by self-loathing. My pain bred self-destructive behaviors that caused consequences that inflicted more pain, a little self-fulfilling cycle. And I blamed myself for all of it. I turned all that hate and pain in on her.

But what are her crimes? What do I need to forgive her for?

Sexual assault. This is the beast that was awoken by a doctor bending me over a table to administer my plasma injection. Even now, I hesitate to classify that long-ago incident as a sexual assault. In all honesty, I do not remember what happened. My memory was fractured and hazy then, and it has not improved in 17 years. I know I got very drunk with an older guy I did not know. I know we ended up having some kind of sex. But I do not know what I consented to or did not, and I do not know the extent of what happened. I would not feel comfortable using words like “rape” or “sexual assault” if I wasn’t sure, and I’m just not. But I also don’t know what else to call it.

I knew something was wrong in my reactions though. The guy pursued me heavily afterwards, and whenever he called, I experienced uncharacteristic anxiety. Not nerves, not shame or regret, something near physical panic. Then, when I did actually see him once after, I trembled so uncontrollably that I spilled a shot all over the kitchen trying to take it. This was not embarrassment. This was something else.

Why is this my crime though? I obviously blamed myself. I should not have been there. I should not have drank whatever it was he gave me. I should not have put myself in that situation. But beyond that typical reaction, I think the ambiguity of the circumstances always turned on me. Since I never really knew what happened, I could never resolve if I was a victim or just a stupid girl who consented to something she regretted.

Ultimately, it does not matter. Whether I put myself in a position that got me assaulted or I got blackout drunk and consented to something I did not want to do, it’s not a crime. 17-year-old me made stupid, naïve decisions. She made mistakes, which she learned from. Neither scenario is unforgivable.

Miscarriage. Let’s just note upfront that this offense is unrelated to crime #1. Same year, different circumstances. But I did miscarry a child that same year. I did not know I was pregnant, and it had to be relatively early in the pregnancy.

I blamed myself entirely for this unplanned and unknown accident. I told myself I must have drank the baby to death, that it must have rejected me for some reason. Nevermind that I could barely keep myself alive at the time and would have made the absolute worst mother. It was just another, much larger transgression to beat myself up over.

I did make peace with this one long ago. Maybe even before having my children. I matured into more perspective about pregnancy and circumstances. Occasionally, I will do the mental math on how old my child would be, but largely, I have buried the loss.

Self-mutilation. I would love to say this was a coping device for the previously described traumas. It was not. This behavior predates the majority of this list. That first lighter to my stomach in the parking lot honestly feels like the catalyst to all that followed. The pain was first. The overwhelming, soul crushing, swallowing pain I could not explain or identify. The burning then the cutting was how I coped. And that always felt like a weakness.

And that is always what my father and my friends told me it was.

The practice fractured my personality, creating personas for the victim, abuser, and bystander. Injuring myself turned me on myself, made that self-hate part of who I was. I have not deliberately charred and sliced my own flesh in 15 years, but I would be lying to say that it was not still with me. Right before my recent hamstring injury, I felt a dangerous flirtation with the idea of being hurt.

I got what I deserved for thinking that.

Substances. In the spectrum of drug use, even at my worst, I probably still rank relatively low and mundane. However, it is relatively undeniable that I tried to drink myself to death when I was 17. And even more undeniable that my pursuit of alcohol resulted in a lot of the problems and crimes I’m discussing here.

I was drunk for an entire year. Every single day, no embellishment or hyperbole. I managed to find some way to indulge every day, and sometimes the cost of that resulted in more of the consequences previously discussed. I made extremely stupid and dangerous decisions in pursuit of these substances, and I am fortunate that more awful things did not befall me.

Alcohol and pills were another crutch, another weakness. And so they were another thing for me to judge and condemn myself for. I couldn’t handle my perfectly acceptable life, so I was just a weak addict.

Being crazy. The crux. I think this is what underlies it all. I think this is the ultimate root of this entire list of crimes and infractions, mistakes and regrets. At the time, at that confusing age of 17, I had no idea what was going on in my mind. I did not understand why my emotions raged so extreme and in directions opposite of my stimuli. I could not see when my perceptions were fractured or distorted. I had no perspective on myself, my life, or really anything.

All I knew was that I was broken over nothing. And that seemed like a perfectly reasonable cause to hate myself.

I fought my diagnosis with all I had. The idea of “just being crazy” like my mother, like my family upset me to my core. Everything I was feeling, everything I was had to be more than that. I could not wrap my brain around the idea of being reduced to chemical reactions and learned behaviors.

Now, that I have accepted and integrated the realities of my mind, it seems silly to harbor such resentment at myself over something I have no actual control over. Yet I feel that somewhere deep it still lingers. Maybe under it all, always under it all, I am mad at myself for being crazy. How can I make my insanity such a part of my identity now while resenting myself for it? Perhaps this duality, this contradiction is what binds me to my 17 year-old traumas.

I blame crazy for all the bad things that happened to me, and I blame myself for being crazy. It feels stupid to say yet somehow rings true.

So I guess, in the end, I need to forgive myself simply for being me.

Christina Bergling

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Last weekend, I took myself on a little miniature tour through Tennessee. As with all things in my life, it was a whirlwind.

Initially, this entire trip was planned around attending the Behind the Mask Author Event. I had never previously done a mass book signing event, so when the organizer invited me, I figured, why not? I might as well try it out, investigate and experiment for myself. I selected this particular event because it was located in Nashville, so I could pair it with a visit to Chattanooga.

I lived in Chattanooga for about five years. It has now been five years since I returned home to Colorado. We moved for my husband’s job. I briefly deployed to Iraq with my job then returned to working from our new home, knowing no one. Eventually, by several clever turns of fate, I found the morbid cabaret belly dance troupe (yes, such a thing does miraculously exist) the Corpsewax Dollies. These girls became my community, and dancing with them became my passion.

I leaped at the chance to pair an author event with a more nostalgic visit. Plus, having that time with the Dollies served as a safety net. Even if the signing was a complete, depressing bust, the trip would not have been for nothing. The Dollies then sweetened the deal by planning a show for me to perform in with them and allowed me to dance as my own serial killer Emma (from The Rest Will Come).

Undoubtedly, I have missed the Dollies themselves the most. The sisterhood, the community, their devilishly individual personalities. Yet the lack of the stage and performing in my life has also left a vacancy. A vacancy I never really confronted since I have not performed with them in five years (since my farewell show) and have only done haflas with the teachers I have taken up with back in Colorado. My performance life was never grand or exceptionally successful, but there is simply something different about dancing on a stage versus dancing in a classroom.

Between the book signing in Nashville and performing in Chattanooga, the trip became something of a mini author/dancer tour.

I flew into Nashville on Thursday night. The travel in itself was quite the adventure. I ended up stuck in traffic mere miles from the Denver airport when a truck ahead of us overturned. Then I spent almost two hours on the tarmac waiting for the plane to be deiced. Once we actually flew and landed, the Nashville baggage throwers jammed the carousel with our bags. A semi trailer blazed in full flames on my drive down to Chattanooga in the fog. A surreal comedy of minor errors.

But I did make it.

Even from the first steps off the plane, things felt very strange on this trip. When we lived in Tennessee and traveled, my husband used to say that the minute we hit Tennessee airspace, my disposition changed (read: I became a bitch). In this same way, when I exited the airport, it felt almost as if I had never left, as if I hadn’t left a life in Colorado to return. I have returned to Tennessee before this, and it has felt like picking up where I left off, but nothing like this amnesic feel. However, I dismissed it and carried on.

On my first day back in the Dirty South, I met my first and former running mate (the Dolly I was staying with) on the Riverwalk for a run. After I had my daughter, she had been the unfortunate victim who took up running with me. We spent countless mornings and an untold sum of hours jogging up and down that riverwalk. In the dark. In the rain. In the heat. Like dance with the Dollies, the activity became foundational. Running remains so for me now.

After the run, I met with Ricky Davis of TRD Photography to get new author headshots. After all, I have not been orange for some time now, so my current ones seem a bit like a lie. I figured might as well get them refreshed with a photographer I knew from back when I utterly sucked at “modeling.”

That night, dress rehearsal. Back in the studio with the Dollies preparing for the show, just like old times. The experience was strangely gut-wrenching. Simultaneously, I felt the vivid joy at being back and the searing pain at knowing it was fleeting. I felt welcomed and included yet inevitably on the outside. The contrast, the duality was visceral. I couldn’t stop smiling, and I also wanted to cry. I simply savored every moment of it.

Saturday was the epicenter of the trip, the author event itself. One Dolly and I got up painfully early and drove back to Nashville. Navigating the venue and parking and unpacking and locating the event was laughable clusterfuck, but, again, we made it. She was instrumental in getting me where I needed to be, especially when I kept sending her back to the car for everything I forgot.

When we walked in to the ballroom and looked over the other tables, I knew I did not belong at this event. Most tables boasted huge standing signs advertising the author’s name. From the macro pictures of chiseled male abdomens and pink calligraphy of the font on these signs, from the chapstick lined up and chocolate strewn over the tables, I knew I had stepped out of my genre. Somehow, I had ended up at a romance author book signing.

One might argue that The Rest Will Come is a dark romantic comedy. One could say that sexual tension is at the root of Savages. One might even try to argue that The Waning offers an extremely twisted love story. I would say that a romance reader would not agree on any of these points. I knew I was incongruent; I just did not know if it would be a good thing to stand out or not. I did not know what to expect from any of it.

In the morning, the readers steadily trickled through. I sold a book here or there. Many potential customers wrinkled their noses and walked faster once they realized that horror graced my table. I did have some delightful conversations regardless.

The crowd dwindled around lunch time, and instead, restless authors began roaming the booths. These romance authors seemed quite excited about what I offered in The Rest Will Come. I ended up selling more books to other attending authors or their support crews than any person who bought a ticket.

The afternoon monotony was salvaged by the arrival of more Dollies. They arrived to buy a good chunk of my books and keep me company. By this point, authors had abandoned all professionalism, walking between booths to talk other events, drinking bottles of wine or eating at their tables. I elected not to wander but still connected to a few kindred spirits and was annoyed by others.

The book signing event finally rounded to a anticlimactic close; however, it went better than I anticipated. Not as well as I could have hoped or dreamed, but I ended up selling about half of my books, enough to not have to ship them home. I had feared I would not sell a single book, so I considered this result a win.

The Dollies and I retired to our hotel room to drink and prepare for the masquerade ball that was a part of the author event.

The masquerade ball was terrible. We arrived an hour late to find less than ten people sitting idle at tables in the dark, barely even speaking. The provided food was minuscule, and the drinks were grievously overpriced. We ate the miniature food and had a weak drink. We watched the DJ fail at enlivening the crowd. By the time we bailed, there were maybe 20-30 people there, but the entire thing felt like a flat wedding reception. Free booze and sleep at the hotel was much more appealing.

Sunday, back to Chattanooga! Admittedly, my brain was a bit raw from the event. After so much unknown and anticipation to see if it would break my author heart, I felt overstimulated, maybe emotionally hungover. Then, I also spent some time driving around the city by myself, which allowed strange feelings to swell over me. The nostalgia became paralytic at times. In the quiet, I was confronted by shapeless emotions I had not anticipated. I did not know how I felt, only that I felt. A lot.

Yet there was no time for all that. Sunday night was the show.

This serial killer show was held at the same venue where I participated in the majority of performances during my time. Despite the name change and some fresh paint, it remained largely unchanged. Once again, this was somehow both comforting and upsetting, forcing my mind to awkwardly straddle the past and the present.

After crawling into someone’s head to craft the character of Emma, it was ridiculously fun to pick a dark anthem for her then fetish her up into a costume. I ended up looking like some gothic lumberjack with a bloody shovel, but I don’t think I would have cast her any other way as a Dolly. With my bloody shovel, I danced to a solo I choreographed myself. More nerve-wracking than dancing to someone else’s!

It was a blast. All of it. I managed to not completely mangle the dances I was in, even those learned over a tiny screen and Google Hangouts. Even if I did mess up, I didn’t care. I just laughed and kept dancing, kept watching, kept cheering.

Afterwards, the Dollies put on a fire show in the parking lot. I definitely wish I had been around when they started playing with fire. It was amazing to watch.

Then it was tearful goodbyes in the parking lot and a midnight run to Waffle House.

On Monday, it was over. All the Dollies were at work and back at their lives as I packed myself up and headed back to the Nashville airport. From the moment I woke up (after not much sleep), my head was an absolute disaster. Though I had imbibed the night before, I do not think I was hungover. I managed to rouse with zero physical symptoms, and I did not feel drunk at the time. However, my memories for the previous night were scattered and fractured. I would say definitely drunk except this effected lasted until I napped on the plane.

This oddity was unnerving in itself, but it was also coupled with the most crippling depression I have felt in months. The emotional surge went so far as to affect me physically. I felt like I could not breathe, like I should not move. This is not entirely unfamiliar, but it has been so long since the depression reached so deep. Again, this could be attributed to alcohol, but it hinted once I hit Nashville and had no accompanying hangover.

I drove past my old house and managed to make it worse. I am not sure why. I miss the Dollies, but I do not think I miss living in the South or that house in particular. Though my husband and I had my daughter and became a family there. Perhaps it was the swell of memories on a vulnerable mind. Perhaps it was that many of those memories are edged in pain and depression akin to what I was feeling. I cannot accurately say because my mind’s narrative was so splintered as I was experiencing it.

Whatever was happening made my travel home excruciating. The logistics themselves were fine. I arrived to the airport early. My flight was on time. I had a lovely friend willing to pick me up. All of that was easy, but my experience of it was terrible. I felt like I was barely holding it together the entire time.

Again, I am honestly not sure why. I used to feel somewhat similar (turned WAY down) when I would visit Colorado while living in Tennessee. I have returned to the Dollies before and do always feel these feelings (turned WAY down). I don’t have an explanation as to why emotions ran so high this time. Did I dissociate? Did I depersonalize? What happened? I only know it has taken me almost four days to resurface.

All told, the trip was a rollercoaster. Emotionally more than anything. Yet I would not trade a single moment. Even the darkest moments made the pleasant ones burns all the more bright. I am still glowing. And maybe crying too.

As far as authoring, I think I learned some valuable lessons. My first publishing contract included a marketing class, to teach us to sell our own books. One basic premise was to not do BOOK things. Don’t do book events or book venues or anything centered around books. The idea being that you place yourself in direct competition with other books. Instead, it would be more advantageous to be the only book where your target audience might be.

After this experience, I can see it. I think I agree completely. But I needed to try it. I needed to experience it and learn for myself. Now, I know. Now, I have other ideas of what to do and try.

Tennessee the mini tour, totally worth it.

Christina Bergling

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Some days (most days), I do not have time to be crazy. Yet crazy I remain.

I just surfaced from the longest depression cycle I can remember since I used to drink all my feelings. Unlike my usual three day lows, this was over a month of symptoms reading like a flyer for depression, which is nothing like my usual experiences. Sleeping did not reset it. Talking did nothing. I could not run or dance it out. It was just depression, without cause or end.

Such mundane, typical, relentless depression is decidedly inconvenient for someone as I busy as I keep myself. I learned, in this odd cycle, that I cannot multitask while depressed. It is like my brain is half paralyzed. Thoughts are heavy and slow, and suddenly one monopolizes all my synapses.

For the usual day or two, this is not a big deal. For multiple weeks, this was an epic wrench in the system. I am sure my frustration at the reduction in my productivity and focus only served to enrage the repressive fire.

Yet, on the flip side, depression stimulates my writing. Apparently, I have to devote full attention to it, but it awakens a different part of my brain. Different ideas, which only appear in this mood, flourish. I can write in any mood, but it is a specific experience in any variety of depression. It feels like a door opens in the back of my mind, like the veil between conscious and subconscious becomes thinner.

So the writer’s mind unfurled below and around me, yet the rest of my life suffered. As I climb out of the hole, I am standing in the crater of everything I need to catch up on. Sometimes, when I try to do everything (work and write and be a mom and be a partner and be active and take care of myself), I feel like I fail a little bit at all of them. Since nothing gets my full attention, everything suffers.

Sometimes, it fells like it’s never enough.

Yet I don’t know any other way to be. I can’t give up any part of me. I have to work, but I also have to write. I have to take care of my family, but I have to take care of myself to do that. So reduction is not really an option, but I don’t have time for these hindrances. I don’t even want to dare sickness or another damn injury.

I am just glad to be on the other side. For a while, my mind did not feel like my own. My thoughts and feelings moved in such alien patterns that I felt lost on foreign terrain, like an intruder in my own bones. I just wanted to be able to function like myself, feel like myself, just be without thinking about it.

But I can feel “normal” cresting. I can catch of glimpse of the other side. Hell, I was manic earlier this week. If anything breaks a depression, it is mania. If nothing else, cycling and movement in my moods is part of my normal. I need to ride the wave. I don’t know how to exist on a placid sea.

In any case, I have to pull my shit together. October starts on Sunday, and October is my season. Horror season. Halloween season. The busiest month of my year. In addition to all the customary Halloween traditions and celebrations, we are attending the Telluride Horror Show. Plus there is #31DaysOfHorror, to which I am adding a bingo game this year. And, after a laundry inventory, I am going to rock all my Halloween/horror/goth attire for the month for #Hallowear.

I’m on the other side now; let’s do this.

 

Christina Bergling

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facebook.com/chrstnabergling
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chrstnaberglingfierypen.wordpress.com
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